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Category: Portfolios & Galleries

Adam Magyar

via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html

I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.

January 10, 2020
Tomasz Kizny The Great Terror

via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html

I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.

January 10, 2020
Munem Wasif Larmes salées

via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html

I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.

January 10, 2020
Postcards From America: Dispatch From the Road

via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html

I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.

January 10, 2020
Berlin,Thomas Hoepker Pictures of East Germany

Link:

Born in Munich in 1936, Thomas Hoepker was a frequent visitor to East Germany

January 10, 2020
Q&A: Kevin WY Lee, Singapore

via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html

I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.

January 10, 2020
Chernobyl: Work by Antonin Kratochvil, Maciek Nabrdalik & Donald Weber

via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html

I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.

January 10, 2020
Elizabeth Avedon in Santa Fe, Part 1

Link:

In a statement by Tamas Dezso about his work, he writes,“The map of Hungary is speckled with capsules of time. During the political transformation twenty years ago, as the country experienced change it simply forgot about certain places – streets, blocks of flats, vacant sites and whole districts became self-defined enclosures, where today a certain out-dated, awkward, longed-to-be-forgotten Eastern Europeanness still lingers.

January 10, 2020
Oh, Kaiju. I Do Love You.

Link:

I think I’ve said this before (like everything), but when I’m asked what’s my favorite weird sport, Kaiju almost always comes right to mind.

January 10, 2020
Girl Ascending (4 photos)

Link:

For nearly thirty years, Melissa Ann Pinney has been photographing girls and women from infancy to old age to portray how feminine identity is constructed, taught, and communicated. Pinney’s work depicts not only the rites of American womanhood, but also the informal passages of girlhood and adolescence.

January 10, 2020
Photographer #320: Pari Dukovic

Photographer #320: Pari Dukovic

Pari Dukovic, 1984, Turkey, is a documentary photographer who works and lives in New York. In 2010 he went back to his homeland to document …

Link: http://500photographers.blogspot.com/2011/06/photographer-320-pari-dukovic.html

Pari Dukovic, 1984, Turkey, is a documentary photographer who works and lives in New York

January 10, 2020
Loli Kantor: There Was a Forest (4 Images)

Link:

In There Was a Forest, Loli Kantor’s palladium prints document the parallel lives and rituals of the disappearing enclaves of Jews in rural Ukraine and the simultaneous, slow reemergence of Jewish culture and identity that is gradually transforming some of the larger communities there today.

January 10, 2020
Photographer #326: Lynsey Addario

Link:

Koreans is one of the doyennes of the work of Chris Marker featured this year in Arles, telling a story through images and text of a trip to North Korea in the late 1950’s. A walk through the everyday life of people that despise today’s keyhole journalism.

January 10, 2020
Heroes & Villians, the New Book of Badass Photos of Street Artists, Graphic Novelists, and Everyone

Link:

Released just last week, yet started six years ago as a personal photography project, Heroes & Villains may serve as a reference book on the alternative side of contemporary art, encompassing everyone from street artists to graphic novelists, with a few realist painters as well. Instead of the work, the photographs are of the actual artists, most of them taken when they were on the cusp of their current careers.

January 10, 2020
Kathy Ryan, thirty years of New York Times

Link:

Kathy, can you describe in detail the content of your exhibition ?
It is a view on the best photographs published in the New York Times Magazine for the last 30 years. The 11 different installations show magnificent images that attempt to reveal to the spectator the process of the publication of a photo in a magazine, and the surroundings of the decor of the metier of the photographer

January 10, 2020
Nick Ballon

Link:

Meet Las Luchadoras by Nick Ballon – Bolivian wrestling.

January 10, 2020
Surreal Scenics (9 Photos)

Link:

The pulse-pounding, awe-inspiring images featured here are by photographers participating in PDN’s first annual Outdoor Photo Expo, a two-day event dedicated to the outdoor photography market including adventure, landscape, nature, outdoor sports, travel and wildlife. The Outdoor Photo Expo is open to not only professionals looking to sharpen their skills, but also photo enthusiasts looking to improve their image-making on their next adventure.

January 10, 2020
Severin Koller: Revealing the Truth in Unforgettable Images

Link:

I don’t think I’m looking for certain things. It is more the other way around, that something grabs my attention. There are times when my senses are totally focused on what’s going on around me, like someone just put me on a drug that intensifies everything. When I’m in that mode, many photos happen instinctively. Looking at my scans, in most cases I remember why I took a photo, even if I had no time to think about it when I shot it. I guess that instinct is simply an honest way of photographing strangers. I try not to judge people by taking their photo or compromising anyone’s privacy. I’m simply interested in life on the street.

January 10, 2020
No Cal

Link:

End beneath the trees, skin dappled by the sun. Deep breaths, underwater. Guerneville is for lovers.

January 10, 2020
Ground Control: Christof Plüemacher’s Europe

LightBox | Time

Read the latest stories about LightBox on Time

via Time: https://time.com/section/lightbox/

In Europe, his camera captures intentionally narrow observations, with all action taking place around the edges, leaving the viewer to fill in the blanks or begin their own narrative. For France, he picked the 2009 Tour de France; for Spain, bullfighting; and for his own country, a Prussian military parade, which reflect the “rigidity and orderly structures in different aspects of German life,” says Pluemacher, “in particular, the German administration.”

January 10, 2020

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