The most memorable illustrations of the year, as chosen by the art directors of The New York Times.
Link: https://www.nytimes.com/interactive/2021/01/14/multimedia/year-in-illustration.html
The most memorable illustrations of 2020, chosen by the art directors of The New York Times.
Gary Krueger’s City of Angels, 1971-1980 is a collection of sometimes frenetic and often bizarre photographs of Los Angeles, California. Krueger’…
Link: https://www.juxtapoz.com/news/photography/gary-krueger-s-city-of-angels/
Gary Krueger’s City of Angels, 1971-1980 is a collection of sometimes frenetic and often bizarre photographs of Los Angeles, California. Krueger’s curiosity and instincts helped to create a remarkable body of street photography that he describes as “split-second juxtapositions in life.” After graduating High School in 1963, Gary Krueger (1945 – ) drove his 1954 Ford west from Cleveland, Ohio, to study graphic design and photography at the Chouinard Art Institute in Los Angeles (What became Cal Arts). Upon graduation from Chouinard, Krueger was hired by WED, Disney’s “Imagineering” Division to photograph the Park and its events. He eventually left WED to pursue a successful career as a commercial and editorial photographer.
The Wellcome Photography Prize 2021 is free to enter and open for submissions. They’re looking for the human stories behind three urgent health challenges: mental health problems, infectious diseases, and…
via Feature Shoot: https://www.featureshoot.com/2021/01/climate-change-drought-and-water-contamination-the-untold-story-of-californias-san-joaquin-valley/
“When I hear people talk about climate change, I often hear them ask, ‘When is it going to happen?’” the California-based documentary photographer Mette Lampcov tells us. “Well, it’s here. We are living it. And we’d better start looking it straight in the eyes.”
A group of 647 photography students and professionals have together signed a letter demanding Magnum Photos actively participate in addressing sexual
A group of 647 photography students and professionals have together signed a letter demanding Magnum Photos actively participate in addressing sexual harassment in the industry, namely with regards to accusations made against its photographer David Alan Harvey.
Photographer Janine Windel remembers visiting the UK’s major ferry port in 1989, where she immersed herself in a world that often felt frozen in time.
via Huck Magazine: https://www.huckmag.com/art-and-culture/the-ferries-nightclubs-and-seaside-revelry-of-80s-dover/
Photographer Janine Wiedel remembers visiting the UK’s major ferry port in 1989, where she immersed herself in a world that often felt frozen in time.
Founder of Native Agency, Laura Beltrán Villamizar, takes a look at a celebration of Latin American photography at PHmuseum, which offers a chance to discover an eclectic assortment of artists disrupting clichés of the region
via LensCulture: https://www.lensculture.com/articles/ph-museum-latinamericana
Founder of Native Agency, Laura Beltrán Villamizar, takes a look at a celebration of Latin American photography at PHmuseum, which offers a chance to discover an eclectic assortment of artists disrupting clichés of the region.
The German photographer Hans-Jürgen Burkard spent several months traveling to the four corners of his native country. His book, An Tagen wie Diesen [Days Like These], is a journey through photography and music, a snapshot of a carefree Germany full of hum
via Blind Magazine: https://www.blind-magazine.com/en/news/1190/Photographic-And-Musical-Road-Trip-Across-Germany
The German photographer Hans-Jürgen Burkard spent several months traveling to the four corners of his native country. His book, An Tagen wie Diesen [Days Like These], is a journey through photography and music, a snapshot of a carefree Germany full of humanity, in equal part youth and tradition.
Taking pictures from train windows between Oslo and Ukraine, Damian Heinisch tells of the harrowing journeys that his family once took during the second world war.
Taking pictures from train windows between Oslo and Ukraine, Damian Heinisch tells of the harrowing journeys that his family once took during the second world war.
Veteran photojournalist Kenneth Jarecke announced the creation of The Curious Society, a membership-based, quarterly print publication for contemporary photojournalism.
via PhotoShelter Blog: https://blog.photoshelter.com/2021/01/the-curious-society-wants-to-print-a-new-photojournalism-magazine/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+PhotoshelterBlog+%28PhotoShelter+Blog%29
A few weeks ago, veteran photojournalist Kenneth Jarecke announced the creation of The Curious Society, a membership-based, quarterly print publication for contemporary photojournalism. While some might reflexively balk at starting a printed magazine in the digital age, Jarecke believes there is a market for people who want a tactile experience, and one that forces them to more slowly appreciate photography – and if he’s right, he’ll also be paying photographers a meaningful licensing fee in return.
Her unerring eye for visuals made her a fixture in New York’s magazine world, where she promoted scores of famous and unsung photographers.
Link: https://www.nytimes.com/2021/01/12/arts/alice-rose-george-dead.html
“She was a photographer’s dream editor,” said Susan Meiselas, a photographer who worked under Ms. George in the early 1990s when Ms. George ran the New York offices of the photo agency Magnum. “She saw what they saw and gave them support, not just financial but emotional.”
