Nanna Heitmann wins the 2019 Leica Oskar Barnack Newcomer Award with her series “Hiding from Baba Yaga”
Category: Portfolios & Galleries
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Eva O’Leary – Happy Valley « burn magazine
Eva O’Leary – Happy Valley
Eva O’Leary Happy Valley [ EPF 2019 FINALIST ] I grew up in a central Pennsylvanian town, nicknamed Happy Valley. It is home to Penn State University, a big ten party school that dominates th…
via burn magazine: https://www.burnmagazine.org/essays/2019/09/eva-oleary-happy-valley/
I grew up in a central Pennsylvanian town, nicknamed Happy Valley. It is home to Penn State University, a big ten party school that dominates the culture both economically and geographically. The town is homogeneous, 71% of the inhabitants are between the ages of 18-24 and 83.2% of the population is white. It is made up of two main streets, and prides itself on housing the forth largest stadium in the world. In 2008, it was named the largest party school in America by the Princeton review, and in 2012 it had the highest number of reports of forcible sex offenses on any campus in the nation (partially related to a child sex abuse scandal that made international headlines). My childhood and teen years were spent on the edge of Penn State’s campus, our home was down the street from the stadium and surrounded by student rentals. As a teenager, I had easy access to the campus and local party culture. My first experiences of adulthood were heavily impacted by the normalization of binge drinking, gendered power dynamics, patriotism and hook-up culture. For the last five years, I have been making photographs that reflect on my experiences growing up in this environment. In making this work, I’m referencing a personal archive of journals and documents from my young adult years and using this material as a conceptual map.
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Scenes from a crowd: Americans Parade by George Georgiou – British Journal of Photography
Scenes from a crowd: Americans Parade by George Georgiou
In his latest project and soon-to-be book, George Georgiou finds anonymity and intimacy along the roadside of American parades
via 1854 Photography: https://www.1854.photography/2019/09/scenes-from-a-crowd-americans-parade-by-george-georgiou/
In his latest project and soon-to-be book, George Georgiou finds anonymity and intimacy along the roadside of American parades
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Thomas Kellner – Black & White
Friedrich-Hundt-Gesellschaft presents Thomas Kellner’s exhibition “Black & White” Municipal Museum in Muenster. Silver gelatin tableaux made by Kellner between 1997 and 2005 will be on display. In this exhibition, Kellner recalls his beginnings as an artist and his roots in black-and-white photography using the analog gelatin silver process.
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Mark Power: Good Morning, America Volume II – AMERICAN SUBURB X
Mark Power: Good Morning, America Volume II
“From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”.
“That is no longer considered autonomy. That friend is unfettered barba
via AMERICAN SUBURB X: https://americansuburbx.com/2019/09/mark-power-good-morning-america-volume-ii.html
“From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”.
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Leah Frances: American Squares | LENSCRATCH
Leah Frances: American Squares – LENSCRATCH
According to John Tierney of The New York Times, “The act of reminiscing has been shown to counteract loneliness and anxiety, while also promoting personal interactions, and improving the longevity of marriages. When people speak fondly and lovingly of the past, they also tend to become more hopeful for the future. By recalling the past,
via LENSCRATCH: http://lenscratch.com/2019/09/leah-frances-american-squares/
I’m not sure if this was the case for Leah Frances, but her project, American Squares, does make us look back lovingly at relics and architecture that were once part of the zeitgeist and allows us a bit of time travel. Leah brings an outsiders delight to American iconography and has created a massively popular instagram that has received significant attention. Growing up in Canada, in close proximity to American culture, Leah spent her childhood saturated by movies and television that influenced her adult exploration of the American past. She has just released a book of this work through Aint-Bad and will be signing books at the Silver Eye Book Fair, Pittsburg on Oct 4-5th and the Boston Art Book Fair, Boston MA, Nov 8-10th.
