Chris Killip is known for his immeasurable and singular vision of Britain during the 70’s 80’s and 90’s. To place emphasis on his work in a genre-fied manner would belittle his and its true humanity and potential. Killip was a human first and an observer or lucid chronicler second. In my personal estimation his book In Flagrante and its subsequent version In Flagrante II along with Seacoal are two of the more enduring works of the past 100 years of publishing within the medium of photography. Once you crack the covers of these works, it is hard not to be left with a sense of urgent sympathy for the people and the timeframe in which it was produced.

For three decades, the seminal photographer’s shots of an old anarcho-punk club sat gathering dust in a box. However, in the cold light of day they’ve taken on new meaning.

In 2016, Matthew Killip discovered a box of contact sheets at his father’s studio documenting 80s punk venue, The Station. Here, the father and son chat about this serendipitous recovery.