Rob Whitworth is calling this a ‘flow-motion’ film, but whatever you want to call it, he’s taken the hyperlapse to a new level and left just about every other one we’ve ever seen in the creative dust.
Photojournalist Ed Kashi has received many accolades over the course of his photojournalistic career, and in this short interview with Marc Silber, he shares some of what he’s learned about light and the art of photojournalism.
Tuesday night’s International Center of Photography Lecture Series featuring legendary photography editor John G. Morris of Paris is sold out, but the rest of the world will be able to watch it live as ICP has announced that video from the event will be s
Last week Allen Murabayashi chatted with Houston-based photographer Robert Seale about the 11 essential tips all photographers must know before going freelance. Robert, an established corporate, advertising and editorial photographer knows a thing or two
Allen Murabayashi chatted with Houston based photographer Robert Seale about the 11 essential tips all photographers must know before going freelance. Robert, an established corporate, advertising and editorial photographer knows a thing or two about running a successful photography business
A Tribute to Discomfort brings the viewer through Cory’s stunning work, his unique sense of humor, and his quest to create photographs that relate a common humanity
Guest post by Sean Gallagher: The Toxic Price of Leather from Sean Gallagher on Vimeo. For many photojournalists, the transition into shooting video has been a path paved with slight trepidation and hesitation. There seems to be a lot of pressure for vide
Using video and allowing people to look into his eyes as he recounts what happened has more impact than a single frame, for example, of him in that moment. That’s not to say that a photograph combined with other images from the whole story wouldn’t have impact; I just think that in this particular situation, video more vividly communicated the impact of pollution on this man and his community. The combination of being able to look into someone’s eyes and also hear their voice, is a powerful one.
On Saturday, May 10, 2014, Aperture hosted a panel discussion addressing street photography in the twenty-first century, featuring Philip-Lorca diCorcia, James Nares, and Katherine A. Bussard. The panel was moderated by Brian Sholis, associate curator of photography at the Cincinnati Art Museum.
Why do I need this new camera? What makes this different than all the other times I thought I needed a new camera as much as I think I need a new camera now? Stop. Breathe. I need to think about the time, resources, and headaches I put into video in the past and I need to honestly assess where I’m going with it now and if it truly justifies the time and resources and headaches I’m going to put into it again.
“When we look at images, we understand something about the world – but it’s always in the context of ourselves. It’s a universal language.” —Amy Toensing Amy Toensing learned early on in her career that she was interested in telling stories of humanity.
“When we look at images, we understand something about the world. But it’s always in the context of ourselves—it’s a universal language.” —Amy Toensing
This short video produced by Ramtin Nikzad for the New York Times captures the rise and fall of a courtroom sketch artist, Gary Myrick, in Texas. This…
Discrete street photography is not really what Mikel Patrick Avery did. In fact, he put a sign next to his X-series cameras and wrote DO NOT LOOK HERE on it. The result can be seen in the video above.
n the eve of this year’s Water Festival in Myanmar’s main city, a colorful crowd gathers under an inner-city bridge with passing cars on two levels. An illegal punk rock concert is about to start, with half a dozen local punk bands — Kultureshock, Rebel Riot and Chaos in Burma — on the lineup. Applying for any sort of permit for these types of events is a painstaking process that usually ends in rejection, so this gathering is truly underground. The police are expected to show up at any moment.
By site editor Dan Chung: Newsshooter Skype interview: The state of online news video with Professor Duy Linh Tu of Columbia J-School from Dan Chung on Vimeo. US Newspapers and other online publications are currently in the midst of another wave of invest
US Newspapers and other online publications are currently in the midst of another wave of investment in video. But does this all makes sense? are they making any money from video? how large are the teams working on these videos? how do you define news video? and why the emphasis by many on the longer form?
This week Allen and I cover a lot of ground regarding drones – excuse us – quadcopters, as well as AP’s most recent concerns about their photographers lack of access to the Obama administration. Links are below so you can follow along. Links AP’s Whit
This week Allen and I cover a lot of ground regarding drones – excuse us – quadcopters, as well as AP’s most recent concerns about their photographers lack of access to the Obama administration. Links are below so you can follow along.
Through A Lens Darkly, an extraordinary new documentary by filmmaker Thomas Allen Harris, is at-once a deep, rich dive into the history of African American photography and — transcending the subject at hand — a master class in visual literacy
Check this out. No way you won’t get something out of this short preview of a longer conversation with Susan Welchman, a Photo Editor at NatGeo. This is a one time chat like I never had befor…
Check this out. No way you won’t get something out of this short preview of a longer conversation with Susan Welchman, a Photo Editor at NatGeo. This is a one time chat like I never had before with a colleague with whom I have collaborated on at least 10 major essays at NatGeoMagazine.
Since the 9/11 terrorist attacks, news photographers have been subject to police intimidation and arrest, as if photography is a crime. But federal law protects photography and photographers, as Mickey Osterreicher, general counsel to the National Press P
Maggie Steber on Being Reborn Through Photography
