We are re-running last year’s MOTHER exhibition, just for fun! What a complete pleasure to spend time with your hundreds of submissions and see all the considerations of MOTHER. Thank you for joining in this 5 part exhibition, so keep scrolling. For those who celebrate, Happy Mother’s Day, and for those who don’t, thank you
Bedford Gallery has recently opened its latest exhibition, Re-Discovering Native America: Stories in Motion with The Red Road Project, a photo-docuseries which highlights and celebrates inspiring stories of present-day NativeAmerican individuals and communities by providing a platform for them to tell their stories of the past, present, and future in their own voices and words
Debuting its tour at the Herbert Art Gallery & Museum in Coventry, After the End of History: British Working Class Photography 1998–2024has been curated by writer and photographer Johny Pitts, with the exhibition’s title wittily alluding to Francis Fukuyama’s essay titled The End of History, citing his unfulfilled anticipation of global stability. As Lillian Wilkie examines, Pitts navigates the sociocultural turn of neoliberalism and creates a space for multiple, even conflicting truths of working-class life, challenging the dominance of singular historical narratives and entrenched social hierarchies.
The Imperial War Museum in London is opening an exhibition dedicated to the work of the British photographer, who died in 2011 aged 40 while covering the Libyan civil war
Some of the portraits in “This Train” have an Edenic quality to them, as if Kurland is asking: What if my kid and I were the only two people in the world?
This week we are looking at the work of artists who submitted projects during our last call-for-entries–way back in late-2022 (a new call will be going out sometime in the near future, so stay tuned for details…). Today we are viewing and hearing more about A Natural History (Built to be Seen) by Austin Cullen. Austin
This week we are looking at the work of artists who submitted projects during our last call-for-entries–way back in late-2022 (a new call will be going out sometime in the near future, so stay tuned for details…). Today we are viewing and hearing more about As Big As The Sky by Seth Adam Cook. Seth Cook
This week we are looking at the work of artists who submitted projects during our last call-for-entries–way back in late-2022 (a new call will be going out sometime in the near future, so stay tuned for details…). Today we are viewing and hearing more about Personal History by Sarah Malakoff. Sarah Malakoff creates large-scale color photographs
Creative image-maker, engaged photojournalist and poetic storyteller: the current exhibition at the Ernst Leitz Museum is presenting the full scope of Magnum photographer Werner Bischof’s (1916–1954) oeuvre. Despite his early death in a car accident in the Andes, when he was just 38, the precision of his compositions and the emotional aesthetics of his imagery have made Bischof one of the most important Swiss photographers of the 20th century. The selection shows his way from solitary studio photographer to international photojournalist, driven by the magnitude of world events.
Two decades. That’s what Pampino photographer Javier Bertín has spent at the heart of a unique project documenting the daily life of the La Nueva Esperanza Mennonite Colony near Guatraché —deep in the Argentine south. The Mennonites, a Christian denomination that emerged during the 16th century Radical Reformation in Europe, arrived in Argentina in the
This week Lenscratch is featuring the work of the 2023 winners of the International Women in Photo Association (IWPA) Awards. Today is Alena Grom, a Ukrainian photographer, whose series Stolen Spring was one of four finalists in the Professional Category. A very personal project, Alena Grom, like the women she photographs, are survivors of the
This week Lenscratch is featuring the work of the 2023 winners of the The International Women in Photo Association (IWPA), a French non profit aiming to create global change and reach gender equality and women empowerment, awards prizes to visual storytellers from around the world. Today is Natalia Garbu, a photographer from Moldovia, whose series