LensCulture – Contemporary Photography
Discover and share the best in contemporary photography
via LensCulture: http://www.lensculture.com/webloglc/mt_files/archives/2011/06/african-air.html
Discover and share the best in contemporary photography
via LensCulture: http://www.lensculture.com/webloglc/mt_files/archives/2011/06/african-air.html
The Associated Press sends out one million news pictures a year that let over three billion readers see what is happening in the world around them. This first of its kind, behind-the-scenes, documentary shows what it takes to capture those photos.
Link: Trailer on Vimeo
We asked her to participate in a webinar recently, titled “How We Hire Photographers,” and she shared some extremely valuable information, including: how she finds photographers; how to get her attention with email and promo mailers; and what she is looking for with a photographer’s website.
Link: How Photographers Are Hired: Interview with Kat Dalager – A Picture’s Worth | PhotoShelter
Speaking of old friends, former Lightroom evangelist/PM George Jardine has posted a free 37-minute video that dives deeply into black & white conversion. He writes, In this video, I start by ta…
via John Nack on Adobe: http://blogs.adobe.com/jnack/2011/05/in-depth-bw-conversion-video.html
In a very personal interview with VII The Magazine, photographer Ashley Gilbertson, opens up about the effects of war on soldiers and their families, himself, and the country.
Link: VII The Magazine
Read the latest stories about LightBox on Time
via Time: http://lightbox.time.com/2011/05/06/enrique-metinides-mexicos-weegee/
Read the latest stories about LightBox on Time
via Time: http://lightbox.time.com/2010/11/23/joel-meyerowitz-revisits-ground-zero/#1
How We Hire Photographers – Part 2 from PhotoShelter.com on Vimeo.
Ashley Macknica has worked as a freelance photo editor at Jane Magazine and New York Magazine. In part two of our webinar series entitled How We Hire Photographers, Ashley discusses the important of persistence and “repetitive exposure” in getting a photo editor’s attention.
Link: How We Hire Photographers: New York Magazine – A Picture’s Worth | PhotoShelter
You know when you read that you should use a tripod to get the sharpest possible photographs, especially in low light, and you’re all like “Whatever,” and “I have steady hands, dude.” Well, take a look at this video, which shows just how much you SLR can
via WIRED: http://www.wired.com/gadgetlab/2011/05/video-lasers-show-up-wobbly-camera-mirrors/
For the past six years, photographer Aaron Huey has trained his camera on these problems. But, he says, it took him five years to understand what the real story was
Link: Broken Treaties: Aaron Huey’s Pine Ridge Billboard Project – LightBox
On April 12th the Oskar Barnack Jury met in Frankfurt, Germany to review the entries. This year’s jury included: Anna Grip, Editor of Photonews in Germany; Karin Rehn-Kaufmann, Director of the Leica Gallery in Salzburg, Austria; Stanley Greene, a Professional Photographer based in France and the USA and Mark Rykoff, Photo Editor at Time.com. After many, many hours of reviewing submissions, the winners were selected. Here’s a video with a behind-the-scenes glimpse at the judges deliberating.
Yoon S. Byun:
This project on Globe photojournalist Bill Greene, was done to fulfill my degree requirements for a Master of Arts in Photojournalism at Ohio University. The question behind the thesis was, “What motivates a local New Englander, who has never left Massachusetts, to be such a prolific storyteller in his home community?”
Link: » Blog Archive » Napkins and Quarters: Curiosity, Community and a Camera
You’ll really enjoy the colorful stories Ami shares behind each of these tips, like how Ami’s images from Angola captured the world’s attention because of the unique stories she chose to photograph — despite her editors originally insisting that work from Angola would never get published.
Link: Ami Vitale on Trusting Your Instincts – A Picture’s Worth | PhotoShelter
Ralph Gibson has achieved worldwide acclaim as a photographer for more than four decades. His bold, graphic style is instantly recognizable. As a consequence, photographers and educators look to him for inspiration. A champion of individual expression, Gibson urges photographers to develop a personal style by following their own instincts.
Link: Ralph Gibson and his Unique Relationship with the Leica « The Leica Camera