LightBox | Time
Read the latest stories about LightBox on Time
via Time: http://lightbox.time.com/2014/04/20/remembering-chris-hondros/
Read the latest stories about LightBox on Time
via Time: http://lightbox.time.com/2014/04/20/remembering-chris-hondros/
If soldiers are not wearing insignia, they are partially out of uniform; if they are partially out of uniform, they are that much closer to being private militias, gangs, or thugs.
via Reading The Pictures: http://www.bagnewsnotes.com/2014/03/robert-hariman-on-the-russian-military-using-unmarked-uniforms/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Bagnewsnotes+%28BAGnewsNotes%29
Siegfried Modola photographs the violence occuring in the Central African Republic.
via Reuters: http://blogs.reuters.com/photographers-blog/2014/02/14/in-a-spiral-of-violence/
A troubling new exhibit at the Brooklyn Museum of Art throws into question the medium’s very purpose
via Salon: http://www.salon.com/2014/01/05/war_photography_partner/
West Hollywood-based photographer Brian McCarty is no stranger to toys; in fact he has been incorporating them into his work for the last 17 years. However in 2011 he came up with a powerful way to use them in WAR-TOYS, a telling project showing war throu
via Feature Shoot: http://www.featureshoot.com/2013/12/photographer-uses-toys-to-recreate-war-scenes-based-on-the-drawings-of-children-in-the-west-bank-the-gaza-strip-and-israel/
Link: Q&A: Robert Nickelsberg on a Distant War | PROOF
In his new book, Afghanistan: A Distant War, veteran photojournalist Robert Nickelsberg offers a vivid close-up of the past quarter-century of Afghan history. As a photographer for Time Magazine, Nickelsberg first observed Afghanistan emerge from an eight-year war against the Soviet Union and then descend into a brutal civil war followed by a Taliban takeover. Since 2001, he’s continued going back to chronicle what he calls America’s War. He has documented things many Afghans themselves never experienced firsthand, and earned an unusually deep understanding of this complex country.
w.theatlantic.com/magazine/archive/2013/12/the-war-no-image-could-capture/354670/”>
Link: The War No Image Could Capture – Deborah Cohen – The Atlantic
Photography has given us iconic representations of conflict since the Civil War—with a notable exception. Why, during the Great War, the camera failed.
A few weeks ago the National Geographic lobby was so crowded with young schoolgirls I could barely make it to the elevators. The place was jumping with energy and I asked the ticket takers if the girls were here to see the Women of Vision photography exhi
via Photography: http://proof.nationalgeographic.com/2013/11/21/remembering-a-compassionate-war-photographer/
Five photographers who have borne witness to Syria’s civil war tell the stories behind their defining images of the conflict
via Telegraph.co.uk: http://www.telegraph.co.uk/news/worldnews/middleeast/syria/10400229/Syria-the-shots-that-shook-the-world.html
David Date Parker has made a name for himself photographing some of the most dangerous places on Earth. The Perth native has travelled through the Gaza Strip, the West Bank, Iraq and the multitude of military coups and street protests that plague South…
Tim Page arrived in 1965 Vietnam at the tender age of 20 and began a career as a photojournalist that sent him all over the world, including the same jail cell as Jim Morrison.
via Vice: http://www.vice.com/read/vietnam-had-good-food-and-beautiful-women
Championing Independent Journalism
via Frontline Club: http://www.frontlineclub.com/announcing-the-winners-of-the-frontline-club-awards-2013/