A woman bundles up behind a jumble of mismatched chairs. A man at a table leans into his palm. A veiled woman averts her eyes as she steps into the light. Some of these photos are sentences, others phrases, and still others seem to be straight out of a Joseph Brodsky poem. For Igor Posner, they represent the “half-seen, half-recollected” return to his hometown — St. Petersburg — where he had not been since coming to America as a 20-year-old Jewish refugee in the early 1990s.
When, in 2006, Igor Posner went back to Saint Petersburg, which he had left as a teenager to emigrate with his family to the United States, his position was clear: “I was not looking for the past and never went back to the places where I grew up. I wanted to be like a stranger there, and confront myself to people I would not otherwise meet people who almost scared me at times.”
[slidepress gallery=’igorposner_notesfromunderground’] Hover over the image for navigation controls ESSAY CONTAINS EXPLICIT CONTENT Igor Posner Notes from Underground play multimedia &n…
“Leningrad creates a feeling of a lost and a haunted city, an open nerve, where little tragedies of every day life that seem universal are so acutely brought to surface…with its bars, streets, drunks, communal apartments this place creates a sense of an inexistent dream within an authentic nightmare, and yet paradoxically conveys a feeling of poetic nostalgia and melancholy.”