The Musée de l’Armée offers a first glimpse into its photographic archives in an exhibition that traces the representation of war and the evolution of images of combat from 1849 to the present. This essential event shares some important lessons.
“I believe I’m now the longest-running Iraq/Afghanistan NYT-rotation photographer,” Christoph Bangert wrote in his journal on June 24th, 2013, on a plane to Istanbul. “Everybody else stopped covering wars or…
The 2022 Pulitzer Prize for Breaking News Photography goes to Marcus Yam, the sixth L.A. Times journalist to win a Pulitzer for photography categories.
The 2022 Anja Niedringhaus Courage in Photojournalism Award, named for the Pulitzer Prize-winning AP photographer who was killed reporting in Afghanistan in 2014, has been awarded to Paula Bronstein, a freelance photojournalist currently working in Kyiv.
He personified the paparazzi — brazen and relentless in chasing the famous, particularly Jacqueline Kennedy Onassis. But his pictures also came to be admired.
According to one tally, three million dollars’ worth of equipment was stolen during the past eighteen months, in forty-five separate incidents. “Somewhere, there’s a mole,” a studio owner said.
Part 1 of 2 of my conversations with presenters at the CatchLight Visual Storytelling Summit April 19-20, 2022 at the Institute of Contemporary Art San Francisco. In part 1 I speak with Mabel Jiménez and Josué Rivas about their then upcoming presentation on who gets to tell the story and how the story is made. We preview the talk and also speak about their own work and experiences in the documentary storytelling world.
For nearly two centuries, photography has played a role in educating the public about both the familiar and the unknown elements of our ever-changing environment — including the many species that live among us, the constant changes to our climate, and the incredible sights to be seen and explored around the world. Photography can truly…
This week we are featuring bodies of work are linked by this thematic lens: making the often-invisible nature of the global climate and the ecological crisis more visible using conceptual, lens-based art techniques. Each body of work speaks to a differe
I worked on this project using my secular intuition to confront my own fears and questions about religion, looking at the believers, their rituals and relics. In the end it raised more questions than answers, and I’m okay with that.