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Tag: Klaus Pichler
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Go inside the surreal world of Vienna’s vanishing dive bars – The Washington Post
Go inside the surreal world of Vienna’s vanishing dive bars
Photographer Klaus Pichler documents the dwindling days of Vienna’s Branntweiners
via Washington Post: https://www.washingtonpost.com/news/in-sight/wp/2016/07/05/go-inside-the-surreal-world-of-viennas-vanishing-dive-bars/
Clemens Marschall and Klaus Pichler’s new book, “Golden Days Before They End” (Editions Patrick Frey, 2016) follows in a well-established photo documentary tradition of shining light on life’s underbelly
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Enter the Strange World of Vienna’s Disappearing Drinking Dens – Feature Shoot
Enter the Strange World of Vienna’s Disappearing Drinking Dens – Feature Shoot
Following the sounds of laughter on the streets of Vienna, two documentarians – one collecting photographs, the other collecting words – set out to explore behind the doors of the city’s drinking dens, which are slowly dropping into non-existence.
via Feature Shoot: http://www.featureshoot.com/2016/06/enter-the-strange-world-of-viennas-disappearing-drinking-dens/
In their book Golden Days Before They End, the reflections and anecdotes from Clemens Marschall lend context and meaning to the raw imagery by Klaus Pichler, who with his lens, gets up so close that we can almost smell the age-old fabric of the sofas, and the beer spills and cigarettes that set the mise en scène. The combination of pictures and words sew together the last vestiges of these bars – an ode to the drama, the people, the craziness, and the ritual of Vienna’s Brannweiner
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Portraits of Cosplayers at Home
Portraits of Cosplayers at Home
In Just The Two Of Us, Austrian photographer Klaus Pichler orchestrates a mysterious series of portraits of people who dress in elaborate costumes, reinventing themselves—be it for fandom, cultural traditions, or just for kicks. Pichler captures his subje
via Feature Shoot: http://www.featureshoot.com/2013/11/portraits-of-cosplayers-at-home/
In Just The Two Of Us, Austrian photographer Klaus Pichler orchestrates a mysterious series of portraits of people who dress in elaborate costumes, reinventing themselves—be it for fandom, cultural traditions, or just for kicks. Pichler captures his subjects in their homes among their things, juxtaposing the reality of their surroundings with the fantasy of their alternate identity.