This week, Google’s AlphaGo program beat the world’s best Go player, Ke Jie, in 2 straight games in a best of 5 series. Go is considered to be the world’s hardest board game, and some AI experts didn’t think that a machine would be able to best humans for another decade.

Just as the world finally figured out why Snap relabeled itself as a camera company, last week Facebook proclaimed it’s not just a camera company, it’s a camera company built on the world’s ambitious augmented reality platform.

I think we’ll one day be able to capture images without any photographic equipment at all.

Platforms seek total control even as they abdicate responsibility. In other words, they’re perfect.

First, the program is given an 8 x 8 pixel image, which it “maps” to a similar higher resolution sample to produce a workable outline of the portrait or scene. Then, a second network adds resolution to that image

we need more smartness in our photo lives: we’re taking way too many photos, which are way too difficult to keep track of, way too hard to enhance into must-keep masterpieces, and way too time-consuming to combine with other content into enticing collages, multimedia trailers, or printed photobooks

Every time you upload a photo to Facebook, the social network analyzes it and adds tags so that a computer can “describe” your photo to any visually impaired friends who run across it with their screen reader. Now, you too can see what Facebook is “seeing” in your photos.

AMP has since delivered on its promise of faster mobile web pages. Even so, publishers — of smaller sites, especially, or individual bloggers — are beginning to worry about giving too much control to Google in exchange for zippier web pages

There’s no need for a new and improved photojournalism. It’s the Great White shark of visual communication. It doesn’t need to evolve, because when it’s done right there’s nothing that can compete with it. That’s why photographers working in other disciplines relentlessly try to associate their work with photojournalism.

The newly announced app is a full blown non-destructive RAW photo editor, built from the ground up around two things: simplicity and creativity.

First, it can manipulate an image based on very basic coloring, sketching, or warping commands. So you can change the shape, color, and size of an object in just a brush stroke or two, with the final product maintaining as natural a look as possible.