How can sustainability emerge in the future without repeating the errors of the past? The series questions the change-over to renewable energy sources and reveals the problems related to the complex geopolitical, social and ecological effects of copper, lithium and cobalt mining.
The Massive Dev Chart app combines the world’s largest film development database from Digitaltruth Photo with an advanced multi-step timer, creating what is probably the best tool ever made for film development.
The photographer Davide Monteleone accompanied Peter Hessler to El-Balyana, in Upper Egypt, to photograph the region’s unusual parliamentary elections.
The photographer Davide Monteleone accompanied Hessler to Egypt to photograph Yusuf on the campaign trail and citizens of Upper Egypt carrying out elections
In the summer of 2014, Davide Monteleone, an Italian photographer who had lived in Moscow for more than a decade, began to travel to the Russian-Chinese border in search of something that felt real and reliable
“Grozny is a city of phantoms. Phantoms of those who died or disappeared in the war—every family has brothers, sons, or a father who left the house and never returned,” writes the Moscow-based journalist Masha Gessen, in the opening text of “Spasibo,” a monograph and exhibition by the Italian photojournalist Davide Monteleone, which examines Chechen identity after centuries of violence and conflict between Chechen separatists and Moscow.
Davide Monteleone’s study on identity gradually became the story of a compromise, that which all the inhabitants of this republic are forced to accept from the authorities in return for a better life. As he was told by a friend in the mountains around Itum-Kali quoting a letter written by Yermolov to Tsar Nicolas I, during the Caucasus campaign: “The Chechens are a combative people, difficult to conquer, easier to buy.”
VII Photo member Davide Monteleone has won the fourth edition of the Carmignac Gestion Photojournalism Award, which financed a four-month project in Chechnya
Photographs by Louie Palu, Asim Rafiqui, Rodrigo Abd, Andrea Bruce, Davide Monteleone, Saiful Huq Omi, Ami Vitale and Donald Weber.
The Aftermath Project, 2011. Softcover. 132 pp., black & white and color illustrations throughout, 11×11
Emerging Photographer Grant 2010 Recipient [slidepress gallery=”davidemonteleone_northerncaucasus”] Hover over the image for navigation and full screen controls Davide Monteleone…
I’ve been working from Chechnya to Dagestan, from Northern to Southern Ossetia, just after the war in August 2008, all the way to Abkhazia, from the Caspian Sea to the Black Sea coasts, crossing geographical and political borders. My interest isn’t to cover the news that brought the region back under the international floodlights, but to carry on a considered path by making notes of the tracks left behind.
After suicide bombers set off two huge explosions, killing dozens in the Moscow subway system last week, attention turned toward Chechnya — the troubled republic in North Caucasus where the Russian government has sought to suppress a violent Muslim uprising since the fall of the Soviet Union in 1991.
The Italian photographer Davide Monteleone has been working there extensively this year, pursuing a project that documents Muslim life and the struggle for stability as the Russian government tries to stamp out the remnants of a war that has continued for nearly 15 years. Based in Rome and Moscow, Mr. Monteleone, 35, is represented by Contrasto.