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    This work is from his series, Western Frieze.

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    The LAPD has still refused to return Jonas Lara’s camera equipment despite the judge’s order. When Lara went to the police station to retrieve his equipment the police were “really pissed off,” he says, and attempted to question him further about the February 2 incident.

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    Matt Eich (b. 1986) is a freelance photographer and founding member of Luceo Images. His work is rooted in memory, both personal and collective and he strives to approach every photograph with a sense of intimacy. He believes that stories are the fabric of history and that they have the power to inform and transform open-minded viewers.

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    Finding the Frame is a gathering spot where multimedia journalists can receive feedback on their videos, audio slideshows and multimedia projects from industry professionals and fellow visual journalists.

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    Andrew Spear is a freelance photographer living in Southeast Ohio.  What’s intriguing is without any sort of internship , Andrew has already established himself in a crowded industry, all while still being a full time student.  At only 21 years old and a month from graduating from the School of Visual Communication at Ohio University, he’s already photographed assignments for the New York Times, the Wall Street Journal and AARP Bulletin. 

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  • Talking to…Photographer Daniele Tamagni

    Milan-based photographer Daniele Tamagni’s book “Gentlemen of Bacongo” features the pageantry of Congalese sapeurs, or dandies – a subculture of men who pay extreme attention to, and take great pri…

    Link: https://boywithgrenade.org/2010/05/06/talking-to-photographer-daniele-tamagni/

    Milan-based photographer Daniele Tamagni’s book “Gentlemen of Bacongo” features the pageantry of Congalese sapeurs, or dandies – a subculture of men who pay extreme attention to, and take great pride in, their appearance and sartorial style.

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    Tyler Stableford is an adventure photographer, and was given the challenge of shooting an ice climbing expedition and perfecting his images with the help of Lightroom 3 beta 2.

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    This project resulted in some 72,000 autochromes, most of which have never been published. The BBC has produced a 9-part series on the collection

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    In February of 2006 I unknowingly began making images that would later become an all-consuming project  lasting for more than four years. I am excited to announce the first real printing of this body of work. Edited by Mike Davis and designed by his wife Deb Pang Davis of Cococello Design, it contains an afterword by Brian Paul Clamp, director of ClampArt in New York. 

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    Inside the rolling hills of Appalachia, the small town of Athens dances to an eclectic vibe that emanates from the bars, locales, farms and people themselves. Many dwellers have found a unique passion they bare honestly and revel in how it makes their life sing.

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    The pictures are made in Abkhazia, one of the small breakaway republics of Georgia. I went there because I was curious about life in a country which didn’t formally exist: What is life like in a country marked by war, isolation and not recognized, with no or limited possibilities to travel abroad or having contact with the surrounding world?

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  • VII Photo – VII Foundation

    VII VII is synonymous with courageous and impactful journalism. In 2001, the dawn of the digital era enabled the creation of VII Photo Agency. It drove VII to prominence during the aftermath of 9/11, the war in Afghanistan, the invasion of Iraq, and the c

    via VII Foundation: http://www.viiphoto.com/showstory.php?nID=1128

    Choosing only to photograph friends, family members and partners, this personal project, photographed over ten years, seeks to look at beauty and female emotion in an unvarnished and un-retouched way, thus challenging the 21st Century ethos of cosmetic enhancement and air-brushed magazine perfection.

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    In the midst of all of this, photographers have made the collective decision, I suppose following the lead set by publishers, to try and keep their customers happy by working for free.

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    “His work is a testament to the power of how a single photographer, armed with a vision, can really [communicate] to the rest of the world,” says Kurt Mutchler, Executive Editor of photography at National Geographic.

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    It’s hard to explain a mind-blowing mess like this one, but AFP is suing a Haitian photojournalist for “antagonistic assertion of [his] rights” after it distributed his news-breaking earthquake photos all over the world without his permission.

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    Davis’s archive contains thousands of subjects, including a photo essay on an Iowa farm boy and his dog, the last photos of film comedienne Carole Lombard at an Indiana war bond rally (her plane crashed on the way back to California), as well as portraits of General Dwight Eisenhower, President Franklin Roosevelt, and famed photojournalist Robert Capa reading in a bathtub, among many, many others.

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    Just because I am not breaking any laws does not always mean I am welcomed by the crew to shoot candid photos. If I am discovered shooting and they decide they don’t want images getting out, they may go to great measures to prevent me from getting my shots. Some ways a film production might do this is by blocking my view with equipment or vehicles, shining a bright light in my direction, or having a security guard stand in front of my lens with an umbrella. This is why I prefer stealth mode. It also makes for a better candid photo when the star does not know they are being photographed and are just acting naturally. On the days when there are several other Paparazzi photographers all competing for the same shot, there is no reason to hide. Production does their best to block the view of all the photographers or often just allow us to shoot, considering everyone keeps a respectable distance and does not get in the way of filming.

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    Fukase’s images are grainy, dark and impressionistic. Often, he magnifies his negatives or overexposes them, aiming all the time for mood over technical refinement. He photographs flocks from a distance, and single birds that appear like black silhouettes against grey, wintry skies. They are captured in flight, blurred and ominous, and at rest, perching on telegraph wires, trees, fences and chimneys. Fusake photographs them alive and dead, and maps their shadows in harsh sunlight and their tracks in the snow.

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    With this being our first year for the Award, we didn’t really know what to expect. But we were completely blown away with the turn out – 43 different schools and universities were represented, spanning the globe from the US to Germany to Bangladesh to Denmark to the UK. We were also very pleased with the quality of submissions. Many were very well developed and displayed a sophisticated visual language.

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    I have just updated my website with 12 new photo essays, made in recent times. I am passionate about visual story telling in photo essay form, and about the process of creating a visual narrative that can ask as many questions as affirm answers. I am also passionate about trying to make 2 and 2 make 5 rather than 3 through the process of linking and juxtaposing imagery, and interested in opening discussion and dialogue and imparting a sense of perception of how certain dynamics feel, rather than attempt description or explanation. My Photo Essay webpage now offers the viewer 27 different photo essays or portfolios that can be seen here:

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