Tag: Karim El Maktafi

  • Karim El Maktafi – Hayati « burn magazine

    Karim El Maktafi – Hayati

    Karim El Maktafi Hayati [ EPF 2017 – YOUNG TALENT AWARD / FUJIFILM FINALIST ]   Hayati (“my life” in Arabic) is a visual journal realized exclusively with a smartphone. Hayat…

    via burn magazine: http://www.burnmagazine.org/essays/2018/02/karim-el-maktafi-hayati-2/

    Hayati (“my life” in Arabic) is a visual journal realized exclusively with a smartphone. Hayati reflects on my identity as a second-generation Italian. Son of immigrants, born and raised in Italy, balance between two realities that at first sight might seem incompatible. To produce this story, I became both its subject and its object. I was born in Desenzano del Garda, a village near Brescia, Italy, from Moroccan parents. Growing up between two worlds forced me to sharpen my gaze and to compare these perspectives which often diverge from each other.

  • Karim El Maktafi – Hayati « burn magazine

    Karim El Maktafi – Hayati

    Karim El Maktafi Hayati Hayati (“my life” in Arabic) is a visual journal realized exclusively with a smartphone. Hayati reflects on my identity as a second-generation Italian. Son of immigrants, bo…

    via burn magazine: http://www.burnmagazine.org/essays/2017/07/karim-el-maktafi-hayati/

    Hayati (“my life” in Arabic) is a visual journal realized exclusively with a smartphone. Hayati reflects on my identity as a second-generation Italian. Son of immigrants, born and raised in Italy, balance between two realities that at first sight might seem incompatible. To produce this story, I became both its subject and its object. I was born in Desenzano del Garda, a village near Brescia, Italy, from Moroccan parents. Growing up between two worlds forced me to sharpen my gaze and to compare these perspectives which often diverge from each other. Embracing a single identity is not easy; feeling out of place or like an odd cultural hybrid often happens. Yet, while trying to define this identity, one understands the privilege of “standing on a doorstep” at the edge of two environments. One can decide who to be, where to belong, or to create new ties, while keeping alive the experiences learnt along the path. One must learn to juggle multiple languages, cultural taboos, references, prohibitions, and learn to teach those who are not also standing on the doorstep. I had to travel inside my own life and family. I faced doubts, hesitations and afterthoughts, but I realized an honest portrait of how I have lived until today. The most interesting aspect of this story — of my story — is the creation of a less restricted reality. One that is undefined, in which various beliefs and experiences thrive and form a unique harmony. Hayati was made between Italy and Morocco during a year-long scholarship at Fabrica, Benetton Group’s communication research centre based in Treviso, Italy.