Thanks to Dan J for the tip.
You Cant Picture This // Current
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WARS, the inaugural series will launch on the Magnum In Motion home page, March 19, five years after the war in Iraq began. It will be published on Slate as four episodes.
The point of departure was a quote extracted from Magnum photographer Philip Jones Griffiths from a 2006 interview conducted in London by Magnum In Motion.
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Canadian photojournalist Rita Leistner travelled to Baghdad in 2003 as a freelance reporter determined to get behind the front lines of the war in Iraq. Over the next 18 months she returned to the country several times capturing images of life with the troops – as well as behind the scenes in a psychiatric hospital.
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Beck and Chris Jordan have collaborated on a music video using still images from Jordan’s Running the Numbers series.
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Reuters and MediaStorm collaborated to create Bearing Witness: Five Years of the Iraq War.
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Some Canadian Global news reporter thinks the bottom of a sledding hill is a great place to do his broadcast. He was wrong.
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Richard Koci Hernandez sent out this note:
10 Things I Learned From Being Hacked
1. A bottle of Jack Daniels doesn’t bring your site back to life.
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YouTube has just flung its doors wide open to both developers and users with a powerful new batch of interactive tools. While the online video service already allows anyone to upload and embed videos, these new tools enable uploading, editing metadata, and other customization from outside the site.
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Three people upset that a news crew was reporting on the arrest of a relative attacked the television reporter and yelled racial slurs at her and a photographer, authorities said Tuesday.
The family members, all white, began yelling and charged at black WSPA-TV reporter Charmayne Brown while she was standing in the street near the family’s home in Union, said news director Alex Bongiorno.
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But fans of multimediashooter.com, take heart. That site may be finished, but the multimedia community is far too big and resilient to die at the hands of hackers. Andrew DeVigal is about to re-launch Interactive Narratives, a multimedia resource site that went dormant a couple of years ago when DeVigal joined The New York Times as a multimedia producer.
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I am sorry to report that this website is down for the count. The site was recently hacked several
times this weekend and severe damage was done. I do not have the time or resources at this time to
continue. I wish you all the best. I only wish this hadn’t happened.
[To the ‘hacker’ I hope it makes you happy to destroy something that people put their
heart and soul into for years, for the sole purpose of learning and creating a small community
on the web. Just to have you destroy it for no reason. You win. There is a special place in hell for you.]
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I spent the past two days playing host to Ken Speake, a master storyteller and a longtime journalist. We put him in front of as many students as we could without completely wearing him down to a nub, and it might have been the most valuable 50 minutes each of those students has spent all year.
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Join Al Tompkins to learn what impressed the judges, what ethical issues arose in this year’s entries, and how the backpack journalist trend is affecting photojournalism.
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One video in particular caught the attention of the Red Sox. On “picture day,” when players wear home whites and have official photos taken, some Sox are asked to cut public service announcements. Papelbon was one such player.
Papelbon’s PSA was in Spanish, which proved difficult for the closer. He was struggling and swearing, getting more than a few laughs from the people around him, so Lunsford decided to shoot video rather than photos. We used the clip on CapeCast, our daily Web report, and the Papelbon video became, as they like to say on ESPN, an instant classic.
Fan sites, such as the Boston Dirt Dogs, linked to it. About 25,000 people had seen it on YouTube by Friday.
The Red Sox PR staff at first didn’t seem too pleased that a photographer was shooting video. Understandably, they like to know who is doing what around the players. It proved a minor misunderstanding but speaks to how the media world is changing.
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And no matter how hard I try, it’s just not working. We don’t seem to be making the kind of money you said we would and people aren’t really watching. You said video would save newspapers, I distinctly remember you saying this at your speech at ASNE. [Note to reader, if you don’t work for The New York Times or the Washington Post and you are making money and gaining viewers, PLEASE share your winning formula, seriously, the rest of us could use it.]
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SPACE INVADERS is the second video performance of the GAME OVER Project, directed by the Swiss artist Guillaume REYMOND (NOTsoNOISY creative agency).
67 extras
4 hours of shooting
390 pictures
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About six minutes into the judging, it dawned on me just how screwed most of these magazine companies really are. In their rush to cash in on web video, most seem to have convinced themselves that sloppily edited six-minute clips pass for must-see content. It’s as if the very act of creating something that moves and talks has blinded producers and editors to the dullness of their creations.
Take Playboy.com’s “Ask Hef Anything” series, in which the robe-encrusted octogenarian answers questions in a manner so stiff and stilted as to prompt concern about his well-being. Ignoring the obvious first issue — what kind of sick, misguided bastard would ask Hugh Hefner about a flag-burning amendment? — I have no clue how training a camera on an individual who has lived his entire adult life in the public eye qualifies as innovation, much less as something that could ultimately bolster the bottom line.