For many of our readers the story of waves of hipsters gentrifying previously undesirable neighborhoods, eventually and circumstantially pushing out the previous communities, will be a familiar one. For photographer…
As a Malaysian man living in Doha, the scenario above is a common experience for me. Many times I, together with other Asian bachelors, have been told to leave these places while seeing Arab or Caucasian bachelors walking freely to wherever they want to go.
Zhang Kechun The Yellow River ESSAY CONTAINS EXPLICIT CONTENT Zhang Kechun The Yellow River play this essay Saying that it is a song might have been a popular joke. Saying that it is our mot…
If the story of the United States has a theme so far in the 21st century, it is surely one of resilience. To hail that spirit on the 10th anniversary of September 11, 2001, TIME revisited the people who led us, moved us and inspired us, from the morning of the attacks through the tumultuous decade that followed. These astonishing testimonies — from 40 men and women including George W. Bush, Tom Brokaw, General David Petraeus, Valerie Plame Wilson, Black Hawk helicopter pilot Tammy Duckworth, and the heroic first responders of Ground Zero — define what it means to meet adversity, and then overcome it.
For Fatalistic Tendency, Dhaka, Bangladesh-based documentary photographer Tushikur Rahman visualizes his own depression through scenes of violence and confusion. In his unnerving, claustrophobic frames, he confronts the painful suicidal impulses brought on by insomnia and anxiety attacks, using his camera as a means of recording a personal diary and intimate confessional. For Rahman, who has photographed major catastrophes including the 2013 collapse of Bangladesh’s Rana Plaza and the nation’s 2010 tiger killings, Fatalistic Tendency was in some ways the most difficult of his projects, forcing him to imagine some of his deepest fears and most private desires.
the women of PNG are also beset by domestic violence and sexual assault at rates that are inconceivable; more than two thirds of women suffer horrific abuse at the hands of their men and many are left disfigured after being attacked with knives and axes
Over the course of the last 20 years, Dutch conceptual artist and street photographer Hans Eijkelboom documented fashion trends worn by people in New York, Paris, Amsterdam and Shanghai. The images, laid out into grids, are compiled into one comprehensive book, Hans Eijkelboom: People of the Twenty-First Century (Phaidon Press, 2014).
“As a photographer I believe it is my responsibility to show how other people live their lives…a lot of us sit at home and don’t even know our neighbors. I wanted to get closer to the normal people of Afghanistan, to live with them, eat with them and talk to them. To tell their stories, which have become part of my life also.”
Their logo is a camera lens screwed onto the face of a hammer, and when the shutter clicks, the images are as striking as the subjects. Fractures Collective was founded three years ago. Today the team includes four documentary photographers based in Barcelona, Sao Paulo and Caracas: Guillaume Darribau, William Sands, Anderson Barbosa, Oscar B. Castillo and development director Nora Meesen. They are all committed to producing politically and socially engaged photography.
Kiana Hayeri Jense Degar (The Other Sex) [ EPF 2014 FINALIST ] ESSAY CONTAINS EXPLICIT CONTENT Under Islamic laws, homosexuality is not recognized and is considered to be a sin. Contrary to what is…
Gilles Peress raises the dilemma of human rights photography:
“I keep asking myself the fundamental question: Can human rights photography, like 18th century novels, be a vehicle for empathy? Can photographs motivate viewers to engage with human rights issues and bring about real change? As we know, badly used photography can be a vehicle for propaganda or emotional exploitation of the worst kind, and can ultimately desensitize viewers. Alternatively, if we accept the postmodernist argument mentioned above, we run the risk of photographs not being taken and entering a black hole of not seeing and a complete absence of consciousness. Which do you choose?”
We’ve become such a 24/7 moving world with a constant stream of news and sound and pictures,” writes Light. “And the wonderful thing of a still photograph is you get to linger, you get to stop, you get to look, you get to think, you get to react, and it is a very different experience.
Drawn to small places with improbable histories, photographer Léo Delafontaine could be described as a modern day explorer. Upon the discovery of the Principality of Sealand, a military platform situated on international waters, with a population of four and ruled by a constitutional monarchy, he knew this would be the start of a new documentary project. After some research he realized these independent entities, or Micronations, are not an isolated phenomenon and many other similar nations exist throughout the world.
Michael von Graffenried’s new series, Bierfest, can make you happy and sad at the same time. If humanity can sink so low, it can also elevate itself like, for instance, through the pictorial achievement in this series which celebrates all its “characters”.
The exhibition “Language without Words” is an exclusive insight into the current work of Qatari photographer Khalid Al Thani. Following its preview at Paris Photo 2014, “Language without Words” will be shown in a larger comprehensive form in London in 2016.