Tag: Heather Oelklaus

It is hard to remember which of Heather Oelklaus’ various projects I first encountered. Was it the image grids from her pinhole camera truck, Little Miss Sunshine? The shadow puppet cyanotypes on Braille paper? Maybe the large scale, complex photograms of her series Tittle? Her work is richly diverse, delightfully whimsical, and each series surprises the viewer with her innovative exploration of process and subject matter. I interviewed Heather about her work and creative practice.