Tag: Jack Latham

  • Jack Latham Interview: Is Conspiracy a Medium? – AMERICAN SUBURB X

    Jack Latham Interview: Is Conspiracy a Medium? – AMERICAN SUBURB X

    Jack Latham Interview: Is Conspiracy a Medium?

    “The case it focuses on, saw six innocent young people all suffer memory-distrust syndrome due to coercion by the police and confess to murdering two men in Iceland of which they had no links. This was achieved by the police by enforcing a narrative onto

    via AMERICAN SUBURB X: https://americansuburbx.com/2020/03/jack-latham-interview-is-conspiracy-a-medium.html?utm_source=rss&utm_medium=rss&utm_campaign=jack-latham-interview-is-conspiracy-a-medium

    “The case it focuses on, saw six innocent young people all suffer memory-distrust syndrome due to coercion by the police and confess to murdering two men in Iceland of which they had no links. This was achieved by the police by enforcing a narrative onto the alleged until ultimately, they doubted their own beliefs in their memories”.

  • Jack Latham | 1000 Words

    Jack Latham | 1000 Words

    Jack Latham | 1000 Words

    n the occasion of his solo exhibition currently at RPS House Bristol, photographer Jack Latham sits down with 1000 Words Editor, Tim Clark to discuss his latest body of work Sugar Paper Theories. The project delves into Iceland’s unsolved, double-murder i

    via 1000 Words: http://www.1000wordsmag.com/jack-latham/

    n the occasion of his solo exhibition currently at RPS House Bristol, photographer Jack Latham sits down with 1000 Words Editor, Tim Clark to discuss his latest body of work Sugar Paper Theories. The project delves into Iceland’s unsolved, double-murder investigation from 1974 – known as the Gudmundur and Geirfinnur case – following the disappearance of two men in separate incidents in the country’s southwestern region. By deftly fusing photographs of key protagonists implicated in the historical event – suspects, whistleblowers, conspiracy theorists, expert witnesses and bystanders – with archival material from the original police files, Latham pieces together a narrative reconstruction of the case to explore the machinations of memory and the power of suggestibility, as well as photography’s truth claims.