In a world where life changed seemingly overnight, photographers transformed how they worked, trading intimacy for distance. This is what they captured.
The photographs in this collection capture those historic 12 months. Jeffrey Henson Scales, who edited The Year in Pictures with David Furst, said he had never felt such sweep and emotion from a single year’s images — from the “joy and optimism” of a New Year’s Eve kiss in Times Square, to angry crowds on the streets of Hong Kong and in American cities, to scenes of painful debates over race and policing, to the “seemingly countless graves and coffins across the globe.”
It’s time to take a look at some of the most memorable events and images of 2020. Events covered in this essay include the disastrous Australian wildfires, the onset of the global coronavirus pandemic, Brexit Day, and much more.
As the year comes to a close, it’s time to take a look at some of the most memorable events and images of 2020. Events covered in this essay (the first of a three-part photo summary of the year) include the disastrous Australian wildfires, the onset of the global coronavirus pandemic and the new reality of empty public spaces, innovative ways to cope with social-distancing measures, the Democratic presidential primaries, Brexit Day, and much more. Check back later this week for parts two and three, and be sure to see the earlier “Top 25 News Photos of 2020.”
In a new book, photographer Alessandra Sanguinetti chronicles the everyday lives of her cousins as they navigate the transition from adolescence to adulthood in rural Argentina.
"The Seven Cities" is the third in his series called "The Invisible Yoke." Here he looks at the people and places of Hampton Roads, and at the weight of memory.
Eich’s latest photography book, “The Seven Cities,” is a look at the places and people that make up Hampton Roads. It shows the variety that anyone can discover in an hour’s drive from an oyster roast in Suffolk to a Russian Orthodox Church service in Virginia Beach to an Amtrak bus station stop in Newport News. It also illuminates the grief, hope, anxiety and laughter of its people.
As we approach the end of a year unlike any other in recent memory, here is a look back at some of the major news events and moments of 2020. The coronavirus pandemic took center stage worldwide, disrupting societies, sickening tens of millions, and killing more than 1.5 million people. In June, widespread protests against racial injustice and policy brutality erupted after the Minneapolis police killed George Floyd. In the U.S., political and cultural clashes took place in the streets, on the airwaves, and across social media during a tumultuous presidential-election year. California suffered one of its worst wildfire seasons in modern history, and so much more. Here, we present the top 25 news photos of 2020. Be sure to check back throughout the week for more comprehensive stories, presented as “2020: The Year in Photos, Parts 1-3.”
57 renowned documentary photographers donate a photograph, including Eugene Smith’s famous “Pride Street” photograph, to help underwrite the institution’s 2021 grants and fellowships.
This week on Photojournalism Now: Friday Round Up – the final video interview for Photojournalism Now: In Conversation 2020 is now live featuring award-winning photojournalist James Whitlow D…
This week on Photojournalism Now: Friday Round Up – the final video interview for Photojournalism Now: In Conversation 2020 is now live featuring award-winning photojournalist James Whitlow Delano.
When photographer and publisher Jesse Lenz first settled down on a farm in rural Ohio with his family he was forced to reimagine long-held beliefs abo…
When photographer and publisher Jesse Lenz first settled down on a farm in rural Ohio with his family he was forced to reimagine long-held beliefs about process, practice, art, and life. After several years of living and traveling North American in an airstream, he discovered a different sort of movement and change. As his children’s imaginations ran wild in the fields, finding and creating worlds amongst and alongside plants, insects, and animals, Lenz’s own eyes opened to a whole new way of seeing the world around him. Remaining in one place in no way necessitates being static (something many of us has been forced to reconcile with this year), and in fact can reveal to us what we’ve long forgotten. With his first major monograph, The Locusts, Lenz finds that the magic of childhood is the perfect vehicle with which to understand change, whether it’s seasonal cycles of birth and death or the natural imperfections of simply being alive in this world.
