Florida’s Shadow Country
In Curran Hatleberg’s latest project, the Florida of leisure and artifice, of Disney World and Miami Beach, is nowhere to be found.
via The New Yorker: http://www.newyorker.com/culture/photo-booth/floridas-shadow-country
In Curran Hatleberg’s latest project, the Florida of leisure and artifice, of Disney World and Miami Beach, is nowhere to be found.
via The New Yorker: http://www.newyorker.com/culture/photo-booth/floridas-shadow-country
For the latest edition of MATTE, 20 photographers submitted work that they loved but for whatever reason, have never found a home.
via Vice: http://www.vice.com/read/matte-magazine-presents-the-homeless-issue-405
The Magnum Foundation Emergency Fund today announces, exclusively through TIME LightBox, the winners of its 2015 grants
via Time: http://time.com/3672263/time-exclusive-magnum-emergency-fund-announces-2015-grantees/
Taking pictures while drifting back and forth along the continental United States, Curran Hatleberg has created a photographic world that can only be described as American. From his vantage point a world of dichotomies and contradictions is revealed to us
via Feature Shoot: http://www.featureshoot.com/2013/10/curran-hatlebergs-intimate-photos-of-strangers-met-on-road-trips-across-america/
Curran Hatleberg has driven from coast to coast at least five times since he began taking photos on the road. “When I started I was interested in…
via Slate Magazine: http://www.slate.com/blogs/behold/2013/09/18/curran_hatleberg_photographs_america_in_dogwood_and_the_crowded_edge.html
Link: Something more felt than known: a conversation with Curran Hatleberg | The Great Leap Sideways
The photographs I make, either found or invented, are my own fictionalized version of America and its inhabitants. My work strives to mediate and reimagine the American experience, in hopes of communicating a personal understanding of our shared time and place
Link: Conscientious Extended | Meditations on Photographs: Riverfront by Curran Hatleberg
The world is there to be watched, to be seen; and a good photographer will visually organize its content into pictures that make us see what we could but usually don’t see. And crucially, one can try to take apart a good photograph and figure out how it operates, but it will still work afterwards