Prompted partly by the health crisis, the Carmignac Photojournalism Award has transformed this year into a collaborative project that explores the notion of representation in the Democratic Republic of Congo and spotlights local journalism.
January 6, 2021, an infamous day in U.S. History when citizens overran the Capitol was also a day when photojournalists delivered incredible work under heavy duress. In this episode of Vision Slightly Blurred, Sarah and Allen review some of the exemplary
via PhotoShelter Blog: https://blog.photoshelter.com/2021/01/podcast-photojournalists-capture-the-capitol-under-siege/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+PhotoshelterBlog+%28PhotoShelter+Blog%29
January 6, 2021, an infamous day in U.S. History when citizens overran the Capitol was also a day when photojournalists delivered incredible work under heavy duress. In this episode of Vision Slightly Blurred, Sarah and Allen review some of the exemplary work and discuss the outsized influence that social media had on the “performative” acts of many of the rioters.
Reporters and photojournalists assigned to cover the Electoral College vote count found themselves thrust into a riot against Congress, and found themselves attacked as well.
Days after Trump supporters stormed the Capitol Building, Leah Millis was still trying to grasp all that she saw.
The discovery of an abandoned archive reveals an extraordinary document of everyday life in Georgia under Soviet rule, prompting photographer Guram Tsibakhashvili to seek out the mysterious identity of its creator
via LensCulture: https://www.lensculture.com/articles/rezo-kezali-a-suitcase-of-negatives
The discovery of an abandoned archive reveals an extraordinary document of everyday life in Georgia under Soviet rule, prompting photographer Guram Tsibakhashvili to seek out the mysterious identity of its creator.
In January 2020, when the world was blissfully unaware of the devastating global transformation that would impact every corner of our lives, a group of photographers met for a year-long masterclass under the tutelage of Aline Smithson. Here, each would de
In January 2020, when the world was blissfully unaware of the devastating global transformation that would impact every corner of our lives, a group of photographers met for a year-long masterclass under the tutelage of Aline Smithson. Here, each would develop a personal photographic project that would ultimately be exhibited at the Los Angeles Center of Photography in early 2021.
Rioters spat at reporters and hurled slurs. They chased journalists down and destroyed their gear. Some physically assaulted media workers.
When Trump took the stage Wednesday at his “Save America” rally, he started his speech with a rant against the media, calling it “the biggest problem we have as far as I’m concerned — single biggest problem” and falsely claiming “fake news” had stolen the election. Hours later, some of his supporters had taken his message to heart and went after the media members who they saw as responsible for Trump’s loss in the 2020 election.
Congress was on break when Tom Williams, a photographer for CQ Roll Call, stepped out of the House chamber to file some shots of the vote to certify the election. Then he noticed something out a window facing east: a skirmish between dozens of cops and
via Columbia Journalism Review: https://www.cjr.org/covering_the_election/photographers-capitol-coup.php
The crowd seemed ready for a photo opportunity; democracy was under siege by a spectacle of costumes, body paint, and an unknown number of weapons. Some of the insurrectionists wore maga hats or camo-gear; they brandished flags for Trump and for the Confederacy; few wore masks. Williams headed out to find a good vantage point and saw people with bleary eyes—the rioters and the police had exchanged pepper spray, he later learned—and bloodstained faces. He captured some images of rioters shoving their way through a wall of police. Soon, an officer escorted Williams and a few other photographers to the third-floor gallery of the House chamber, then told them to lie low. He clenched his equipment. “I was trying to quickly and surreptitiously take pictures the whole time,” he said. “We were like, Holy shit.” A throng had entered the Capitol.
Reporters who planned to watch a political ceremony were caught in a wave of turmoil.
Link: https://www.nytimes.com/2021/01/09/business/media/journalists-capitol-mob.html
The journalists ended up chronicling a siege that underscored the fragility of American democracy. Many did their jobs a few feet from drawn weapons. Others faced the wrath of pro-Trump agitators with a grudge against the news media.
News organizations may have an unpopular fight ahead as federal law enforcement agencies seek out their unpublished images from the Capitol siege.
via Poynter: https://www.poynter.org/ethics-trust/2021/should-journalists-play-a-role-in-identifying-rioters/
News organizations should soon expect to hear from federal law enforcement agencies. National Press Photographers Association General Counsel Mickey Osterreicher says he expects that they will ask or demand that news organizations and individual journalists who documented the siege of the U.S. Capitol turn over their unpublished images and videos.
On his friend Helmut Newton: “I was talking to Helmut about his commercial photography, and I said to him, ‘Helmut, what do you tell yourself when you get up in the morning?’ He says, ‘Ralphie, I get up in the morning and I say to myself, ‘I’ll show those fuckers.’”