This year’s Lagos Photo Festival goes beyond traditional photojournalism to explore how conceptual work can offer a deeper exploration of the issues facing the continent.
Intimacy plays a strange and precarious role in photography; seeing another person, place, or happening through a lens can either necessitate distance or almost unbearable closeness. When it comes to the relationship between a photographer and his or her subject, the space between is unfixed and murky; the lines that separate the objective from the personal are crossed and recrossed with hopes of touching down on an image that feels both near at hand and wonderfully irretrievable. For their latest print sale, the legendary photographers at Magnum scoured their extensive archives to rediscover the pictures that best capture the theme of “intimacy.”
To commemorate the 60th anniversary of the groundbreaking exhibit, the Museum of Modern Art has come out with a reissue of “The Family of Man,” its best-selling publication.
Autism is not subtle. It is not vague. It pervades everything, surfaces everywhere. It blends into the woven strands of life, of reality, attaching itself so swiftly and completely that the entire world seems recast, reformed, reimagined, rewritten. No space, no concept is left untouched. Like a stone thrown into a still pool, autism displaces
Ghoramara and its sister islands in the Bay of Bengal are vanishing, their shoreline borders shifting, shrinking and sinking with rising temperatures and tides.
Growing up as a young Jewish boy In Iowa Jeff Jacobson was always drawn to uncovering an alternative history. “I was born in 1946, so I grew up in the ‘50s,” says Jacobson. “It was Eisenhower, it was McCarthy, and I knew that there was an alternative narrative that wasn’t being told, that was different from the official narrative. I remember as a kid I would go to the library and I would get biographies of Indian chiefs. I knew from a very young age that the Indians were not the bad guys. I was kind of the odd one out. I kind of would remove myself into the woodwork to watch. And it turned out to be great training to be a photographer.”
I’ve had the great pleasure to get to know Erika Gentry over the years. She has been an active board member of SPE in California, a passionate educator, and dedicated Francophile, returning to France each summer to teach workshops and make work. I was able to see Erika’s new project, Allez, at Photolucida and experience
Sam HarrisThe Middle of SomewhereSam Harris is an uncommon man. He’s at home more than most. Taking care of his family and photographing his two daughters growing up along the way. His latest…
Today, I am excited to share Jerry Siegel‘s images of the Black Belt region in Alabama. I first became acquainted with his work through The Do Good Fund, a collection of Southern photography, in which both of us have work. One of the main things that immediately stood out to me about his work is
Peter Goin is an American photographer best known for his work within the altered landscape. His work has been shown in over fifty museums nationally and internationally and he is the recipient of two National Endowment for the Arts Fellowships. Goin is currently a Foundation Professor of Art in Photography and Videography at the University
Renowned skateboarding film-maker and photographer, Fred Mortagne, alias French Fred, set out to capture this urban sport with the new Leica SL. Shooting on location at the industrial canals and concrete bed of the Los Angeles River he staged the Element skateboard team with Nick Garcia, Nassim Guammaz, Alex Lawton, Dominick Walkera and Brandon Westgate.
Antonio Gomez is a photographer based in Las Vegas, Nevada, who teaches at the College of Southern Nevada. We both attended the Palm Springs Photo Festival in 2012, and he introduced me to his series entitled Charro. These photographs document the Charreria, which is a culture, tradition, sport and art practiced in both Mexico and the United States. Antonio