David Alan Harvey Has Resigned From Magnum Photos
Harvey splits from Magnum
A group of 647 photography students and professionals have together signed a letter demanding Magnum Photos actively participate in addressing sexual
In the nearly three years since the #MeToo movement transformed journalism, Magnum Photos, the world’s most prestigious photo agency, has portrayed itself as an industry leader. Magnum issued a code of conduct for its members in 2018, and its CEO boast
via Columbia Journalism Review: https://www.cjr.org/special_report/magnum-photos-david-alan-harvey.php
Earlier this year, the Magnum Photos agency suspended prominent photojournalist David Alan Harvey indefinitely pending an investigation into a historical
via PetaPixel: https://petapixel.com/2020/10/29/following-investigation-magnum-photos-suspends-david-alan-harvey-for-one-year/
Dear Olivia, I’m writing to you following the statement that you made after the Magnum Photos archive was taken offline…
via duckrabbit: https://www.duckrabbit.info/blog/2020/08/an-open-letter-to-olivia-arthur-president-of-magnum-photos/
Yesterday the Magnum Photo Agency announced that it was suspending long time member David Alan Harvey while it investigates a specific allegation of sexual harassment. This comes on the tail of sev…
via Disphotic: http://www.disphotic.com/magnums-problems-are-bigger-than-david-alan-harvey/
In a shocking photo industry development, the renowned Magnum Photos agency has officially suspended prominent photojournalist David Alan Harvey while it
Magnum Photos and prominent photojournalist David Alan Harvey are under scrutiny online today after some of Harvey’s photographs labeled as ‘Teenage’
David Alan Harvey’s artist talk on the main stage at LOOK3 in Charlottesville on Saturday included several surprises: a peek at some of Harvey’s precocious early work, images from his latest project (called Beach Games, an exploration in black and white o
via PDNPulse: http://pdnpulse.pdnonline.com/2015/06/look3-2015-david-alan-harveys-reunion-with-a-long-lost-subject-and-other-surprises.html
Why the Magnum photographer believes we are all visual storytellers
He’s been everywhere from the dirt-poor towns of Virginia to the dirt-poor favelas of Rio de Janeiro, along the way amassing an amazing portfolio of startling images. We talked to him about where he comes from.
via Vice: http://www.vice.com/read/david-alan-harvey-vice-loves-magnum
David Alan Harvey has documented Brazil many times before, but in “(based on a true story),” he nakedly reveals his thoughts and experiences in a tale of passion, mystery and danger.
via Lens Blog: http://lens.blogs.nytimes.com/2013/04/29/livin-la-vida-rio/
Link: (based on a true story) review – The Photo Society
When you do, you find that David Alan Harvey has accomplished something that writers have been itching to do for a decade or more but have not accomplished – he has broken down the last wall, taken us to the place where he has been, where he still is, as the creator, the photographer, and, most importantly, as the editor.
A Conversation with Jim Estrin, New York Times Lens Blog David Alan Harvey: You will be the third photographer in a row that I have interviewed, who I know as photographers and who have evol…
via burn magazine: http://www.burnmagazine.org/essays/2012/07/interview-with-jim-estrin/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+burnmag+%28burn+magazine%29
I thank him for being open and he invited questions so massive respect for that. I hope this is not…
via duckrabbit: http://duckrabbit.info/blog/2011/01/david-alan-harveys-first-comment-on-the-duckrabbit-blog/
William Albert Allard didn’t play by the rules. But he cobbled together a half century with National Geographic. David Alan Harvey explores how.
via Lens Blog: http://lens.blogs.nytimes.com/2010/12/02/48-years-up-and-down-at-the-geographic/
Having met with success online, David Alan Harvey was ready to gamble on a really risky medium: books.
via Lens Blog: http://lens.blogs.nytimes.com/2010/10/15/titled-burn-but-printed-on-paper/
The key for photographers today is that they must be idea people. Concept people. It is no longer any advantage to have technical skills. Today one needs idea skills, to really have something to say, either journalistically or artistically. I see photography as a language far, far from dead. In my opinion, just being born. I look for visual literacy in a body of work. The makers must be visually literate and the audience must be visually literate as well. Seeking this happy medium of literacy from creator to audience is a full time preoccupation that will never end. However, the pursuit of this ideal is in and of itself an art.
Link: The New York Photo Festival | The Future of Contemporary Photography