Tag: Dan Winters
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Dan Winters’ Artistic Proving Ground: The Streets of New York | American Photo
Dan Winters’ Artistic Proving Ground: The Streets of New York At age 25 in 1987, working as a staff photographer for a small daily newspaper in his native southern California, Dan Winters got some time-honored advice—head east.
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Dan Winters Gives an Emotional Talk on Shooting the Final Space Shuttle Launches
Dan Winters Gives an Emotional Talk on Shooting the Final Space Shuttle Launches In 2011, when the end of NASA’s shuttle program was announced, photographer Dan Winters decided that he would photograph the final three launches and via PetaPixel: http://petapixel.com/2014/12/02/dan-winters-gives-emotional-talk-shooting-final-space-shuttle-launches/ In 2011, when the end of NASA’s shuttle program was announced, photographer Dan Winters decided…
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DAN WINTERS Studio by Vincent Laforet (Storehouse)
DAN WINTERS Studio by Vincent Laforet Dan Winters, born October 21st 1962, is one of the world’s most creative & successful portrait photographers. Aside from being one of the artists that I admire the most working today, I am also lucky to call him a friend.
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Take a Tour of an Ace Photographer’s Creative Sanctuary | Gadget Lab | WIRED
Take a Tour of an Ace Photographer’s Creative Sanctuary Peek inside photographer Dan Winters’ giant Texas studio. via WIRED: http://www.wired.com/2014/06/dan-winters/#slide-id-999691 For the past 15 years, Dan Winters, the photojournalist and portrait artist has used a 110-year-old building near Austin as the engine room for his outsize creative drive
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Dan Winters: Road to Seeing
Link: Strobist: Dan Winters: Road to Seeing I am at a loss for a quick way to describe Dan Winters’ just-shipped book, Road to Seeing. That’s because it defies nearly any category of photo book I have seen to date.
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A Last Look at Space Shuttles (5 Photos)
Link: A Last Look at Space Shuttles (5 Photos) | PDN Photo of the Day Dan Winters offers an exclusive view on America’s space shuttles and space exploration through his most recent work, Last Launch, at the Fahey/Klein Gallery in Los Angeles
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Dan Winters Retrospective by Nick Offerman
LightBox | Time Read the latest stories about LightBox on Time via Time: http://lightbox.time.com/2012/09/12/dan-winters-in-a-thousand-words-an-ode-to-a-friend-by-nick-offerman/#1 I arrived at the location with a canvas army backpack filled with ice and a case of Coronas. To my relief, my new compatriots quickly confirmed that I had acted appropriately in the arena of refreshments, then Dan took one look…
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Photographs of the U.S. Space Program
LightBox | Time Read the latest stories about LightBox on Time via Time: http://lightbox.time.com/2012/08/13/last-launch-dan-winters-and-the-shuttle-program/#1 Dan Winters, who grew up during the golden age—the Cronkite Age—of space reporting, is one of the photographers who has mastered the craft best. As the images that follow—taken from his new book, Last Launch—show, he has proven himself a virtuoso…
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Dan Winters Interview – Part 2
Dan Winters Interview – Part 2 – A Photo Editor Dan Winters interview part 2. Part 1 is (here). Dan: I worked for Chris for exactly a year. When my year was coming up, and I said, ” two more months left.” And he’s like, “you’re really going to stop?” and I said, “yeah, I…
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Dan Winters Interview – Part 1
Dan Winters Interview – Part 1 – A Photo Editor Dan Winters is one of the most recognizable, awarded and sought-after editorial photographers in the world. I’ve worked with him a number of times, even visited his studio in Austin, but it wasn’t until I got the chance to interview him that I fully under…
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PDNPulse: The Dan Winters Issue of New York
Dan Winters spent 22 days in New York photographing dozens of New York power brokers, New York newsmakers of the past (wow, Frank Serpico looks nothing like Al Pacino, but Joey Buttafuoco has turned into John Belushi) , New York director Woody Allen, New York pride and joys like Deborah Harry, and 36 New York…
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The Unpublished Dan Winters: Texas Monthly January 2008
: Every photographer is limited by certain constraints—the subject of a story, an art director’s vision, a client’s directives—so the images he produces are not truly his own. You might say, then, that his most genuine work, the work that best reveals the clarity of his eye, is that which he produces just for himself.…