Adriana Loureiro Fernández from Venezuela is the recipient of this year’s $30,000 W. Eugene Smith Grant in Humanistic Photography for her project, Paradise Lost, which Fernández says is a tribute to her generation’s search for change. The Fund explains that Paradise Lost encapsulates several stories happening at once, amounting to “an untenable situation framed by both tragedy and splendor.”
“I find that showing up and expecting that the universe will deliver, actually paves the way for it to do so. You need patience because often it takes time.” Deanne Fitzmaurice For Deanne Fitzmaurice, Pulitzer Prize-winning photographer, Think Tank Photo
We sat down with Deanne to walk through a wide range of personal and freelance projects to outline what makes a memorable photograph and how to use the art of storytelling to make an impact. With the right mindset, anyone can leave their mark.
I will continue to photograph, film, and document major points in Saleh’s life for as long as he continues to welcome me into his world. Our lives have woven together, and Saleh’s indomitable spirit continues to inspire me every day.”—Deanne Fitzmaurice
Pulitzer Prize-Winner Deanne Fitzmaurice had just finished judging the College Photographer of the Year in Missouri, when she jumped on a plane to join the faculty at the Summit Sports California Photography Workshop near Malibu, CA. While she was in tran
Pulitzer Prize-Winner Deanne Fitzmaurice had just finished judging the College Photographer of the Year in Missouri, when she jumped on a plane to join the faculty at the Summit Sports California Photography Workshop near Malibu, CA. While she was in transit, a prominent photo editor started a discussion on Facebook over whether the desaturated look of the winner, Mathias Svold, adhered to the standards of photojournalism.
One important question has come up consistently throughout Pulitzer Prize winning photojournalist Deanne Fitzmaurice’s career: Can she remain objective while engaging with her subjects? “I c
One important question has come up consistently throughout Pulitzer Prize winning photojournalist Deanne Fitzmaurice’s career: Can she remain objective while engaging with her subjects? “I come from a newspaper background which has a really strict policy about not getting involved with subjects—you could get fired. It’s all about credibility and our photographs being believable,” the photographer and Nikon ambassador told the audience at PhotoPlus Expo during her presentation, “Honest Photography: Learning from a Long-Term Pulitzer Winning Project.”
The 2016 Pulitzer Prize winners will be announced on Monday, April 18, marking the 100th awarding of the prizes since they were initiated in 1917. We recently asked photojournalist Deanne Fitzmaurice how winning the 2005 Pulitzer Prize for feature photogr
When you win, your phone is going to start ringing like crazy, your inbox is going to fill up and there are going to be lots of opportunities to to go out and talk about your work and your process. It’s easy for it to become a distraction. After I won, I spent the following year doing speaking engagements and other things related to that project. It was a great honor and privilege, but then I felt like: enough talking, just start producing some work.
By Jim ColtonSo you won a Pulitzer Prize…nice…but what have you done lately? Well, if you’re Deanne Fitzmaurice, you’ve followed and photographed the subject of your Pulitzer for almost 10 years; created a camera bag and accessories company; launched
So I screwed up my great moment with Ansel Adams, a photographer that did what I am always trying to do to this day; humanize someone or some issue. He let down his guard and gave me a moment and it is forever gone. I learned my first big lesson in photography and now I double check everything and try to always be ready for any kind a moment that could happen.