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Adam Jahil: The States Project: Wyoming | LENSCRATCH
Adam Jahiel: The States Project: Wyoming – LENSCRATCH
Adam Jahiel is an internationally recognized photographer who lives and works in the American West. Mostly known for his photography of the American Cowboy, his photography has taken him all over the world. His poetic and dynamic images have been exhibited and published across the globe. In 1996, he became the first living photographer to
via LENSCRATCH: http://lenscratch.com/2019/09/adam-jahiel-the-states-project-wyoming/
Adam Jahiel is an internationally recognized photographer who lives and works in the American West. Mostly known for his photography of the American Cowboy, his photography has taken him all over the world. His poetic and dynamic images have been exhibited and published across the globe. In 1996, he became the first living photographer to have a one-man show at the Buffalo Bill Historical Center, in Cody, Wyoming. His photographs are in the collections of the Nevada Art Museum in Reno, the Art Institute of Chicago, the Museum of Fine Arts in Boston, as well as private and corporate collections. Adam has had a varied professional career. He has worked for the motion picture industry, and adventure projects, most notably as the photographer for the landmark French-American 1987 Titanic expedition. His work has appeared in most major U.S. publications, including Time, Newsweek, The New York Times, National Geographic, Smithsonian and countless others.
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Michael Jang’s American Dream
Michael Jang’s American Dream
The photographer revisits his deeply funny and idiosyncratic images of suburbs, celebrities, and California in the 1970s.
via Aperture: https://aperture.org/editorial/michael-jang-california/
The photographer revisits his deeply funny and idiosyncratic images of suburbs, celebrities, and California in the 1970s.
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Gavin Watson Looks Back on His Childhood as a British Skinhead – Feature Shoot
Long before the UK skinhead scene was co-opted by right-wing movements it was a culture created by the working class looking to forge a connection across the races. If first emerged on the streets of London in 1969 in response to the self-indulgent pretensions of bourgeois hippiedom. Forged in the council estates and East End slums, skinhead culture combined the style and sound of the Windrush generation with the back-to-basics aesthetics of post-war Britain. It was reborn again in the late 1970s and 80s, just as photographer Gavin Watson came of age.
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Juxtapoz Magazine – Raúl Cañibano: Chronicles of an Island
Juxtapoz Magazine – Raúl Cañibano: Chronicles of an Island
Chronicles of an Island presents a selection of works from two on-going bodies of work by Cuban photographer Raúl Cañibano, Ciudad and Tierra Guajira,…
Link: https://www.juxtapoz.com/news/photography/raul-canibano-chronicles-of-an-island/
Chronicles of an Island presents a selection of works from two on-going bodies of work by Cuban photographer Raúl Cañibano, Ciudad and Tierra Guajira, chronicling life in the city and the countryside. One of the most prolific photographers working in Cuba today, his award-winning work focuses on the country’s people and lives in a post-revolution era and reflect his close ties to, and love for, his homeland.
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Yan Morvan : Anarchy in the U.K – The Eye of Photography Magazine
A l’occasion de la publication du nouveau livre de Yan Morvan “Les années de fer“ aux éditions Serious Publishing, la galerie Sit Down présente
via The Eye of Photography Magazine: https://loeildelaphotographie.com/en/yan-morvan-anarchy-in-the-united-kingdom/
On the occasion of the publication of Yan Morvan’s new book “The Iron Age” at Serious Publishing, Sit Down Gallery presents the exhibition “Anarchy in the United Kingdom”, a selection of prints whose negatives were buried in a box named “England” since the eighties. These images are a precious and essential testimony of an era that remained in the collective memory as the golden age of British countercultures.
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Photos of Converted Leisure Garages in the Russian North
In the middle of the 20th century, as industrialization boomed and the auto industry grew, garages started popping up across the USSR. Over time, many of these garages were converted away from their original purpose of housing cars. Istanbul-based photographer Oksana Ozgur visited these garages and documented their unique interiors.
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Life in Alaska in the Round-the-Clock Darkness of Polar Night | The New Yorker
Life in Alaska in the Round-the-Clock Darkness of Polar Night
In Mark Mahaney’s photographs, taken in the heart of winter, Utqiagvik, Alaska, the northernmost city in the United States, looks abandoned, though there are hints of humanity.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/life-in-alaska-during-the-round-the-clock-darkness-of-polar-night
Utqiagvik, Alaska, is the northernmost city in the United States. Situated more than three hundred miles north of the Arctic Circle, with a population between four and five thousand, it sits on a promontory that juts into the Chukchi and Beaufort Seas, with no roads or railways connecting it to the rest of the state. With the exception of a seasonal summer barge that carries heavy provisions and equipment, all supplies and visitors must arrive via modified passenger planes, which make stops to pick up new passengers and provisions, not unlike large, airborne buses. As the Northern Hemisphere tilts away from the sun in the winter months, communities close to the North Pole experience a phenomenon known as polar night: a period of uninterrupted darkness. In Utqiagvik, this lasts for approximately two months of the year.
