Anzor Salidjanov conducted an experiment in 2009 that changed his life. In the poky gallery within the ancient city of Bukhara where he sold “monotonous”
Anzor Salidjanov conducted an experiment in 2009 that changed his life. In the poky gallery within the ancient city of Bukhara where he sold “monotonous” paintings of “minarets, donkeys, and camel trains” to tourists, Salidjanov decided to hang a couple of his photographs.
How does technology ‘see’ us? Inviting us to peek through the vision of a computer, these altered archival pictures make visible the visual language of recognition algorithms
via LensCulture: https://www.lensculture.com/articles/marcus-desieno-recognition-patterns
How does technology ‘see’ us? Inviting us to peek through the vision of a computer, these altered archival pictures make visible the visual language of recognition algorithms.
Congratulations to Barbara Zanon for her Third Place win in CENTER’S Editor’s Choice Award for her project, The daily life of 3 brothers with autism The Choice Awards recognize outstanding photographers working in all processes and subject matter. Images
Congratulations to Barbara Zanon for her Third Place win in CENTER’S Editor’s Choice Award for her project, The daily life of 3 brothers with autism The Choice Awards recognize outstanding photographers working in all processes and subject matter. Images can be singular or part of a series. Winners receive an opportunity to be part of the Winners Exhibition at El Museo Cultural de Santa Fe, complimentary participation in Review Santa Fe, and an Online exhibition at VisitCenter.org.
Chicago went into lockdown on March 21, 2020. Since then, Craig Semetko has barely left his apartment. Yet he has never ceased to document these exceedingly strange times with his Leica.
Shot exclusively on iPhone, Leandro's portrait of his home in Sicily is an up close and personal documentation through the eyes of a local.
Shot exclusively on iPhone, Leandro’s portrait of his home in Sicily is an up close and personal documentation through the eyes of a local.
Rafael Heygster and Helena Lea Manhartsberger’s collaborative project captures the surreal tensions created by the rapid normalisation of new rules and infrastructures
via British Journal of Photography: https://www.bjp-online.com/2020/05/coronavirus-germany-rafael-heygster-helena-lea-manhartsberger/
Rafael Heygster and Helena Lea Manhartsberger’s collaborative project captures the surreal tensions of life during Covid-19
For the first time in my career I decided not to cover a major event. I’m seeing something more timeless and universal.
Link: https://www.nytimes.com/interactive/2020/05/16/magazine/covid-quarantine-family.html
I was in Australia, working on a photographic project on the aftermath of the wildfires, and there was a moment when I realized that this pandemic was not being contained. It was spreading everywhere. My family was back in Switzerland, and I was playing these scenarios through my mind: Borders being closed. What if I get sick? What if I get stuck? What if my wife, Kathryn, gets sick, and I can’t reach her?
Springtime Nightmare By Joel Pulliam I moved to Tokyo with my family in 2018. For nearly two years, life was happy. Then, without warning, my young daughter died. Can art begin to convey a father’s…
via burn magazine: https://www.burnmagazine.org/essays/2020/05/joel-pulliam-springtime-nightmare/
I moved to Tokyo with my family in 2018. For nearly two years, life was happy. Then, without warning, my young daughter died.
Best known for large format photographs of the post-industrial Chinese landscape, Zhang Kechun produces epic vistas that extol and underscore the sign…
Best known for large format photographs of the post-industrial Chinese landscape, Zhang Kechun produces epic vistas that extol and underscore the significance of landscape in modern Chinese national identity. For this project, Kechun embarked on a journey along one of the country’s longest and most celebrated waterways, the Yellow River, considered the cradle of Chinese civilization, which has undergone drastic, and often destructive, transformation in the last hundred years. Initially Kechun envisioned his trip on the historic river as an experience to “find the root of my soul.”
“I point the camera at my subjects without warning,” writes Japanese photographer Hiroyuki Nakada. “My subjects are neither models nor actors, just or…
“I point the camera at my subjects without warning,” writes Japanese photographer Hiroyuki Nakada. “My subjects are neither models nor actors, just ordinary citizens. I can’t help but feel excited seeing the horror somewhere in the depths of expressions on people’s faces in everyday life. Seeing them fulfills me. That is why I still devour them even today, like a hyena that has found its prey.” Nakada’s relocation to Shanghai from Japan in 1999 coincided with the purchase of a small Ricoh GR digital camera. The resulting pictures, compiled in a new book, Shanghai, reveal the curiosity of an outsider and the knowledge of an insider.
