Sony has announced the Alpha 1 mirrorless camera, a camera that combines all of Sony’s top technologies into one body, creating a 50-megapixel camera that
It can shoot up to 30 frames per second – the fastest shooting speed ever – blackout-free while also combined with Sony’s autofocus technology that enables up to 120 autofocus calculations per second, which is double the speed of the a9 II.
The late photographer, who left behind more than two million images, spent her life in search of the elusive iconic frame.
via Aperture: https://aperture.org/editorial/mary-ellen-mark-the-book-of-everything/
“Mary Ellen would never have made this book,” Martin Bell, Mary Ellen Mark’s husband and collaborator of more than thirty years, writes in an essay accompanying The Book of Everything, the three-volume collection of the photographer’s life’s work recently published by Steidl.
Press release: Groundbreaking Sony Alpha 1 Camera Marks a New Era in Professional Imaging
The Alpha 1 Delivers an Unprecedented Combination of Resolution, Speed and Video Performance, Empowering Professionals with a New High-Resolution 50.1-megapixel Full-frame Image Sensor, High-speed Shooting at up to 30 Frames per Second, 8K 30p Video and More
“Oh my god, have I been at parties,” chuckles American photographer Larry Fink, on a Zoom call from his farm in rural Pennsylvania. We’re discussing his forthcoming exhibition, at Galerie Bene Taschen in Cologne, opening later this week. The show is a retrospective of Fink’s esteemed 65-year career, examining his enduring preoccupation with people and his remarkable talent for capturing them – especially while in the throes of celebration.
NPR photojournalist David Gilkey was killed back in June 2016 during the War in Afghanistan while documenting fighting between Taliban and Afghan/American
“I talked to him about it once and I said, ‘What kind of photography do you really want to do?’ And he said, ‘I want to do the kind where I have to go out into the world and find out what’s happening,’” Alyda tells NPR. “And I said, ‘Well, I guess you’re never going to be a wedding photographer.’ And he said, ‘No way. No way.’ It was just what he wanted to do.”
via Conscientious Photography Magazine: https://cphmag.com/conv-karolina-gembara/
KG: It’s called APP [Archiwum Protestów Publicznych — Archive of Public Protest]. This is Rafał Milach’s idea (my friend from Sputnik Photos). He invited other photographers who have been present in the streets since 2015 or 2016 to create an online platform where people could look at images from different places, from different protests, and use them.
Susan Meiselas, Alec Soth, Nan Goldin, and others reflect on the life and work of a legendary photo editor and poet.
via Aperture: https://aperture.org/editorial/how-alice-rose-george-shaped-a-pivotal-era-in-photography/
Perhaps the clearest picture of Alice Rose George, beloved editor, curator, teacher, and poet, who died on December 22, 2020, in Los Angeles at the age of seventy-six, can be seen through her own eye, connecting—as she so innovatively did in the books and magazines where she made her mark—all the seeming and revelatory contrasts of her life.
Considering buying a Soviet camera? Read Kosmo Foto’s in-depth guide to finding and using cameras from the former USSR.
via Kosmo Foto: https://kosmofoto.com/2021/01/read-this-before-you-buy-a-soviet-camera/
This article – and it’s a big one, so get a drink handy – is an attempt to dispel some of the myths that have developed around Soviet cameras, especially since the 1990s. It’s not trying to pretend that it’s only politics got in the way of the USSR’s cameras, and that every Zenit and Zorki is a match for a Nikon or a Leica. Some of the horror stories you might have heard about Soviet camera quality are 100% true. But not every Soviet camera is a lemon, and some are capable of taking fantastic images if you take the trouble to learn their strengths and, yes, their weaknesses.
After January 6, the capital welcomed a solemn and safe transfer of power.
Link: https://www.nytimes.com/2021/01/22/opinion/inauguration-day-washington-biden.html
Pairing extracts of pages from her personal diaries with portraits of young women in their teens, the American photographer paints a candid picture around the complexity of growing up.
via 1854 Photography: https://www.1854.photography/2021/01/deanna-templeton-captures-the-intricacies-and-emotional-turmoil-of-adolescence-in-her-latest-monograph-what-she-said/
The placement of Templeton’s accounts and the photographs was carefully considered, to ensure no mistakes were made with regard to associating particular words with specific images. She was especially mindful of sequencing. “I didn’t want to place any entry I thought was really sensitive next to a person,” she says. “I didn’t want any misinterpretations.” By candidly revealing her intimate thoughts and reflections, Templeton de-stigmatises subjects which too often go undiscussed, demonstrating a path through even the most difficult times.
