In his more than 60 years behind the lens, Flip Schulke photographed figures such as Dr. Martin Luther King Jr., Muhammad Ali, Jacques Cousteau, Fidel Castro, Dwight D. Eisenhower, Elvis Presley, and John F. Kennedy. He created more than 500,000 photographs — 11,000 of those from the civil rights movement.
“I called him The Legend,” said Donna Schulke, Mr. Schulke’s fourth wife.
Schulke, 77, traveled all over — bringing the world, and the sea, home with his camera. But age and poor health recently slowed the adventurer, and he died Thursday of congestive heart failure at Columbia Hospital.
Most people who remember the album “Combat Rock” by The Clash might remember a song called Sean Flynn, but they probably don’t know exactly who the early punkers were talking about.
The son of Hollywood movie actor Errol Flynn, he could have lived his life a thousand different ways.
Sean Flynn had a semi-successful acting career and all the money, looks, fame and fortune that any man of his day could have wanted, but instead he spent years covering the war in Vietnam.
During that time period, war photographers were a rare and important type of person, and their lives were imperiled as a result of their chosen profession. A risk that war reporters continue to face today.
It’s sad that it took such a tragedy to bring FLDS voices out into the open, but I think we benefit a lot from hearing people speak up directly for themselves.
MONSTER CAMP is a rare and fascinating glimpse into the world of live-action role playing (“LARPing”), a real-life version of the videogame phenomenon World of Warcraft. In this award-winning doc, gamer stereotypes are simultaneously shattered and confirmed.
I was pleased today to see an article about photographer Nick Evans being cleared by a Galveston jury of misdemeanor charges of interfering with police while photographing an arrest at a Mardi Gras celebration in 2007.
While I’m amazed that any prosecutor would actually take this kind of a case to trial (in this case prosecutor April Powers), I’m pleased that a jury had the common sense to dismiss the charges.
Today, May 15th, is the 50th anniversary of the day Robert Frank’s The Americans was first published by Robert Delpire in Paris. That was 1958. Today we realize that The Americans has more in common with beat poetry and club jazz than it has with many other kinds of photography; it’s one of the high water marks of 1950s culture. And throughout an era when photographers communicated with each other and with their audiences mainly through the vehicle of published books, The Americans has had only a handful of competitors (Walker Evans’ American Photographs, Henri Cartier-Bresson’s The Decisive Moment, a few others) for the title of the most important single photography book ever published. For thirty years after its publication it was deeply influential. And although photography has moved on now, the echoes of its impact reverberate still.
Hugh Grant, Liz Hurley and her husband Arun Nayar have accepted £58,000 damages for invasion of privacy over photographs taken of them on holiday reports Reuters.
The images taken by Big Pictures (UK) Ltd and Eliot Press SARL were taken covertly whilst the three were on holiday in the Maldives it was claimed.
The subject of copyright is always high in photographers’ minds, especially in light of Orphan Works legislation & rampant image “borrowing” online. Consequently there’s an ongoing burning desire for secure metadata that can’t be stripped away from images.
The images of the earthquake relief effort in China have been horrifying and deeply moving and remind me what has always been so compelling about my job – the ease and speed with which still pictures can impart so much readily understood information to so many people.
Freelance photographers who shoot for the Associated Press will now get a 25 percent cut of the fees the AP collects for licensing their images beyond the AP’s regular photo wire.
But the AP is also asking freelancers to do more work than in the past – to file their entire take with the AP, including caption information, within five days of their assignment.
I am eighty years old. I’ve lived in Texas for almost a year and have been a member of the FLDS Church for fifty-six years. My purpose in writing this letter is to counter the false propaganda that has spewed forth from the Texas authorities.
I’m a professional stock photographer, and just this morning, I was greeted by two FBI antiterrorism agents who wanted to question me regarding shooting in the Port of Los Angeles two weeks ago. When I was down there, a private security guard in a pickup truck chased me out of the area and onto the freeway. After he stopped following me, apparently he filed a report with the FBI.
Rochester Institute of Technology, and Leica Camera, proclaimed May 6, 2008 as Leica Day. The daylong event, hosted by RIT, was celebrated with speeches, lectures, tours, slide shows, seminars and parties. Andreas Kaufmann, the CEO of Leica Camera in Solms, Germany was there do donate 20 classic Leica M4-2 and M4-P cameras, each fitted with a brand new Leica Summarit-M lens (valued at $50,000), to RIT’s School of Photographic Arts and Sciences “to assure that analog photography continues to be a key element of photographic education at the highest levels.” Eastman Kodak Company also donated 400 rolls of their new Portra 400NC film to help support the program.
At the event, Kaufmann took the time to give us some insight about what’s happening at Leic
It was one of the most arresting images of last year. A majestic male mountain gorilla, his body flecked with blood, splayed out lifeless on a stretcher that 15 park rangers were struggling to bear through the jungle of eastern Congo.
The massacre of the silverback Senkekwe, along with five other rare apes, made the cover of US magazine Newsweek under the headline “Gorilla Warfare”. In Britain, the “Murders In The Mist” prompted The Sun to launch its own campaign, and around the globe people wrote in to media outlets, telling of the sleepless nights and trauma the images had caused.
For Anneke van Woudenberg, the Congo specialist for Human Rights Watch, it was a case of gritting one’s teeth. “Kill a mountain gorilla in Congo and it gets much more coverage than five million dead,” she says. “It irks me every time.”
Keith tried to take a picture on the Red Line in LA, and was told that he was breaking the “9/11 Law” by a metro worker who swore at him and threatened him with arrest when he asked what the “9/11 Law” was.
If you’re well connected, you would’ve received an invite yesterday to RSVP for a private preview on Friday for Dalek’s only exhibit this year, Overweight, at Washington D.C.’s Irvine Contemporary.
Meanwhile, the Gigapan continued to take photos. They’d ruined the panorama, of course; the first guard got in front of the camera at one point and obstructed the view. They reiterated that we were going to be arrested, so I finally tried to shut off the camera. But the damn thing wouldn’t stop taking pictures. It never occurred to me that I’d have to learn how to abort a panorama under pain of arrest, so I fumbled for about a minute as it kept shooting pictures. (I think I heard Wright laughing at this point.)
I managed to shut the camera, and started to disassemble the Gigapan from the tripod as a fourth security person arrived. He was dressed differently than the other three people, and had a former-marine-turned-middle-management air about him.
