for the student show, Sandy Volz made these unusual pictures of human interaction titled “Hearts of Darkness”. You can’t quite tell what’s going on.
Check it out here.
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in Photography
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Brad Mangin:
The email arrived on December 21, 2007. Subject: “Invitation to judge POYi.” The words that followed stunned me: “Greetings from Pictures of the Year International. My name is Rick Shaw and I am the director for the international photojournalism program. It is my privilege to invite you to participate on the judging panel for the 65th annual Pictures of the Year International competition (Newspaper and General Divisions).”
Holy cow. Was he serious? I immediately called Rick and told him I would be honored to judge POYi. I would not be going to spring training to cover the Cactus League till the end of February, so this fit perfectly into my schedule. I knew this once-in-a-lifetime opportunity would help me learn a lot and grow as a photographer. Having the chance to look at thousands of photographs over a six-day period with a panel of three other judges was a chance I wanted to take advantage of.
Check it out here.
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Robert Hanashiro:
February 2008 began with the Super Bowl, then slide into the heart of Awards Season: The Grammys and the Academy Awards and then tossed on top of that, a trip to Louisiana for the annual NBA All Star Weekend.
Check it out here.
in Sports
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Getty Images announced today that Ian Martin and Lorena Ros will each receive $20,000 in funding, enabling them to pursue new documentary photography projects. In addition, each grant recipient receives collaborative support from Getty Images photo editors as they implement their winning projects.
Ian Martin’s project, “Hidden Minority: South Africa’s White Poor,” looks at the little-known problem of white poverty in post-apartheid South Africa.
Lorena Ros’ project “Silent Witness” documents the impact and prevalence of childhood sexual abuse in America while providing survivors with a safe, respectful way to address and share their experiences.
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Refocus Imaging, a Silicon Valley start-up, thinks its technology can be used to make cameras that can fix that problem–after you take the photo.
By fitting a camera’s image sensor with a special lens and then processing the resulting data with new methods, Refocus Imaging’s technology will let photographers fix their photos and exercise new creative control after the shutter is released, founder and Chief Executive Ren Ng said.
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Alisa Miller of Public Radio International just gave an amazing short presentation on why, every year, we get less and less information about the world around us through the media — even though we want and need it more than ever.
Check it out here.
in Journalism
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Retail icon Stanley Marcus was passionate about photography, but only now is that passion emerging publicly — with help from his family.
A retrospective of his images, “Reflection of a Man: The Photographs of Stanley Marcus,” is on display through March 30 at the Dallas Museum of Art, to which Marcus donated more than 300 works and was a trustee for over 60 years.
Check it out here.
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in Photography
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The Billboard Liberation Front today announced a major new advertising improvement campaign executed on behalf of clients AT&T and the National Security Agency. Focusing on billboards in the San Francisco area, this improvement action is designed to promote and celebrate the innovative collaboration of these two global communications giants.
“This campaign is an extraordinary rendition of a public-private partnership,” observed BLF spokesperson Blank DeCoverly. “These two titans of telecom have a long and intimate relationship, dating back to the age of the telegraph. In these dark days of Terrorism, that should be a comfort to every law-abiding citizen with nothing to hide.”
Check it out here.
in Pranks
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Handcrafted by a working photojournalist, using nylon tubular webbing and Montana Elk leather, you will be treating yourself to one of the very best camera straps made.
Wapiti Straps are made by David Grubbs, staff photographer of the Billings Gazette. They come in two non-adjustable lengths of 32″ and 36″, or you can order a custom length that suits your needs.
Check it out here.
in Equipment
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George Bridges:
You’re shooting a big protest and you know you will be walking many miles and there will be clashes between the demonstrators and police. It’s no place for lugging a computer.
So how do you get those images back to your office?
One part of the answer would be with the wireless transmitters made for Canon and Nikon’s top cameras: The WFT-E2a for the Mark III and the WT-4 for the D3.Check it out here.