“Everything seems somehow familiar and distant at the same time. It is as if time has wedged us between the fever dream of summer and the insoluble gaslighting conjured up from what was believed to be a significantly flawed, but tolerable near past”
via AMERICAN SUBURB X: https://americansuburbx.com/2021/01/matt-eichs-the-seven-cities.html?utm_source=rss&utm_medium=rss&utm_campaign=matt-eichs-the-seven-cities
“Everything seems somehow familiar and distant at the same time. It is as if time has wedged us between the fever dream of summer and the insoluble gaslighting conjured up from what was believed to be a significantly flawed, but tolerable near past”
Reporters and photographers who are no strangers to conflict are among those assigned to what is usually a day of pageantry.
Link: https://www.nytimes.com/2021/01/19/business/media/journalists-inauguration.html
“I’m used to being a war reporter in countries where there were no institutions, or the institutions shattered very rapidly,” said Ms. di Giovanni, now a senior fellow at Yale University’s Jackson Institute for Global Affairs. “This is a country that had, until recently, extremely strong institutions that protected us descending into the abyss, and to see what’s happening now is disturbing beyond belief.”
The Reporters Committee for Freedom of the Press (RCFP), National Press Photographers Association (NPPA), New York Times, and Washington Post are urging
“We heard through the Reporters Committee’s hotline that one photojournalist wore a bulletproof vest that prevented her from getting injured when she was stabbed by one of the members of the mob,” the letter reads. “Accordingly, we request that credentialed journalists covering the 2021 inauguration be allowed to carry this life-saving gear, at least outside the most secured area where the inauguration will occur.”
In the latest in the ongoing saga involving Magnum Photos, the company has made good on its promise to publish its previously-private Code of Conduct. In
It should be noted that Magnum’s President, Olivia Arthur, is quoted as saying the agency’s code was a “six-page long internal HR document that we are not looking to put on trial by Twitter.”
Coinciding with the inauguration of Joe Biden, the photographer thought it timely to address what he saw at one of Trump's rallies three years ago.
Coinciding with the inauguration of Joe Biden, the photographer thought it timely to address what he saw at one of Trump’s rallies three years ago.
My main focus is being free to roam, using my instincts, keeping my ears and eyes peeled, and discovering things. I’m always aware of my emotional and mental space, as this can send off signals and affect how I’m received in public. Your energy and body language have to be open and clear with intention, because if not you will face problems with people reacting to you, and being threatened by you and your camera.
In Fingerprints, Jim Goldberg shares a selection of never-before-seen Polaroids that served as drafts for photographs he later created for the landmark book Raised by Wolves.
via Blind Magazine: https://www.blind-magazine.com/en/news/1194/Tracing-The-Roots-Of-Jim-Goldbergs-Epic-Raised-By-Wolves
In Fingerprints, Jim Goldberg shares a selection of never-before-seen Polaroids that served as drafts for photographs he later created for the landmark book Raised by Wolves.
The usual bustle of lawmakers moving in and out of offices gave way to a horrific scene.
Link: https://www.nytimes.com/2021/01/16/opinion/capitol-attack-photos.html
Mark Peterson is a photographer whose forthcoming book “White Noise” focuses on white supremacists. He is represented by Redux Pictures. Michelle Cottle is a member of the Times editorial board.
Pioneering color photographer Mitch Epstein faces urgent, contemporary issues through his compelling photographs in Mitch Epstein: Property Rights at…
Pioneering color photographer Mitch Epstein faces urgent, contemporary issues through his compelling photographs in Mitch Epstein: Property Rights at Amon Carter Museum of Contemporary Art. From Standing Rock protests to the Arizona and Texas borderlands, Epstein travels the country capturing images where public and private rights are often in conflict. Politics and citizenship, or environmental degradation and land rights, Epstein focuses on tough topics, helping us see overlapping, and often competing, histories and perspectives.
Many photography projects address human-caused devastation in a way that doesn’t quite evoke the horror nor the reality of the situation. It seems as if many photographers approach the topic with the same sense of awe for the natural world that is inheren
Then there is photographer Bil Zelman and his raw interpretation of the planet in his most recent book Here We Are, Stories from the Sixth Extinction, published by Daylight Books. Zelman’s black and white photographs lit by strobes at night in the muck of everglade swamps, western El Niño storms, and the desolation of barren trees from California wildfires harkens the viewer to see, process, and then respond. We are in the beginnings of the sixth extinction, and it is dire.