Street photographer Shirley Baker would travel to London’s Camden Market every weekend, mesmerised by the area’s rebellious youth movement.
via Huck Magazine: https://www.huckmag.com/art-and-culture/photography-2/a-life-in-colour-capturing-the-punks-of-1980s-britain/
Street photographer Shirley Baker would travel to London’s Camden Market every weekend, mesmerised by the area’s rebellious youth movement.
Between 1997 and 2002, the photographer portrayed teenage girls as imagined rebels, offering a radical vision of community and feminism against the masculine myth of the American landscape.
via Aperture Foundation NY: https://aperture.org/blog/justine-kurland-girl-pictures/
Between 1997 and 2002, the photographer portrayed teenage girls as imagined rebels, offering a radical vision of community and feminism against the masculine myth of the American landscape.
This webcast looks at the Trump Mt. Rushmore rally, the St. Louis couple that pointed weapons at demonstrators, and a racial justice self-portrait.
via Reading The Pictures: https://www.readingthepictures.org/2020/07/rushmore-guns-couple-self-portrait/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Bagnewsnotes+%28Reading+The+Pictures%29
Welcome to the latest edition of Chatting the Pictures. In each 10-minute webcast, co-hosts Michael Shaw, publisher of Reading the Pictures, and writer and historian, Cara Finnegan, discuss three prominent photos in the news. The program is broken into three segments: “The News,” “The Look,” and “The Pick.” “The News” examines a hard news image for its content value. “The Look” focuses on a news photo for its artistry and style. And “The Pick” asks what made a high profile photo so unique to editors or the public.
Women Photograph was launched in 2017 in an effort to elevate the voices of female and non-binary visual journalists in an industry that, from its inception, has been male-dominated.
via Washington Post: https://www.washingtonpost.com/photography/2020/07/13/nearly-1300-people-applied-women-photograph-grants-here-are-winners/
This year’s Women Photograph project grants have been announced. Five photographers have been awarded the $5,000 Women Photograph + Nikon Grants, and one is taking home the $10,000 Women Photograph + Getty Images Scholarship. Judges sifted through nearly 1,300 applicants from female and non-binary photographers around the world.
There are road trips and then there are transformative journeys that imprint on your soul and open your eyes to new vistas filled with strange beauty. Photographer Sebastian Rogowski has created a visual diary of his travels through Kazakhstan and Kyrgyz
There are road trips and then there are transformative journeys that imprint on your soul and open your eyes to new vistas filled with strange beauty. Photographer Sebastian Rogowski has created a visual diary of his travels through Kazakhstan and Kyrgyzstan and the result is his self-published monograph, Suicidal Birds. The work includes stark landscapes with luminous blue lakes, mountains that render everything else insignificant — human life simply a momentary visitor in the histories of their existence, and totems and architecture that add to the surreal nature of these lands. There is a melancholy beauty in these photographs that speak to place, but also offer an unspoken internal narration of self.
When the Russian photographer Natalia Ershova was in school, working on her journalism degree, she fell ill. As a result, she was unable to leave home for two months. To…
via Feature Shoot: https://www.featureshoot.com/2020/07/inside-the-homes-of-hermits/
When the Russian photographer Natalia Ershova was in school, working on her journalism degree, she fell ill. As a result, she was unable to leave home for two months. To combat the isolation and loneliness, she communicated with friends online. “I often stayed up at night, working on my diploma, and corresponding simultaneously with those in my networks,” she remembers.
Street photographer Harvey Stein’s lifelong love affair with Coney Island began the first time he entered Brooklyn’s famed seaside playground. It was the late 1950s, and he was 14 years old. “I didn’t like New York, it was too big, too noisy, hot and dirt
via Huck Magazine: https://www.huckmag.com/art-and-culture/photography-2/a-photographers-lifelong-love-affair-with-coney-island/
The New York neighbourhood has always been irresistible to street photographers – particularly Harvey Stein, who has been shooting there for over five decades.
