When you think of Vienna, one doesn’t immediately think of quirky street photography, but Kay von Aspern has a gift for finding it. Born in Germany, now living in Vienna, Kay is a “Collector of Moments”. A member of the German-Austrian street photographer collective seconds2real, Kay looks for those unique juxtapositions that can only be found with the heightened visual acuity that comes from split second observations.
Category: Portfolios & Galleries
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L E N S C R A T C H: Kay von Aspern
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Political Landscapes (5 photos)
During the nine days of campaigning in the lead up to Singapore’s historic general elections on May 7, photographer Darren Soh documented several rallies using the technique of a landscape photographer.
Using a borrowed Leica S2, Soh photographed the rallies, then stitched images together to create final files that are roughly 1GB.
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Q&A: Kevin WY Lee, Singapore
via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html
I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.
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Chernobyl: Work by Antonin Kratochvil, Maciek Nabrdalik & Donald Weber
via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html
I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.
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Perpignan Visa pour l'Image 2011
« Yes, the year was full of news : Ivory Coast, Tunisia, Egypt, Libya, the Sudan, Syria, Bahrein, Iraq, Afghanistan, without forgetting the dramatic catastrophe of Japan, the world became even smaller than what we were used to » writes Jean-François Leroy in his traditional editorial. « Some say that Perpignan, it’s a bit like a family reunion… This year, the family of photographers was terribly affected. »
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Adam Magyar
via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html
I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.
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Tomasz Kizny The Great Terror
via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html
I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.
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Munem Wasif Larmes salées
via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html
I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.
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Postcards From America: Dispatch From the Road
via Thomas Hawk Digital Connection |: https://thomashawk.com/2011/05/on-flickrs-change-in-data-retention-policy-and-twitters-new-photosharing-service.html
I think this is great for a couple of reasons. First the leading player in the Twitter photo space twitpic is a total ripoff for photographers. When you use it you are giving them the right to sell your photos through some fine print in the TOS. Many people don’t read TOS agreements and twitpic doesn’t really advertise or clearly disclose that they can screw you over and steal your rights.
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Elizabeth Avedon in Santa Fe, Part 1
In a statement by Tamas Dezso about his work, he writes,“The map of Hungary is speckled with capsules of time. During the political transformation twenty years ago, as the country experienced change it simply forgot about certain places – streets, blocks of flats, vacant sites and whole districts became self-defined enclosures, where today a certain out-dated, awkward, longed-to-be-forgotten Eastern Europeanness still lingers.
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Girl Ascending (4 photos)
For nearly thirty years, Melissa Ann Pinney has been photographing girls and women from infancy to old age to portray how feminine identity is constructed, taught, and communicated. Pinney’s work depicts not only the rites of American womanhood, but also the informal passages of girlhood and adolescence.
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Photographer #320: Pari Dukovic
Photographer #320: Pari Dukovic
Pari Dukovic, 1984, Turkey, is a documentary photographer who works and lives in New York. In 2010 he went back to his homeland to document …
Link: http://500photographers.blogspot.com/2011/06/photographer-320-pari-dukovic.html
Pari Dukovic, 1984, Turkey, is a documentary photographer who works and lives in New York
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Heroes & Villians, the New Book of Badass Photos of Street Artists, Graphic Novelists, and Everyone
Released just last week, yet started six years ago as a personal photography project, Heroes & Villains may serve as a reference book on the alternative side of contemporary art, encompassing everyone from street artists to graphic novelists, with a few realist painters as well. Instead of the work, the photographs are of the actual artists, most of them taken when they were on the cusp of their current careers.
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Kathy Ryan, thirty years of New York Times
Kathy, can you describe in detail the content of your exhibition ?
It is a view on the best photographs published in the New York Times Magazine for the last 30 years. The 11 different installations show magnificent images that attempt to reveal to the spectator the process of the publication of a photo in a magazine, and the surroundings of the decor of the metier of the photographer -
Surreal Scenics (9 Photos)
The pulse-pounding, awe-inspiring images featured here are by photographers participating in PDN’s first annual Outdoor Photo Expo, a two-day event dedicated to the outdoor photography market including adventure, landscape, nature, outdoor sports, travel and wildlife. The Outdoor Photo Expo is open to not only professionals looking to sharpen their skills, but also photo enthusiasts looking to improve their image-making on their next adventure.
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Severin Koller: Revealing the Truth in Unforgettable Images
I don’t think I’m looking for certain things. It is more the other way around, that something grabs my attention. There are times when my senses are totally focused on what’s going on around me, like someone just put me on a drug that intensifies everything. When I’m in that mode, many photos happen instinctively. Looking at my scans, in most cases I remember why I took a photo, even if I had no time to think about it when I shot it. I guess that instinct is simply an honest way of photographing strangers. I try not to judge people by taking their photo or compromising anyone’s privacy. I’m simply interested in life on the street.