When photographer Tod Marks first entered into the steeplechase arena most of the veteran media wanted to know, “Who’s the new guy?” They soon found that he was hardly new to the world of horse racing. In fact, he had covered some of the greatest flat races in the last several decades and that hands-on photography experience translated nicely into jump racing.
Marks uses his expertise as a photojournalist to get intense action images combined with great emotion at the various steeplechase venues. He travels to almost all the major National Steeplechase Association meets and his work is well-represented in the NSA yearbook and in the industry publication, the Steeplechase Times, where he has been working ever since first helping with the Sean Clancy’s book “Saratoga Days” and the Saratoga Special newspaper back in 2000.
For the last few weeks, there has been brewing speculation about a big announcement soon. And Apple Insider has intercepted a message from Mike Shinoda, a member of the band Linkin Park, to its fans.
In addition to a show at Madison Square Garden, he wrote, “look forward to a special show that we’re doing in NYC in conjunction with Apple…shh…it’s a secret…”
under no circumstances may Bearer display any more
than seven still pictures or photographs of any Game at any time regardless of whether Bearer obtained such pictures or photographs at the Game; (ii) unless such still pictures or photographs of any Game are displayed in connection with an article about or summary of such Game, such still pictures or photographs cannot be displayed for more than seventy-two hours following the conclusion of the respective Game
In a move that legal experts said could present a major test of First Amendment rights in the Internet era, a federal judge in San Francisco on Friday ordered the disabling of a Web site devoted to disclosing confidential information.
The site, Wikileaks.org, invites people to post leaked materials with the goal of discouraging “unethical behavior” by corporations and governments. It has posted documents concerning the rules of engagement for American troops in Iraq, a military manual concerning the operation of prison at Guantánamo Bay, Cuba, and other evidence of what it has called corporate waste and wrongdoing.
Japanese photographer Masao Yamamoto has intrigued me since I first held several of his tiny energy-charged photos in my hands at a photography festival in California in 2003, and I could not leave without taking three of these precious objects home with me (at a price I could barely afford at the time). Six years later, those same photos float on the wall in my home where I can see them every day, in all kinds of light, and they still exert that same emotional pull on me every time I stop to look at them.
Over the past thirty years, Michael Eastman has produced a body of fine-art photography on subjects ranging from European architecture to Midwestern storefronts.
Without a doubt, the new official Apple Aperture 2.0 website is a truly excellent primary resource.
My favorite section in the newly revamped site is the Tutorials. In this section, Apple presents more than 50 excellent compact video tutorials, that is somewhat similar to a lot of the fantastic iPhone tutorial videos. There are also about 10 text tutorials in the same page.
Philip Jones – Griffiths, a great friend of Viet Nam, who is suffering from cancer, is struggling his last battle in London to grasp the very last breath of his life.
Cai Guo-Qiang says his favorite artistic moment is the pregnant pause between the lighting of the fuse and the detonation of the gunpowder. “There is a pressure in it to be preserved, and then it explodes,” he says. “This moment belongs just to the artist and the work.” On a breezy afternoon last September, in a large A-frame shed at the Grucci fireworks plant on Long Island, he was setting the stage. With the help of his wife, Hong Hong Wu, he cut a long green fuse into segments, then laid the pieces carefully on eight contiguous panels of handmade Japanese rice paper.
After three young female assistants placed stencils in the shape of an eagle’s wings, head and beak onto the panels, Cai, a onetime serious student of martial arts, moved gracefully as he sprinkled different grades of gunpowder, some custom-made for him. “I don’t know what the result will be, even though I preplan,” he told me, speaking through an interpreter in Chinese. “It is like making medicine — a little of this, a little of that, watch it and taste it a little and see how it is working. My work is like a dialogue between me and unseen powers, like alchemy.” (In Chinese, the word for gunpowder is literally “fire medicine,” an allusion to the eighth-century Chinese alchemists who accidentally invented it while searching for a magic elixir.) The assistants lifted the stencils, and Cai scattered and rubbed gunpowder in the white space that had been covered. Then the women put the stencils back on the panels, and he tossed on more gunpowder. The entire process was repeated for another image, this one of a pine-tree branch below the eagle’s claws.
Przemysław Pokrycki’s “Rites of Passage” is a wonderful series showing family gatherings for baptisms, first communions, weddings, and funerals – kind of like a social typology.
Recently, this point was brought home on the Magnum photo site when Christopher Anderson’s bare-bulb approach to photographing presidential candidate Mitt Romney came under fire from some viewers. Anderson’s approach was the “anti-photo op.” Tired of making the same stale and banal images that most of the press pack gets of the candidates, Anderson blasted Romney through what appears to be a rain-splattered lens.
Yep, in a fit of incredible nervousness I asked her to marry me. And through an incredible fit of tears, she accepted! I’ll post the ring on Friday, when we get to pick it up.
Larry Clark is entertaining company, but it’s hard to know what to make of a grandfather who still puts such stock in his street cred. Likewise his new photographs, which are saturated in colour but oddly drained of meaning. They are not reportage or photojournalism, but sit somewhere between a street fashion shoot and a series of well-taken snapshots. As seen through Clark’s lens, Hispanic teen life in South Central looks neither as dangerous nor as transgressive as he insists it is.
‘They’re kind of like punks,’ Clark says of the scrawny kids from Compton, ‘with the tight jeans and painted shoes. They have a style that they call “dressing young”. Basically, they wear the same clothes they wore when they were 12, but now they’re 15 or 16.’
I’m tempted to say that Clark himself invented the ‘dressing young’ concept, but I let it pass.
The Chicago Tribune, chicagotribune.com and ChicagoSports.com will not publish news photographs of this weekend’s girls gymnastics and wrestling state finals because of a legal challenge the Tribune, the Illinois Press Association and other state newspapers have filed against the Illinois High School Association.
In or out? With 45,000 images to get through, there’s barely enough time to capture a frame in the dimly lit room before judges decide whether an image stays or goes. It’s raining outside at the University of Missouri, but in Tucker Forum it’s sunny, cloudy, hot and cold as each image has its moment to shine on the big screen.
With fewer than a dozen spectators in the audience, the rain kept most from attending the first day of public judging during the 65th annual Pictures of the Year International competition. But that will change over the next three weeks, as students and professionals from across the country will join a group of 12 judges from around the world as they select winning images in each of this year’s 48 categories.