Annie Leibovitz recently photographed Olympic gold medalist and GOAT gymnast Simone Biles for Vogue, and Twitter wasn’t so happy with the results. Co-hosts Sarah Jacobs and Allen Murabayashi concur, and share their thoughts on why the photos, lighting, re
Annie Leibovitz recently photographed Olympic gold medalist and GOAT gymnast Simone Biles for Vogue, and Twitter wasn’t so happy with the results. Co-hosts Sarah Jacobs and Allen Murabayashi concur, and share their thoughts on why the photos, lighting, retouching and styling were so unsuccessful in this week’s episode of the PhotoShelter podcast, Vision Slightly Blurred.
It’s not often that you get to meet a soldier who is also a photographer and a dedicated film shooter. I had the great pleasure of meeting Christian K. Lee and his work during the Annenberg/Photoville virtual portfolio reviews and much of our time was spe
It’s not often that you get to meet a soldier who is also a photographer and a dedicated film shooter. I had the great pleasure of meeting Christian K. Lee and his work during the Annenberg/Photoville virtual portfolio reviews and much of our time was spent waxing rhapsodic about film cameras. In his free time, when he is not serving as a logistics officer in the Army, Christian’s practice considers communities in central Texas. Recently during Covid 19, he turned his camera towards high school seniors. As he states,”The pinnacle of the school year for many High School Seniors is Prom. In preparation some bought their outfits months in advance waiting for the opportunity to wear it to the highly anticipated event. Due to COVID-19 concerns the class of 2020 weren’t able to take part in it.” He packed up his cameras and made his rounds to photograph students in their evening finest, if only for a moment and memory of what might have been.
For photographer Andrew Quilty, a pandemic in Afghanistan seemed terrifying. But the reality was an entirely different story.
via Huck Magazine: https://www.huckmag.com/art-and-culture/photography-2/war-and-peace-what-lockdown-looks-like-in-afghanistan/
For photographer and writer Andrew Quilty – an immigrant living in war-torn Kabul – the prospect of Covid-19 was panic-inducing. But the reality was an entirely different story.
In the nineteen-forties, a panel of scholars struggled over truth in reporting, the marketplace of ideas, and the maintenance of a free and responsible press. Their deliberations are more relevant than ever.
via The New Yorker: https://www.newyorker.com/news/the-future-of-democracy/how-can-the-press-best-serve-democracy
Lippman lamented the tendency of the press to act as “a searchlight that moves restlessly about, bringing one episode and then another out of darkness into vision.” He believed that the searchlight needed to pause long enough to illuminate issues of vital importance to the public. The Hutchins Commission had similar concerns: “Too much of the regular output of the press consists of a miscellaneous succession of stories and images which have no relation to the typical lives of real people anywhere. Too often the result is meaninglessness, flatness, distortion, and the perpetuation of misunderstanding among widely scattered groups whose only contact is through these media.” Today, in the age of digital journalism, the pressures of velocity and volume are even more powerful, particularly for media organizations which depend on advertising; even subscription-oriented businesses are not immune, since they must attract new readers and optimize their editorial content for search engines and social-media sharing. Democracy may well depend on finding a sustainable business model for a slower, more deliberative form of news. If “objectivity” has lost its usefulness as a shorthand for journalism’s aspirations, and if the meaning of “moral clarity” is unclear, then perhaps quality, rigor, and depth could be worthy ideals.
On the 25th anniversary of the genocide that claimed the lives of over 8,000 people in Bosnia, Daniel J Norwood shares his personal response to the atrocity — images from his physical and emotional journey, and a tribute to 12 victims born in the same yea
via British Journal of Photography: https://www.bjp-online.com/2020/07/daniel-j-norwood-21-srebrenica-massacre/
On the 25th anniversary of the genocide that claimed the lives of over 8,000 people in Bosnia, Daniel J Norwood shares his personal response to the atrocity — images from his physical and emotional journey, and a tribute to 12 victims born in the same year that he was
Magnum, which is entirely owned by photographers, started its historic membership program back in 1955.
via Hyperallergic: https://hyperallergic.com/574749/magnum-photos-nominates-five-photographers-to-join-organization/
This year, Magnum presents five new prospects, who will first join the organization as nominees before potentially gaining admission to the Magnum collective as lifelong members. The international cohort includes Khalik Allah (USA), Sabiha Çimen (Turkey), Colby Deal (USA), Yael Martínez (Mexico), and Hannah Price (USA), and demonstrates an abiding interest in amplifying a diverse perspective, both in terms of photographer and subject.
