A new anthology by Chinatown’s omnipresent documentarian, who captured half a century of shifting identities, activism, and daily life.
via The New Yorker: https://www.newyorker.com/culture/photo-booth/what-asian-america-meant-to-corky-lee
A new anthology by Chinatown’s omnipresent documentarian, who captured half a century of shifting identities, activism, and daily life.
https://www.newyorker.com/culture/photo-booth/what-asian-america-meant-to-corky-lee
A new book from the legendary lensman Corky Lee captures both struggle and celebration across several decades of Asian American life.
A new book from the legendary lensman Corky Lee captures both struggle and celebration across several decades of Asian American life.
There is a symmetry between Corky Lee’s passing and the rise of Stop Anti-Asian Hate: the departure of Asian America’s greatest documentarian and its most visible recent efflorescence. Years earlier, the brief window of postwar Asian American radicalism s
via n+1: https://www.nplusonemag.com/online-only/online-only/corky-lee-and-the-work-of-seeing/
I DID NOT REALLY BELIEVE that Corky Lee would pass away. I heard early reports that the radical photographer had contracted Covid-19 and stayed overnight at the hospital, but then he began to recover. We weren’t close, but he was so ubiquitous, such a fixture at seemingly every Asian American civic event, that he came to feel more familiar than many of my friends. A secretly shy person, he dodged his introversion by simply taking your photograph, or he’d pounce on you with a harangue, his manner paradoxically imposing and self-effacing
His simple passion to document took him everywhere.
via The New Yorker: https://www.newyorker.com/culture/postscript/corky-lees-photographs-helped-generations-of-asian-americans-see-themselves
Corky Lee often described his life’s work as “photographing Asian Pacific Americans.” It was a simple passion that could take him anywhere. For nearly fifty years, New Yorkers never knew where they might run into Lee and his camera: a museum gala or a tenants’ rights meeting, construction sites or local laundries, youth basketball games or poetry readings, community fairs, concerts, or protests. Most often, it was somewhere along Mott Street, in the heart of Manhattan’s Chinatown, where his photographs of everyday life helped generations of Chinese Americans see themselves as part of a larger community. Lee died on Wednesday, at the age of seventy-three, of complications from covid-19.