A chance mention of a small Ecuadorean town with no children and a handful of old residents set Santiago Arcos on a mission to document its dwindling life.
This unique archive documents Russian criminals’ tattoos and their coded meanings. Included in the collection are more than three thousand tattoo draw…
When his photo career stalled, Robert Larson took a nightclub job – where he discovered new faces and scenes in the blur of action between the kitchen and the club.
Stettinius’s “self-described ‘pathological curiosity’ makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera),” Robin Rice Gallery said in a statement about his third solo exhibit, “Signals, Saints and Side Roads.”
Pulitzer Prize-winning photojournalist Anthony Suau had these same questions when, in 2008, he returned to the United States after spending 20 years living in Europe. “I realized that I basically couldn’t eat the food, specifically the meat. It just tasted terrible. I found myself very quickly gaining weight. I didn’t understand what was going on.”
At my day job, I need my work to appeal to a wide range of photographic IQs.
But, with my street work, I guess I am aiming to please the photo literate and when, I make an image that is too popular, in a weird way, I don’t feel as good as when I make an image that only photographers like.
What is it like strapping yourself into the equivalent of a leaf blower, getting a running start, then taking off into the air with a camera in your hand?
For years, Steve Schapiro was a photographer for LIFE magazine. Francis Ford Coppola noticed Schapiro’s work in 1972 and invited him to take pictures on the set of The Godfather, then continued with The Godfather II, The Godfather III, The Great Gatsby, Taxi Driver and Chinatown, among others. Schapiro worked extensively on the subject of cultural changes in American society in the 1960s and ‘70s.
photographer Laia Abril catalogs the day-to-day life of a 21-year-old named Jo, a woman suffering from bulimia, an eating disorder that has consumed her thoughts and dictated her behaviors
Following in the footsteps of the ongoing Postcards from America tumblr project, five Magnum photographers and five Brazilian photographers are posting daily photos to Offside Brazil.
Kitra Cahana travelled to the suburbs of Houston, Texas, to photograph people who get by with the assistance of food pantries—meaning they often don’t have enough food, or don’t have a enough nutritious food to keep them healthy. She talks about some of her experiences in the featured video and the conversation below.
Photographer Antoine Bruy has a new body of work, Scrublands, that looks at the pull of isolation. What is it that compels human beings to move away from the pack, to live off the grid and lose track of time. His images capture a tangible sense of returning to the wild and to places of simplicity and of
I always tell the story about a drawer full of Playboy magazines that belonged to my father. He was a former navy officer. Those photographs where much better than today’s Playboys. When he discovered I knew about them, he moved them away and filled the drawer with National Geographic magazines! So I kept looking at those pictures 30 years ago. There was no internet, no TV in my house so I wanted to become a photographer.