PhotoShelter Community Marketing Manager Caitlyn Edwards interviews photojournalist Evelyn Hockstein about the George Floyd protests and her career.
via PhotoShelter Blog: https://blog.photoshelter.com/2020/07/document-history-an-interview-with-evelyn-hockstein/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+PhotoshelterBlog+%28PhotoShelter+Blog%29
Photojournalist Evelyn Hockstein is no stranger to pivoting from one project to the next.
This week on Photojournalism Now: Friday Round Up – the World.Report Award Documenting Humanity 2020 announces this year’s shortlisted photographers across five categories. And don̵…
via Photojournalism Now: https://photojournalismnow43738385.wordpress.com/2020/07/10/photojournalism-now-friday-round-up-10-july-2020/
This week on Photojournalism Now: Friday Round Up – the World.Report Award Documenting Humanity 2020 announces this year’s shortlisted photographers across five categories. And don’t forget to check out the first video interview in our new series Photojournalism Now: In Conversation with Robin Hammond.
Mixing various subjects and styles, Lyndon French's portfolio shows how trying out what feels right to you photographically is the ideal approach to the medium.
Mixing various subjects and styles, Lyndon French’s portfolio shows how trying out what feels right to you photographically is the ideal approach to the medium.
In a new book, “People of the Mud,” the photographer Luis Alberto Rodriguez creates a choreography of bodies at work and at play.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/a-visitor-to-ireland-finds-ballet-in-the-ancient-sport-of-hurling
On a stretch of stony earth, in front of a patchwork wall of brick and cinder block, three young men are down on their elbows and knees, with heads in hands. They’re wearing pristine sportswear: shirts in the same team colors but mismatched footwear and shorts. Also, the teammates are stacked one on top of the other, in a monument built of trembling muscle and bruised flesh. The boys’ faces are hidden, but you might recognize one of them from the sockless Adidas sneakers he’s wearing here and in another photograph. That other image shows him and three more athletes, each with his feet on the ground and body flung backward, head on his neighbor’s knees, making a human platform at coffee-table height. It’s as if the subjects of August Sander’s “Young Farmers” (1925-27) had thrown away their cigarettes and taken up—what? Choreography? Contortionism? Performance art?
In “Pleasant Street,” Judith Black photographs her home life in New England from 1968 to 2000—and builds upon an American documentary tradition.
via Aperture Foundation NY: https://aperture.org/blog/judith-black-thirty-years-of-a-familys-life/
Judith Black’s new photobook traces her home life in New England from 1968 to 2000—and builds upon an American documentary tradition.
Beyond the cherry blossoms, festivals, and buzzing nightlife, Dan Bailey’s photographs of Tokyo offer a deeper discussion about Japan’s history and its sense of national and individual identity
via British Journal of Photography: https://www.bjp-online.com/2020/07/dan-bailey-disposables/
Beyond the cherry blossoms, festivals, and buzzing nightlife, Dan Bailey’s photographs offer a deeper discussion about Japan’s history and its sense of national and individual identity
Projects featured this week were selected from our most recent call-for-submissions. I was able to interview each of these individuals to gain further insight into the bodies of work they shared. Today, we are looking at the series Blind River by Alex Turner. Alex Turner (b. Chicago, Illinois) combines imaging technologies to highlight the profusion of sociopolitical
via LENSCRATCH: http://lenscratch.com/2020/07/alex-turner-blind-river/
Projects featured this week were selected from our most recent call-for-submissions. I was able to interview each of these individuals to gain further insight into the bodies of work they shared. Today, we are looking at the series Blind River by Alex Turner.