Photographer Justine Kurland reimagines a mythical new world for teenage girls – one where they’re allowed to roam, rebel and live lawlessly.
via Huck Magazine: https://www.huckmag.com/art-and-culture/photography-2/photos-of-american-teen-girls-patriarchy/
Photographer Justine Kurland reimagines a mythical new world for young women – one where they’re allowed to roam, rebel, and live lawlessly off the land.
Congratulations to Catherine Panebianco for being selected for CENTER’s Project launch Grant recognizing her project, No Memory is Ever Alone . The Project Launch is granted to outstanding photographers working on a fine art series or documentary project
via LENSCRATCH: http://lenscratch.com/2020/05/the-center-awards-project-launch-grant-winner-catherine-panebianco/
Congratulations to Catherine Panebianco for being selected for CENTER’s Project launch Grant recognizing her project, No Memory is Ever Alone . The Project Launch is granted to outstanding photographers working on a fine art series or documentary project. The grant includes a cash award to help complete or disseminate the works, as well as providing a platform for exposure and professional development opportunities. This grant is awarded to complete or nearly completed projects that would benefit from the grant award package. The awards include a $5,000 Cash Award, Winners Exhibition at El Museo Cultural de Santa Fe, free admission to the pre-Review Professional Development Workshop, complimentary participation and presentation at the Review Santa Fe Photo Festival, and an online exhibition at VisitCenter.org
Whether he’s photographing miners in Bolivia or a village disco in Poland, Witold Krassowski is ultimately drawn to the things that unite us.
via Huck Magazine: https://www.huckmag.com/art-and-culture/photography-2/witold-krassowski-a-lifetime-of-work-captures-shared-humanity-across-cultural-divides/
Whether he’s photographing miners in Bolivia or a village disco in Poland, Witold Krassowski is ultimately drawn to the things that unite us.
This experiment in shared authorship weaves together an enigmatic imaginary New England location out of spellbinding monochrome vignettes
via LensCulture: https://www.lensculture.com/articles/dylan-hausthor-sleep-creek
This experiment in shared authorship weaves together an enigmatic imaginary New England location out of spellbinding monochrome vignettes.
Inspired by Robert Frank and Tony Ray-Jones, the photojournalist took a “loving but harsh approach” to depicting the then-fading glamour of Butlin’s holiday camps.
Inspired by Robert Frank and Tony Ray-Jones, the photojournalist took a “loving but harsh approach” to depicting the then-fading glamour of Butlin’s holiday camps.
In 1995, artists Julian Germain, Patricia Azevedo and Murilo Godoy began working on No Olho da Rua (In the Eye of the Street) in the Brazilian city of…
Link: https://www.juxtapoz.com/news/photography/no-olho-da-rua-in-the-eye-of-the-street/
In 1995, artists Julian Germain, Patricia Azevedo and Murilo Godoy began working on No Olho da Rua (In the Eye of the Street) in the Brazilian city of Belo Horizonte. Their objective was to put cameras into the hands of street children, young people living chaotic lives on the margins of society who had rarely, if ever, been photographed or made pictures themselves. They envisioned not a regimented, overly supervised process, but to grant them the freedom to independently make their own pictures, of anything they wanted, where and when they chose. Fifty young people were given the most basic plastic point and shoot cameras and shown how to use them. From the outset they not only enjoyed enormous pleasure from photography, but also produced astonishing images. As a result, the project has continued ever since, albeit on a sporadic and occasional basis, depending on availability of resources.
The photographer, whose portrait of a lockdown defier outside Baskin Robbins has gone viral, tells the stories behind his impactful portraits.
The photographer, whose portrait of a lockdown defier outside Baskin Robbins has gone viral, tells the stories behind his impactful portraits.
Nanna Heitmann combines elements of traditional documentary road trip photography with elements of Russian art and folklore in her depictions of an eclectic mix of individuals, interiors and landscapes
via LensCulture: https://www.lensculture.com/articles/nanna-heitmann-hiding-from-baba-yaga
Nanna Heitmann combines elements of traditional documentary road trip photography with elements of Russian art and folklore in her depictions of an eclectic mix of individuals, interiors and landscapes.