Photography possesses intervals, moments of timelessness, where the benevolence of the world around us offers fleeting touches of visual poetry upon the commonplace. Yet for unruly reasons, we can become too blind to see or feel their significance.
Category: Portfolios & Galleries
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Saints, Sinners and Side Roads
Stettinius’s “self-described ‘pathological curiosity’ makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera),” Robin Rice Gallery said in a statement about his third solo exhibit, “Signals, Saints and Side Roads.”
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The Russian Criminal Tattoo Archive
Juxtapoz Magazine – Best of 2014: The Russian Criminal Tattoo Archive
This unique archive documents Russian criminals’ tattoos and their coded meanings. Included in the collection are more than three thousand tattoo draw…
Link: https://www.juxtapoz.com/news/the-russian-criminal-tattoo-archive/
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Running Food, Taking Photos
Running Food, Taking Photos
When his photo career stalled, Robert Larson took a nightclub job – where he discovered new faces and scenes in the blur of action between the kitchen and the club.
via Lens Blog: http://lens.blogs.nytimes.com/2014/05/06/running-food-taking-photos/
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Steve Schapiro Once Upon a Time in America – The Eye of Photography
For years, Steve Schapiro was a photographer for LIFE magazine. Francis Ford Coppola noticed Schapiro’s work in 1972 and invited him to take pictures on the set of The Godfather, then continued with The Godfather II, The Godfather III, The Great Gatsby, Taxi Driver and Chinatown, among others. Schapiro worked extensively on the subject of cultural changes in American society in the 1960s and ‘70s.
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Anthony Suau’s Organic Rising | PROOF
Pulitzer Prize-winning photojournalist Anthony Suau had these same questions when, in 2008, he returned to the United States after spending 20 years living in Europe. “I realized that I basically couldn’t eat the food, specifically the meat. It just tasted terrible. I found myself very quickly gaining weight. I didn’t understand what was going on.”
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Crimson on White: Hunting the Polar Bear | TIME
Images of a Polar Bear Hunt
Poverty drives Inuit in Canada to hunt and kill polar bears
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Antoine Bruy: Scrublands | LENSCRATCH
Antoine Bruy: Scrublands – LENSCRATCH
Photographer Antoine Bruy has a new body of work, Scrublands, that looks at the pull of isolation. What is it that compels human beings to move away from the pack, to live off the grid and lose track of time. His images capture a tangible sense of returning to the wild and to places of simplicity and of
via LENSCRATCH: http://lenscratch.com/2014/07/antoine-bruy-scrublands/
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Kitra Cahana on Hunger in America: The Suburbs | PROOF
Kitra Cahana travelled to the suburbs of Houston, Texas, to photograph people who get by with the assistance of food pantries—meaning they often don’t have enough food, or don’t have a enough nutritious food to keep them healthy. She talks about some of her experiences in the featured video and the conversation below.
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Bud Glick: A photographer looks back at a decades old series about life for the Chinese residents of New York (PHOTOS).
New York City Snapshots From Chinatown in the ’80s
More than 30 years ago, Bud Glick set out to photograph the New York Chinese community as part of the New York Chinatown History Project, now the…
via Slate Magazine: https://slate.com/culture/2014/08/bud-glick-a-photographer-looks-back-at-a-decades-old-series-about-life-for-the-chinese-residents-of-new-york-photos.html
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Guillermo Cervera: Focus on Ukraine « The Leica Camera
I always tell the story about a drawer full of Playboy magazines that belonged to my father. He was a former navy officer. Those photographs where much better than today’s Playboys. When he discovered I knew about them, he moved them away and filled the drawer with National Geographic magazines! So I kept looking at those pictures 30 years ago. There was no internet, no TV in my house so I wanted to become a photographer.
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Zed Nelson’s ‘A Portrait of Hackney’ Depicts the Mélange of Cultures in a Gentrifying East London Neighborhood – Feature Shoot
Zed Nelson’s ‘A Portrait of Hackney’ Depicts the Mélange of Cultures in a Gentrifying East London Neighborhood
For many of our readers the story of waves of hipsters gentrifying previously undesirable neighborhoods, eventually and circumstantially pushing out the previous communities, will be a familiar one. For photographer…
via Feature Shoot: https://www.featureshoot.com/2014/08/zed-nelson/