In a year of war, New York Times photographers have reported from the front line, from cities and villages and in the footsteps of refugees. These pictures stayed with them.
Here, instead, 14 photographers who have worked in Ukraine for The Times each answer the same two questions: What image has stayed with you from your coverage of the first year of the war, and why?
Canada’s helicopter deal may be on the rocks, but concerns about human rights abuses in the Philippines remain. Daniel Berehulak is a photojournalist who won a Pulitzer for his photos documenting extrajudicial killings under President Duterte.
The bodies pile up in morgues and on the street, hands tied behind their backs, their faces wrapped in tape. They’ve been executed, sometimes in their own homes, often as their families watched in horror.
These stories come to us through the photos of Daniel Berehulak
Daniel Berehulak’s gripping coverage in The New York Times of state-sanctioned killings in the Philippines and E. Jason Wambsgans’s chronicling for the Chicago Tribune of a 10-year-old gunshot victim’s recovery were awarded the Pulitzer Prize for breaking
Daniel Berehulak was awarded the Pulitzer Prize – his second – for breaking news photography for his coverage in the New York Times of the brutal antidrug campaign by President Rodrigo Duterte of the Philippines. E. Jason Wambsgans of the Chicago Tribune received the Pulitzer Prize for feature photography for a story that chronicled the recovery of a 10-year old boy who was the victim of a shooting.
For powerful storytelling through images published in The New York Times showing the callous disregard for human life in the Philippines brought about by a government assault on drug dealers and users. (Moved into this category from Feature Photography by the nominating jury.)
Daniel Berehulak, shooting for The New York Times, was today named the National Press Photographers Association’s Best Of Photojournalism 2016 Photojournalist of the Year (Large Markets), and Scott McIntyre of the Naples (FL) Daily News was selected as th
Judges picked Al Bello of Getty Images as the 2016 Sports Photojournalist of the Year. It should be noted that photographers from Getty Images accomplished a total sweep of the category, from first place to honorable mentions. The runner-up in this category is Patrick Smith of Getty Images, and third place is Matthias Hangst of Getty Images. Honorable mentions were awarded to Cameron Spencer of Getty Images AsiaPac, and to David Ramos of Getty Images.
I think it comes down to how we differentiate ourselves from the “clutter” and how we differentiate our content. Because we ARE journalists…that we use due diligence…check our information and our sources when we are producing it…and when we are consuming it we have to be wary. There are so many different feeds available now…that we can tailor that. If you’re doing research on a certain story…you can “harness” all of this information and use it to our advantage. There is always going to be clutter…but the most exciting thing is that we are now living in a generation that is so much more visually intelligent than it ever was…so it’s up to us…as we are consuming so much more imagery these days. I want to see that as an opportunity on how we can harness these audiences…and harness our own work and to get our voices across to the right people.
The 2015 Arthus-Bertrand Visa d’or awards go to the best reportages published between September 2014 and August 2015. Laureates are Daniel Berehulak with The Ebola Epidemic for The Visa d’or Feature , and Bülent Kiliç for the Visa d’or awards for news reporting with Syrian Refugees at the Turkish border
Five international photographers from Getty Images are currently exhibited in part of Festival Visa pour l’image until to September 13th 2015 : Lynsey Addario (Syrian Refugees in the Middle East), Daniel Berehulak (The Ebola Epidemic for The New York Times), Alejandro Cegarra (Living with the Legacy of Hugo Chavez), Edouard Elias (The French Foreign Legion in the Central African Republic) and Omar Havana (Earthquake in Nepal).
Earlier this year, it was pointed out that his work went overlooked in the World Press Photo contest, where 1 in 5 finalists were disqualified for approaching some unacceptable level of post-processing.
Mr. Berehulak, a freelance photographer who works mostly for the Times, has spent four months since August covering the Ebola crisis in Liberia, Sierra Leone and Guinea. As he covered the story’s full arc, he took few breaks and many precautions.
Awarded to Daniel Berehulak, freelance photographer, The New York Times, for his gripping, courageous photographs of the Ebola epidemic in West Africa.
Daniel Berehulak, a freelance photographer for The New York Times, was named Photographer of the Year in the reportage category of the Pictures of the Year International contest. Brad Vest, of the Memphis Commercial Appeal, was named Newspaper Photographer of the Year.
Australian photographer Daniel Berehulak of Getty Images has won Photographer of the Year honors in the Reportage Division of the 72nd annual Pictures of the Year International (POYi) competition, which is currently underway at the University of Missouri
Australian photographer Daniel Berehulak of Getty Images has won Photographer of the Year honors in the Reportage Division of the 72nd annual Pictures of the Year International (POYi) competition, which is currently underway at the University of Missouri in Columbia. Paul Hansen of Sweden and Daniel Rodrigues of Portugal were the first and second runners up, respectively.
Reportage by Getty Images photographer Daniel Berehulak has been in Monrovia, Liberia for the past five weeks documenting, for the New York Times, the Ebola outbreak that has claimed the lives of more than 3,000 people as of Sept. 26, 2014
Daniel Berehulak has been named Photographer of the Year–Freelance at the 2014 Pictures of the Year International Competition. Berehulak, who is based in New Delhi, India, won the honor for a portfolio that includes stories about malnutrition and drug add
To say that I love the photographs by Tony Fouhse might be an understatement. I am a long time fan of his insightful and powerful projects on drug addition and those on the margins, but the work featured today goes further back into his amazing archives
Taking photographs was a challenge for Daniel Berehulak who struggled to find enough space to hold his camera up in the dense and excited crowd. “They were just embracing us,” he says. “It was so overwhelming, but it was so beautiful.”
The John Faber Award for “best photographic reporting from abroad in newspapers of news services” went to Daniel Berehulak of Getty Images for his reporting on the “Pakistan Floods”.
