The latest book published by Louis Vuitton, Villes du monde [Cities of the World], takes readers on a trip around the world through 225 photographs of 30 different cities.
Link: https://www.blind-magazine.com/en/news/1426/The-City-In-All-Its-Facets
The latest book published by Louis Vuitton, Villes du monde [Cities on Earth], takes readers on a trip around the world through 225 photographs of 30 different cities.
In an eloquent new photobook, Sandra S. Phillips considers how photographers envision the intertwined histories of land use, colonialism, and the built environment.
via Aperture: https://aperture.org/editorial/a-sweeping-look-at-american-landscape-photography/
When Sandra S. Phillips was named curator emerita of photography at the San Francisco Museum of Modern Art in 2016, after three very busy decades leading the department, she had no intention of slowing down. In fact, she was actively at work on what fairly can be called the most ambitious project of her career to date: American Geography: Photographs of Land Use from 1840 to the Present, an exhibition scheduled to appear at SFMOMA in 2020. Lamentably, the exhibition itself was a casualty of the coronavirus pandemic, but the accompanying publication—much more than a catalogue—was published earlier this year by Radius Books in Santa Fe.
Scouring markets for discarded photo albums, Pariwat Anantachina’s intricate collages patchwork old family snaps with instruction manuals, breathing new life into abandoned pictures
via LensCulture: https://www.lensculture.com/articles/pariwat-anantachina-the-l_st-album
Scouring markets for discarded photo albums, Pariwat Anantachina’s intricate collages patchwork old family snaps with instruction manuals, breathing new life into abandoned pictures.
A book forms a disturbing, diverse account of a very turbulent year.
via Hyperallergic: https://hyperallergic.com/663256/2020-year-like-no-other-captured-in-magnum-photos/
Magnum 2020 revisits the uncertainties and upheavals of last year through 60 photographers around the world.
For most people, the mention of Hawai’i evokes images of white sandy beaches, grass-skirt hula dancers, and tropical flora. And while one certainly can experience these things with a trip to the islands, you will find none of these in the photographs of E
For most people, the mention of Hawai’i evokes images of white sandy beaches, grass-skirt hula dancers, and tropical flora. And while one certainly can experience these things with a trip to the islands, you will find none of these in the photographs of Ed Greevy. Instead, what you will experience is an examination of a land and its native peoples riddled with a history of violence, oppression, and exploitation. Greevy first came to Hawaiʻi in 1960, the year after its status change from US territory to the 50th state. Drawn here by the desire to surf, Ed quickly realized that the simple act of riding waves could not escape the upcoming struggles for land brought about by US statehood. Finding himself in the middle of rapid urban development and a transition from an agricultural to a tourism-driven economy, Greevy focused his camera on those most affected by these desires, Native Hawaiians and their land. The result is thousands of photographs spanning over three decades, illuminating the most pressing social and political issue of the times. Images of demonstrations opposing evictions of Kalama valley and Sand Island residents, military occupation of Mākua valley and Kahoʻolawe, and marches commemorating the 100th anniversary of the overthrow of the Hawaiian monarchy are all fixed into negatives of Ed Greevy; ready to view for those who are willing to observe. I first discovered Greevy’s photographs during my undergraduate studies at the University of Hawaiʻi at Mānoa.
Today, on The International Day of the World’s Indigenous Peoples, we’re sharing the work of the talented Indigenous photographers in the industry. Last week, in anticipation for this celebration, I reached out to Will Wilson, a Diné photographer and tran
“What If Indians Invented Photography?” An Exploration of Identity and Photographic Practices by Indigenous Photographer Will Wilson
Tel Aviv Express By Alexander Bronfer “Tel Aviv express” was filmed during my evening walks in the Tel Aviv and Negev desert area. Of course, these places are completely different from …
via burn magazine: https://www.burnmagazine.org/essays/2021/08/tel-aviv-express-by-alexander-bronfer/
“Tel Aviv express” was filmed during my evening walks in the Tel Aviv and Negev desert area. Of course, these places are completely different from each other, but for me they complement each other and I like to drive to the desert after noisy Tel Aviv just to stay alone for a while and come back home. That’s why I called it Tel Aviv express. They are two different worlds, two planets which always attract each other in my soul. In that series I tried to express my personal feelings during those late walks.
via Magnum Photos: https://www.magnumphotos.com/newsroom/when-water-rises-journey-through-turkeys-drowning-landscape/
Turkish Magnum photographer Emin Özmen travels through South East Anatolia, glimpsing the remains of villages submerged by the region’s monumental GAP dam programme, and visiting those next on the list for eviction for the last time
A new exhibition at Amber Film & Photography Collective brings together the work of nine photographers who have documented the young people i…
Link: https://www.juxtapoz.com/news/photography/youth-rising-in-the-uk-1981-2021/
A new exhibition at Amber Film & Photography Collective brings together the work of nine photographers who have documented the young people in the UK over a period of 40 years. Rarely seen works by Chris Killip and Sirkka-Liisa Konttinen are shown alongside recent work by Alys Tomlinson, Maryam Wahid, Sadie Catt, Tom Sussex, Christopher Nunn, Paul Alexander Knox and Vanessa Winship. These photographers tenderly capture the awkward, surprising and passionate period of maturation into adulthood.
