Tag: Greg Miller
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One Photographer’s Case for Large Format Film | PhotoShelter Blog
One Photographer’s Case for Large Format Film – PhotoShelter Blog Greg Miller’s large format photography has appeared in numerous publications including The New York Times Magazine, New York Magazine, TIME, Esquire, Fortune, LIFE, and more. In 2008, his enthralling portraiture earned him a Fellowship in photography from the John Simon Guggenheim Foundation. We recently interviewed…
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The Bus Stop Between Two Worlds: Photographs by Greg Miller
LightBox | Time Read the latest stories about LightBox on Time via Time: http://lightbox.time.com/2013/09/04/the-bus-stop-between-two-worlds-photographs-by-greg-miller/#1 As students all over the world head back to school after the summer break, LightBox presents Greg Miller’s large-format 8×10 series on school bus stops alongside rural roadways. Below, Miller reflects on his life as the father of two daughters, and…
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Greg Miller captures relationships at county fairs across America
Capturing the Human Dramas at County Fairs Greg Miller isn’t really interested in fairs, per se—at least not the rides or the colors or the lights. He’s more interested in the people you find… via Slate Magazine: http://www.slate.com/blogs/behold/2013/08/20/greg_miller_captures_relationships_at_county_fairs_across_america_photos.html Miller used an 8-by-10 view camera, which required him to stop and talk to every person he wanted…
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Greg Miller’s Waiting For…
LightBox | Time Read the latest stories about LightBox on Time via Time: http://lightbox.time.com/2011/06/22/greg-millers-waiting-for/#1 Photographer Greg Miller goes after the truth in a different way. He studies his subjects, makes their acquaintance at state fairs, on gas station parking lots, at the drive-in. He figures out who they are and what they stand for. And…
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l e n s c r a t c h: Greg Miller, Galeria Tagomago..and me
Greg Miller began the series County Fair in 2005, after happening upon the National Date Festival in Indio, California. The common photographic themes prevalent at fairs like the kitsch, the animals and the carnival workers were not interesting to Miller. Instead, it was the fair’s piazza-like orientation that recalled for Miller the experience of photographing…