Tag: Charles H. Traub

  • Charles H. Traub: Taradiddle | LENSCRATCH

    Charles H. Traub: Taradiddle | LENSCRATCH

    Charles H. Traub: Taradiddle

    “The taradiddle reveals the world as constructed by the camera. And in being manufactured by the camera it is inevitably a kind of white lie. There’s no history, there’s no context, no truth in the actual picture. Rather a semblance of such— there is an e

    via LENSCRATCH: http://lenscratch.com/2018/09/charles-h-traub-taradiddle/

    Charles H. Traub sees the world with a particular sense of humor and irony that reminds us of our messy humanity. His photographs are tonic for a world that has gotten way too serious. Fortunately for the last 20 years, he has his camera ready when odd juxtapositions present themselves, moments too surreal to be real, but based in the truths of the street. This collection of “photographic wanderings” from around the globe, with a particular eye toward serendipity, is now a book, Taradiddle, published by Damiani Editore. In viewing this collection of photographs, I am reminded of the importance of examining the absurd split second moments that can only be captured if one is looking. And Charles has a legacy of looking–in fact, this is his sixteenth publication, but he also a significant legacy of supporting photographic education, well evidenced in his bio. Each time I visit his website, which is often, I am inspired by someone has lead a spectacular photographic life and manages to continue to see the world with curiosity, humor, compassion, and joy.

  • Charles H. Traub: Lunchtime | LENSCRATCH

    Charles H. Traub: Lunchtime | LENSCRATCH

    Charles H. Traub: Lunchtime

     “If you stay in one place long enough, everybody passes by. And, truth be known, everybody wants to be photographed.” – Charles H. Traub A few months ago, I received an e-mail from Charles H. Traub, sharing his new website. It was stunning in its design,

    via LENSCRATCH: http://lenscratch.com/2016/12/charles-h-traub-lunchtime/

    Lunchtime, created between 1977 – 1980 on the streets of New York, Chicago, and Europe. These portraits have aged well, revealing our humanness, our foibles, and flaws, but photographed with compassion and curiosity. He has a monograph under the same title, published in 2015