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Kingston has updated the Icons of Photography section of its Website with a new interview with National Geographic photographer Gerd Ludwig. Ludwig is the fourth of the flash memory card maker’s Icons of Photography to be interviewed for the Kingston site
Check it out here.
in Interviews
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Three or four years ago I had an editor to tell me to get a photo of a guy coming out of court but he was really mean and was probably a murder suspect and I should hide in the bushes to get his picture. Really, that is what I was told to do. Frankly, I am not a hide in the bushes/ambush kind of guy.
Check it out here.
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Nikon USA has taken the wraps off a revamped website design featuring a blog that, says a press release, “encourages users to comment and share their ideas to improve the Web sites design, interface and content.”
Check it out here.
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The National Press Photographers Association today delivered a letter to Major League Baseball Commissioner Allan H. “Bud” Selig objecting to new restrictions that are in the 2008 credential application photographers and news organizations must submit in order to cover MLB games, workouts, activities, and events.
“The historic and statistical nature of baseball requires that its photographic coverage often deals with contextual issues, not specific games. Your new terms impose a form of prior restraint on the use of visual images (both still and video) that will negatively impact the editorial independence of our members and the press as a whole,” NPPA president Tony Overman wrote to Selig.
Check it out here.
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Increasingly, nonprofessionals are positioning themselves alongside press photographers, said Brian Ach, a full-time freelancer for celebrity-photo agency WireImage, which is also owned by Getty. “It becomes difficult when there are marked spots for traditional agencies at an event, and somebody with a little point-and-shoot shows up and says, ‘Well, I’m with so-and-so Web site,” he said. “It happens at every single event.”
Another professional photographer, Nancy Kaszerman, said shooting celebrities on the street means “fighting off the cellphones.” At a recent Hotel Gansevoort party in New York, so many “TMZ-type” paparazzi crowded Ms. Jolie that she couldn’t pose for a picture, Ms. Kaszerman said. “They were basically on top of her. They didn’t use their lenses or their zooms,” she said. “In the past, photographers would’ve given her some breathing room.”
Check it out here.
in Paparazzi
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For one weekend, the entire city of Bowling Green was up for grabs.
Ten UK students participated in a photojournalism and multimedia workshop two weekends ago and set out to document life in the Western Kentucky community. Diverse stories were not hard to find.
Check it out here.
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Here’s a tip to other journalists covering the Clinton campaign from here on out: Do not identify yourself as a journalist. Simple as that. Hide your credentials; do not whip out your notepad; put your camera in your pocket; do not sign the media sign-in sheet. Because that way, the Clintonistas will not be able to ID you as working press and do their damnedest to guarantee you can’t actually work, unless you’re willing to do it on a barricaded riser away from the actual people attending the event. Sorry, lady, ain’t in the transcribing business — especially when your guy didn’t say much besides the usual blah-blah-blah.
“Excuse me, you have to get behind the barricade,” said a Clinton campaign worker who softly grabbed my arm about 30 minutes before Clinton finally showed. She pointed to the riser upon which the local TV outlets had perched their cameras. When I asked why I had to move, she said it was to keep cameramen from lugging their tools through the crowd. “But all I have is this notebook and this pen,” I said, standing next to a Clinton supporter and Unfair Park reader with whom I’d just been speaking.
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Today’s discovery is Florian Bohm. A 39 year old German living in New York, Bohm takes the familiar DiCorcian concept of modern color street photography, narrows it down to the single moment of people waiting to cross the street, and repeatedly nails it. He’s not breaking any new ground but the self-imposed restriction of photographing entirely on the streets of New York gives the work a consistency and an immediacy, and there’s a nice flat quality to the light that helps pull it all together. The pictures above and below all come from Bohm’s book “Wait to Walk” published last year by Hatje Cantz.
Check it out here.
in Photography
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Photojournalist Stephanie Sinclair is the winner of the 2008 Alexia Foundation Grant for professionals, and Matt Eich, a senior photojournalism major at Ohio University, is the student winner, the Alexia Foundation announced today.
The Alexia Foundation for World Peace was established by the family of Alexia Tsairis, an honors photojournalism student at the S.I. Newhouse School of Public Communications at Syracuse University who was a victim of the terrorist bombing of Pan Am flight #103 over Lockerbie, Scotland, on December 21, 1988. She was returning home for the Christmas holidays after spending a semester at the Syracuse University London Centre.
Check it out here.
