I’m pleased to see that Nik Software has updated Silver Efex Pro, Viveza 2, HDR Efex Pro, and Color Efex Pro to run 64-bit-native inside Photoshop CS5 for Mac and Windows. The updates are fr…
This may seem obvious, but I think the biggest thing that I learned is to not bore the editors. At that level of editing, they’ve pretty much seen it all. What they want to see is something they haven’t seen.
Apple is hosting a “Back to the Mac” event October 20th. The invitation promises “a sneak peek of the next major version of Mac OS X.” If I know my big cats, and the picture above is any indication, it looks like OS X 10.7 will be codenamed “Lion.” We cou
Instagram is yet another iPhone photo-finessing app, but it’s one that you’ll keep coming back to instead of playing for five minutes and then forgetting about it. Wired.com editor Micheal Calore’s says it’s “like a mashup of Hipstamatic and Tumblr.” The
Instagram is yet another iPhone photo-finessing app, but it’s one that you’ll keep coming back to instead of playing for five minutes and then forgetting about it. Wired.com editor Micheal Calore’s says it’s “like a mashup of Hipstamatic and Tumblr.”
The extent of global and localized control this plug-in provides is truly remarkable, which combined with its ease of use, reversibility and image quality, make it a “must have” application for those working extensively in B&W and needing complex effects.
Earlier this year, we wrote about a new app for Apple’s mobile devices called ShutterSnitch. At the time, we’d only just installed the US$7.99 app that receives and displays pictures wirelessly on an iPad, iPhone or iPod touch, moments after they’re shot. Fast forward a few months and ShutterSnitch – coupled with the iPad in particular – has become as essential to our photographic workflow as a 70-200mm lens or Photoshop. Here’s why, plus tips on establishing a reliable connection between a camera transmitter (including an Eye-Fi card) and ShutterSnitch.
Now, because of technology that can pinpoint what people online are viewing and commenting on, how much time they spend with an article and even how much money an article makes in advertising revenue, newspapers can make more scientific decisions about allocating their ever scarcer resources.
You remember the saying about being as dark as a black cat in a coal cellar? Well, it turns out Canon has made a sensor that can photograph it. The new, super-sensitive CMOS sensor is fresh from Canon’s labs, and measures 202 x 205mm. A 35mm film-frame (a
I managed to snag a few moments (over email) with Jason Cone, executive producer of the Starved for Attention films and MSF’s Communications Director based out of New York, and Ron Haviv, one of VII’s founding members. I wanted to ask the two about how NGOs and photographers work together, how a campaign such as this is produced, and how NGOs and journalists work to get stories out to a wide audience within such a fractured media environment.
Canon succeeds in developing world’s largest CMOS image sensor, with ultra-high sensitivity TOKYO, August 31, 2010-Canon Inc. announced today that it has suc
At 202 x 205 mm, the newly developed CMOS sensor is among the largest chips that can be produced from a 12-inch (300 mm) wafer, and is approximately 40 times the size of Canon’s largest commercial CMOS sensor
Lightroom 3.2 and Camera Raw 6.2 are now available as final releases on Adobe.com and through the update mechanisms available in Photoshop CS5 and Lightroom 3. These updates include bug fixes, new camera support and new features for Lightroom.
So you thought the megapixel race was over? This will probably be in the 1D Mark IX TOKYO, August 24, 2010—Canon Inc. announced today that it has successf
Canon Inc. announced today that it has successfully developed an APS-H-size*1 CMOS image sensor that delivers an image resolution of approximately 120 megapixels (13,280 x 9,184 pixels), the world’s highest level*2 of resolution for its size.
Photoshop and the iPad, a pairing as natural as Bert sharing a bed with Ernie. As of today, you can use Adobe’s legendary image-editing app on your tablet. Or maybe not. Photoshop Express is a reworking of the rather more awkwardly-named Photoshop.com Mob
Photoshop and the iPad, a pairing as natural as Bert sharing a bed with Ernie. As of today, you can use Adobe’s legendary image-editing app on your tablet. Or maybe not.
There’s nothing like summertime to get the good times rolling. In the spirit of summer, we’re happy to announce our PhotoShelter “Summer 6-Pack”: six fresh enhancements for your website that will help keep you “cool.”
Adobe has made available a new beta version of its Lightroom RAW photo editing software. It adds support for a lot of new cameras and old lenses, but more importantly, it squashes roughly a gazillion bugs. RAW photo editors need to add-in support for ever
Adobe has made available a new beta version of its Lightroom RAW photo editing software. It adds support for a lot of new cameras and old lenses, but more importantly, it squashes roughly a gazillion bugs.
360 Panorama is a new kind of pano-shooting app for the iPhone. Instead of taking many pictures and then stitching them together afterwards, like every other pano app, you just sweep the iPhone across the scene in front of you and 360 Panorama will build
Police officer Joseph Uhler was caught on film charging out of his unmarked car and waving his gun at a unarmed motorcyclist pulled over for speeding. When the footage was uploaded to YouTube, authorities raided Anthony Graber’s home, siezed his computers, arrested him, and charged him with “wiretapping” offenses that could land him in jail for 16 years.
Back in May, we took a look at a ShutterSnitch, an iPad app that lets you receive photos wirelessly from your camera. Combined with an Eye-Fi wireless SD card, you can shoot away and have the photos pop up on the big screen in seconds. It’s like shooting
Aditya Mukherjee is a talented 24-year-old photographer of Indian descent currently living in Singapore. He is a serious enthusiast of long standing whose pictures are clearly of professional caliber. No matter what camera he uses, his luminous, exquisitely composed images have that classic “Leica look” and we were not at all surprised to learn that his favorite photographer is the great photojournalist Sebastiao Salgado. An inveterate Leica fan, Mukhergee has often rented Leica cameras and lenses, but doesn’t own one quite yet. His dream outfit is a Leica M9 with 24mm, 35mm, and 50mm lenses. Clearly a photographer with a social conscience, he is currently working on a themed project called simply “poverty.” Here are his heartfelt observations on his mission, his technique, and his equipment as revealed in his thoughtful answers to our interviewer’s questions.