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Juxtapoz Magazine – Pray For America: Jacob Holdt’s Stunning Portrayal of America in the 1970s @ V1 Gallery
Juxtapoz Magazine – Pray For America: Jacob Holdt’s Stunning Portrayal of America in the 1970s @ V1 Gallery
Jacob Holdt’s first solo exhibition with V1 Gallery, Pray for America, presents 45 selected photographs from Holdt’s archive of more than 15.000 photo…
Jacob Holdt’s first solo exhibition with V1 Gallery, Pray for America, presents 45 selected photographs from Holdt’s archive of more than 15.000 photographs, shot during his vagabonding years in America between 1970-1978. Key examples are flanked by photographs never previously shown.
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Anders Petersen : All The Somebody People
Anders Petersen had previously been roaming the streets of Sankt Pauli in 1961 together with the young wild things of Hamburg as a seventeen-year-old. However, when he returned in October 1967 – blessed by his teacher Christer Strömholm – the only one left from his much-loved tribe of outsiders (many had not survived this unrestrained lifestyle) was Gertrud, a lady of the night who suggested that they should meet up in the wee small hours the next day in a place new to him. Petersen fell in love with the Café Lehmitz clientele right there (that his friend was two hours late did not make much difference).
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Robert Capa : Capa at the 37
Alberto Giacometti, Ata Kando, Re Soupault, Robert Capa, Emile Muller, Bernard Matussiere … It is with this word so just that one day, Henri Cartier-Bresson saluted in writing the work of memory of the latter: “to Bernard, another « habité » of the rue Froidevaux and in memory of Capa. Best regards, Henri. ” Why ? The 37 is an island in the middle of an ocean of creation. Located in the heart of Montparnasse, the artistic village of the XIVth arrondissement developed around the Great War, before and after, thanks to the painters of the prestigious “School of Paris” with its residents of the Ruche (a little further, street of Danzig in the fifteenth century); School that attracted like flies the students of the Académie de la Grande Chaumière from all over the world to join “The City of Light” (so called since the 17th century, because of its public lighting … not its intellectuals!). It is these artists who have become tenants in the workshops of this neighborhood of choice, who will attract writers, sculptors, engravers, models, milliners, architects, composers, musicians, singers, filmmakers, publishers, poets, journalists … and photographers under the auspices Art Deco (International Exhibition of Paris of 1925). At this golden age of artists, everyone was crowded at night on the terraces of the big breweries on the boulevard du Montparnasse – the authentic phalansteries and “distilleries of the spirit” of this village, from the Dome to the Select, from the Coupole to the Rotonde through La Closerie des Lilas.
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Diane Meyer: Berlin | LENSCRATCH
Diane Meyer: Berlin – LENSCRATCH
[The Wall’s] ghost, carefully stitched into place, haunts the modern scenes as a kind of floating metaphor for the existence of sharp cultural barriers that were once culturally delineated. – Curators Mia Diaglish and Lisa Woodward Artist Diane Meyer has a legacy of considering place, from examining the American West to how we navigate a
via LENSCRATCH: http://lenscratch.com/2019/11/diane-meyer-berlin/
Diane has just opened the exhibition, Berlin at Klompching Gallery in Brooklyn, New York. Being shown for the first time in its entirety, the 43 artworks in the exhibition are being exhibited to coincide with the 30th anniversary of the fall of the Berlin wall, including artworks never before shown.
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In the Pacific Northwest, Shifting Landscapes and Mythologies
In the Pacific Northwest, Shifting Landscapes and Mythologies
Against the backdrop of the US presidential election, Garrett Grove documents the region’s growing cultural tensions.
via Aperture: https://aperture.org/editorial/introducing-garrett-grove/
Against the backdrop of the US presidential election, a photographer documents growing cultural tensions in the Pacific Northwest’s rural communities.