What irony that the world was put on pause just after Juxtapoz attended a party paying joyful tribute to  NYC’s legendary Studio 54 club. That NYC became the epicenter of the pandemic and the Brooklyn Museum’s Studio 54 retrospective postponed before it ever really opened perhaps even adds to the mystique of the club itself. What’s just as perverse is that the photographer on assignment for Juxtapoz that night has made a career shooting a particular nightlife scene in Brooklyn, capturing epic shows at House of Vans or underground performances at the types of places that have boosted the borough into artistic renaissance over the last 20 years. I had thought pairing Laura June Kirsch with Studio 54 was like a generational passing of the baton, and yet here we are, on  cultural hiatus.