The Art of the Personal Project is a crucial element to let potential buyers see how you think creatively on your own. I am drawn to personal projects that have an interesting vision or that show …
via A Photo Editor: https://aphotoeditor.com/2021/08/05/the-art-of-the-personal-project-eugene-richards/
The town of Earle, Ark., is disappearing.
Or at least, that’s what it looked like to photographer Eugene Richards
I was confronted with three parts of a mental soundtrack while paging through Thiago Dezan’s new book When I Hear The That Trumpet Sound (Selo Turvo, 2021, ed. 200). The first track based on title and the book’s black endpapers and the ominous black cover
via AMERICAN SUBURB X: https://americansuburbx.com/2021/08/thiago-dezan-when-i-hear-that-trumpet-sound.html
I was confronted with three parts of a mental soundtrack while paging through Thiago Dezan’s new book When I Hear The That Trumpet Sound (Selo Turvo, 2021, ed. 200). The first track based on title and the book’s black endpapers and the ominous black cover was Behemoth’s Blow Your Trumpets Gabriel, a rich and textured track of blinding blackened death metal ferocity from the Polish group’s finest album, The Satanist. The second and third tracks to my mental soundtrack came when I opened the book.
This year’s winners were chosen from 1,300 entries and include projects about identity and environmental issues.
via Washington Post: https://www.washingtonpost.com/photography/2021/08/06/winners-women-photograph-project-grants/
This year’s winners were chosen from 1,300 entries and include projects about identity and environmental issues.
The heat wave that swept the Pacific Northwest and Western Canada in late June was an extraordinary disaster. A mass of high-pressure air over the region trapped heat there, creating a “heat dome”—a term that recurred in news coverage. In Oregon, power
via Columbia Journalism Review: https://www.cjr.org/criticism/heat-dome-pacific-northwest-photography-headlines.php
If many images unintentionally downplayed the severity of the crisis, some photographers—especially local staff photographers and freelancers—engaged the crisis with work that rose to the occasion. Some of the most effective and widely-distributed imagery was created by Portland freelancer Nathan Howard, whose photos were published by outlets such as the Spokesman-Review in Spokane, Washington. This shot, for instance, demonstrated how even first responders weren’t physically immune to the oppressive conditions:
Contemporary American society has been monitoring itself in ways that destabilize our sense of well being. Sites and apps like Nextdoor and the Citizen come into our homes to remind us that all is not well in the world, in fact, there is a knife wielding
Contemporary American society has been monitoring itself in ways that destabilize our sense of well being. Sites and apps like Nextdoor and the Citizen come into our homes to remind us that all is not well in the world, in fact, there is a knife wielding man just blocks away or a dog is in distress and these notifications just add to our heightened anxieties and worries. Aaron Schuman uses this tension as a charged subtext to small town life.
Photographer Vinca Petersen recounts how a movement born of music and hedonism quickly became a vehicle for civil disobedience and defiance of authority.
via Huck Magazine: https://www.huckmag.com/art-and-culture/photos-capturing-the-defiant-spirit-of-the-90s-rave-scene/
Photographer Vinca Petersen recounts how a movement born of music and hedonism quickly became a vehicle for civil disobedience and defiance of authority.
Every few years, The Olympics marks one of the few moments in history where the entire world can come together. It’s truly an incredible moment in time and these 2020 Olympic Games in Tokyo are no different. With so many images swirling around, it’s important to remember that visual storytelling plays a major role in…
via PhotoShelter Blog: https://blog.photoshelter.com/2021/07/going-for-gold-sports-photographers-tweet-photos-from-the-tokyo-olympics/
Whether it’s AP photographers, Getty Image contributors or freelance photographers covering the Olympic Games for the first time, there are already a ton of photos from this year’s big event making their way around the Twittersphere.
Exceptional new street photography is the focus of a new exhibition in Paris that features 30 women photographers from 20 countries — here’s a generous preview of 7 artists from the show
via LensCulture: https://www.lensculture.com/articles/women-street-photographers-30-women-street-photographers-paris-exhibition
Exceptional new street photography is the focus of a new exhibition in Paris that features 30 women photographers from 20 countries — here’s a generous preview of 7 artists from the show.
American Reportage is thrilled to announce Carol Guzy as the collective’s newest member.
American Reportage is honored to have Carol join the collective for her vast experience, epic talent and kind heart.
via americanreportage: https://americanreportage.com/carol-guzy-joins-american-reportage/
American Reportage is thrilled to announce Carol Guzy as the collective’s newest member.
Awash with lush, rich imagery and poetic text, Rebecca Norris Webb’s book Night Calls, published by Radius Books, is a gorgeous homage to her 99-year old physician father and to Rush County, Indiana – the small, rural county where both were born and raise
Awash with lush, rich imagery and poetic text, Rebecca Norris Webb’s book Night Calls, published by Radius Books, is a gorgeous homage to her 99-year old physician father and to Rush County, Indiana – the small, rural county where both were born and raised. Photographed mostly at night and in the early morning, Rebecca mirrored her father’s work patterns, as he was often called to patients during the twilight hours. Accompanying her imagery of liminal stillness, landscapes of disorienting beauty and hints of decay, and portraits of former patients are her hand-written musings; bittersweet recollections of history and family ties, and deeper questions she poses directly to her father:
Recognized for his poignant series of images of the pandemic, the award-winning photojournalist talks to EL PAÍS about disability and the role of photography in society
Recognized for his poignant series of images of the pandemic, the award-winning photojournalist talks to EL PAÍS about disability and the role of photography in society