Low or unpaid work has become a seemingly unavoidable factor in entering the creative industries. But to stop further social inequality, it’s time we rethink the value of cultural work itself.
Low or unpaid work has become a seemingly unavoidable factor in entering the creative industries. But to stop further social inequality, it’s time we rethink the value of cultural work itself.
We hope you enjoy this year’s selection of over 70 favorites by photobook notables from all over the world! The diversity of these choices can be seen below.
“I actually have no idea what street photography is, but I can oddly sense its look-off-tilted cameras, bit of asphalt, coupla ppl, maybe a mean looking dog, some bit of crazy occurring in the corners, some action as it were”
I began this review with these questions in mind, mostly in passing as they reflect the cacophony and performance of Mihai Baranbancea’s incredibly chaotic and brilliant Falling On Blades (Edition Patrick Frey, 2020). The book is thick tome full of intense images of Barabancea’s Romania. It is in colour and likely shot through a Yashica T4 or Contax-some form of small compact camera that allows the artist close access to the innumerable scenes of wild Romania. I tend to think of this kind of work once belonging to Vice in the early 2000s and that is not a slight against Mihai-in fact, that would have been about the timeframe when Vice was equally chaotic and sociologically-speaking was pushing boundaries that now in 2020 that as a news organisation look slightly faded and increasingly unnecessary. I am reminded of Peter Sutherland, Dash Snow etc. when I look at Mihai’s work. He has an access to Romania that outsiders do not and you can feel the low-light and flash-induced images in all their fast-paced glory. There is an anxiety involved. There is a palpable danger and a return to risk-taking that seems to have gone missing over the past decade.
Ryan Debolski’s series, LIKE, explores the physical and digital relationships of the migrant workers who build the infrastructure of Oman, a rapidly modernizing country rich in oil and natural gas. These men, predominantly from East Africa and the Indian subcontinent, communicate using widely available, low-cost smartphones that help them cope with the social isolation they face while living in camps for years. As quickly as new friends are made, others disappear without a trace, never to be heard from again: workers are deported for various reasons, or shuffled around to different camps throughout the region.
Protests have erupted across France over a proposed security law that would greatly limit the publication of images of police officers. The controversial
The controversial Article 24 in the new Global Security Bill pushed by French President Emmanuel Macron’s government and police unions would make it illegal to publish images of police officers with the intent to cause them harm. Offenders would face up to a year in jail and a fine of €45,000 (~$53,000).
Bowie, of the Baltimore Sun, began adjusting to working from home. It was feasible only because of the strong relationships she’d developed with editors over three decades in the newsroom. “You can sort of read them through Slack channels and email in a way that if I was a new reporter entering the newsroom it would be very, very difficult,” she told me. Early in the year, the Sun’s staff had shared a Pulitzer Prize for a series of investigations into allegations of corruption and fraud committed by Catherine Pugh, the former mayor. Bowie believes that work would have been impossible as a remote project. “There were so many moments during those months where the discussions in the newsroom resulted in better stories coming out, because we were all asking each other questions all the time,” she said. “I know for a fact that our reporting would not have been as good if we couldn’t have been together in that room.”
In their ongoing project, photographer duo Carlo Lombardi and Miririam Stanke travel across Nomansland, uncovering the aftermath of a landscape damaged by war.
In their ongoing project, photographer duo Carlo Lombardi and Miririam Stanke travel across Nomansland, uncovering the aftermath of a landscape damaged by war.
This interview was written with the kind help of and in conjunction with Elena Gálvez Mancilla – Mexican historian and sociologist; a researcher on the Amazon and indigenous culture, interested in the image as a historical source, photography enthusiast a
I am very proud to introduce Misha Vallejo‘s work today. He comes from my very own country, Ecuador. With intimacy and humanity, he has portrayed Sarayaku, the guardians of the Amazon. He has shown me and many others, that everyone’s life is connected to an important environmental reality and that caring is the only answer. Secret Sarayaku is currently on display at the Centre of Contemporary Arts in Quito.
