Polly Ann Williams, one of the women featured in Lauren Greenfield’s THIN, the HBO documentary about women battling eating disorders, died Friday, Feb. 8 in what media outlets are calling an apparent suicide. The 33-year-old Williams was an aspiring photographer and a lobbyist for the National Eating Disorders Association. Her family asks those who wish to make contributions in her memory to visit www.nationaleatingdisorders.org.
On her website, Greenfield remembers WIlliams as “an extraordinary woman with unforgettable gifts. … In her short life, she touched more people than most people do in their lifetime and I know she was very proud of the contribution she made in the eating disorder community.”
Sometimes all the planning in the world can’t prepare you for the spontaneity of life. Every shooter hits their highs and lows during a shoot. It’s a given. The low came for me on the very first day. It wasn’t justified since at that point I didn’t even have a single frame in the bag. The key for me was to start shooting and a bag of Red Vines. Discouragement can come easy if you’re looking for it. It’s a roller coaster that’ll take you to the highest of highs and darkest of lows. The low serves as a reminder that nothing comes easy. The high tugs at my heart and reminds me instantly why I do this.
Like those images you’re seeing on the PhotoShelter Collection homepage? Grab the PhotoShelter widget and insert them into your own page. Then when you see something you like, you can click on it to license it immediately!
Photographers also have the ability to publish a widget of their own live PSC images.
Kelly Kennedy and photographer Rick Kozak had gone out on a patrol earlier that morning in Adhamiyah, one of Baghdad’s worst neighborhoods before the troop “surge,” and were supposed to go on that second one during which the IED detonated — but at the last moment decided to stay and do some interviews on base. In the aftermath of the deaths that day, Kennedy and Kozak were asked to stand away, to give the soldiers privacy to deal with their anger and grief.
One soldier she interviewed months later confessed that he’d “locked and loaded on me, had me in his sights,” she says. “He was bawling as he told me this. He’s a kid, and thought we’d sensationalize the story. That he’d considered hurting me really upset him, and he wanted to apologize about it.” In a story she posted the day after the bombing, Kennedy wrote that “this day showed why soldiers come back home with mental health issues, and why there should be no stigma attached to seeking help for those issues.”
Sometimes they can be funny, sometimes thought provoking, other times they just mess with your mind. They’ll always take your breath away though and make you wonder at the skills of the people that created them. The following images are our favourite Photoshopped images. If you’ve seen better we’d love to hear from you.
We are still not sure when photog John Harrington sleeps. Between last night and this morning, he managed to shoot John McCain’s victory speech in Virginia, interview other photogs about how they shoot and transmit their pix on the campaign trail, and turn that footage into an insightful seven-minute video.
Eluned (McLaren) Demarest saw the poverty of India and the ruins of post-World War II Berlin through the lenses of cameras.
Mrs. Demarest, an award-winning photographer who scoured the world for poignant pictures, died Jan. 28 at Beth Israel Deaconess Hospital in Needham of cardiopulmonary arrest. The Westwood resident was 85.
Her Welsh name was too hard for most to pronounce, so she was known to most as Lynn. Her work appeared in National Geographic, Newsweek, and other publications, including the Globe, and she produced several books of photography.
The State newspaper’s photography staff has been named Staff of the Year by the South Carolina News Photographers Association.
Based on points awarded in the still photojournalism portion of the SCNPA annual contest, points for first, second and third places and honorable mentions are divided by the number of staff positions.
Iraq was the deadliest place for journalists last year, while China led the rest of the world in jailing members of the news media and cracking down on freedom of expression, a media rights group reports.
Russia and Iran also took significant steps to muzzle the media, the Paris-based Reporters Without Borders said.
All told, 87 journalists were killed on the job in 2007.
“More and more journalists are being killed and last year’s figure was the highest since 1994,” said the report.
(Photo in screenshot by Rob Galbraith/Little Guy Media)
A chat today with Apple’s Kirk Paulsen, Senior Director of Applications Product Marketing, and Joe Schorr, Senior Product Line Manager for Photo Applications, revealed a number of interesting things about Aperture 2, the most significant upgrade to Aperture since the fall of 2006.
While that all changes with Aperture 2 which can read RAW files from the Nikon D3, D300, Canon 1Ds Mark III, Hasselblad H3D-II and other cameras, some photographers may already be wondering about the future. Will Aperture 2 be ready for the coming wave of digital cameras or will photographers have to wait until the next version of OS X comes out first?
We got a chance to talk to Kirk Paulsen, Apple’s senior director of Application Product Marketing, and Joe Schor, Apple’s senior product manager of Photo Applications; about this very issue. Read what they said after the jump.
At first, I only looked at Francesca Romeo’s portraiture (especially “Series 1”), but her work from a cemetary (“Series 3”) has grown quite a bit on me now.
If you have seen any of Jacob Riis’s photographs, you have probably never forgotten them. Riis was the Danish-born police reporter who in the late 1880s brought magnesium-flash photography into some of the darkest and most troubled spots in New York City — the tenements near Mulberry Bend, where Columbus Park now stands. New immigrants were crushed together there in some of the worst squalor and highest population densities ever recorded on this planet.
Artist Lori Nix builds incredibly detailed tabletop worlds and photographs them, from visions of disaster to glimpses of insect life. Her most recent collection, The City, depicts hyperreal decay and abandonment in an urban setting
Danish police said Tuesday they have arrested several people suspected of plotting to kill one of the 12 cartoonists behind the Prophet Muhammad drawings that sparked a deadly uproar in the Muslim world two years ago.
The arrests were made in pre-dawn raids in Aarhus, western Denmark, “to prevent a terror-related murder,” the police intelligence agency said. It did not say how many people were arrested nor did it mention which cartoonist was targeted.
However, according to Jyllands-Posten, the Danish newspaper that first published the drawings on Sept. 30, 2005, the suspects were planning to kill its cartoonist Kurt Westergaard. It said those arrested included both Danish and foreign citizens.
“There were very concrete murder plans against Kurt Westergaard,” said Carsten Juste, the paper’s editor-in-chief.
I chose the iPF6100 for testing because for me it represents the sweet spot in the line. For many fine art photographers a 24″ printer is about as big as can be handled outside of a commercial print studio, and also is able to produce prints that are usually as large as one needs. Readers should be aware that these four models are quite similar, except for paper size capabilities. (The 6100 is also not that much larger than the 5100, for those that are deciding between the two, though of course it doesn’t have a multi-sheet cassette feed for sheet paper, only single feed,the same as all other 24″ and larger printers).
The iPF6100 sells for about US $3,500. It’s main competitors are the HP Z3100 at about $4,800 and the Epson 7880 at $4,000. This makes the Canon the least expensive of the three, though there are promotions available which make shopping for price a matter that you need to conduct yourself on a local basis. In any event, the major differences to be noted are that the HP, though it costs quite a bit more, has a built-in spectrophotometer and self-profiling capability. Of course another difference that separates the three models is that the HP and Canon printers allow use of either matte or photo black inks at any time, while the current large format Epson pigment ink printers (excepting the 64 ” / $15,000 Epson 11880) require that these inks be swapped, a time consuming process and one that can cost $75 or more in wasted ink.
Aperture 2 delivers over 100 dramatic, new features including advanced image processing,
a streamlined interface, faster performance, and unprecedented Mac integration
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