Simpsons
via YouTube: http://www.youtube.com/v/DX1iplQQJTo?fs=1&hl=en_US&rel=0
[slidepress gallery=’lesleylouden_evelyn’] Hover over the image for navigation and full screen controls Lesley Louden Evelyn, Nothing Fancy play this essay For over a deca…
via burn magazine: https://www.burnmagazine.org/essays/2010/10/lesley-louden-evelyn-nothing-fancy/
It has now been nearly ten months since the devastating January earthquake struck Haiti, reducing Port-au-Prince to rubble and claiming over 300,000 lives. In the time since, Haiti’s government, the United Nations, and many other aid agencies have struggled just to keep the population healthy and fed as it tries get back on its feet. Recent weeks have seen an outbreak of cholera, which has killed more than 300 people. The cholera strain is not native to Haiti, and reportedly matches strains found in South Asia, placing suspicion on U.N. personnel from that area who were stationed nearby. Some 1.3 million people are still crammed into thousands of makeshift camps dotted around the capital, leaving them vulnerable to both disease outbreaks and the elements – of particular concern as Tropical Storm Tomas now approaches, and may grow to Hurricane strength by landfall on Friday. (42 photos total)
Generally shot in highly stylized black and white, the Diary, which began in 2009, follows Olivier Zahm through a fantasyland populated by the artists, socialites, models and celebrities who regularly appear in his magazine — enthusiastically abiding by its ethos of creative and sexual freedom, as evinced by many nude portraits of female lovers.
“Even in the bedroom I have my camera, I sleep with my camera, I have lunch with my camera,” he said. “I go to dinner with my camera and I’m recording my experience.”
In a book, my favourite images are usually hidden. The books are all on their shelves. I don’t have books lying around, their images exposed (ever since one of the cats once threw up on an Alfred Steichen book [a possible sign that her taste is strictly contemporary, but I don’t want to overinterpret things] I am a bit careful with books). If I want to see an image, I go and open the book, and then… there it is. It’s almost a bit like as if it was newly revealed, and I can look at it again.
By the time the micro-blogging mischief was over, the North Korean tweets had ranted to its 10,000-plus Twitter followers about profligate nuclear weapons spending and lavish Kim Jong Il drinking parties – hosted “while 3 million people are starving and freezing to death.” A video also had been posted on North Korea’s official YouTube channel that showed a caricature of Kim Jong Eun driving in a luxury sports car, running over women and children on the side of the road.
We do a variety of educational webinars each month, and last week we did a special one that will be of interest to anyone who is, or wants to be, selling prints. Allen digs deep into the print sales tactics of several very different photographers – showing that although they may do things differently, each are finding success in selling prints.
Christopher Morris is familiar with working in controlled environments. From following the rigid protocols of the White House to the totalitarian bubble of North Korea, he has captured lyrical and telling moments under watchful eyes and strict boundaries. Over the last two weeks, Morris, a TIME contract photographer, has been on assignment in Libya and encountered some surprising similarities to some of the places he’s worked in the past.
Yet despite his relative comfort with being on the frontlines, Moore told the NewsHour from his hotel room in Cairo that his latest assignment -a six-week trip that took him to the uprisings in Egypt, Bahrain and Libya – might have been his most dangerous. Moore recorded the interview for us after sneaking out of Benghazi, Libya en route back to his home in Denver.
Mr. McConnell’s story, which includes 50 images, won a World Press Photo award this year but has yet to be exhibited outside Spain. Mr. McConnell, who is represented by Panos Pictures, worked for three years as a press photographer in Northern Ireland before traveling through Australia, Asia and Africa, where he is based. He spent four months photographing and interviewing the Sahrawis in refugee camps and in the Polisario-controlled Western Sahara.
When the teams finally came together, we loaded up with food and water so we would be self sufficient and then split into two teams to head up north. We drove for hours through the cold night. It was pitch dark as there was no electricity in the affected areas and we were shaken awake whenever the van drove over the gaps and cracks gaping on the roads.