“In 1989, I discovered them in my own back yard, land-hungry and dirt poor. They came looking for work in the vegetable fields and fruit orchards of L…
From iconic images of major world events, to intimate moments of pleasure and delight — here is an outstanding selection of remarkable images from Magnum Photos — each with a personal story
Growing up as a young Jewish boy In Iowa Jeff Jacobson was always drawn to uncovering an alternative history. “I was born in 1946, so I grew up in the ‘50s,” says Jacobson. “It was Eisenhower, it was McCarthy, and I knew that there was an alternative narrative that wasn’t being told, that was different from the official narrative. I remember as a kid I would go to the library and I would get biographies of Indian chiefs. I knew from a very young age that the Indians were not the bad guys. I was kind of the odd one out. I kind of would remove myself into the woodwork to watch. And it turned out to be great training to be a photographer.”
Photos taken by Larry Towell at Standing Rock over a period of six months are being exhibited at the Visa Pour l’Image photo festival in Perpignan, France, this month.
this photo is jarring for the woman in the fashionable jacket putting her hand to the shield — as if pushing (or pushing back) with the strength of modernity.
Last May, five Magnum photographers (Paolo Pellegrin, Jim Goldberg, Susan Meiselas, Mikhael Subotzky and myself) and the writer Ginger Strand, set out from San Antonio, Texas in an RV named Uncle J…
His just-published series of photos of topless Haitian women receiving care in makeshift “emergency tents” after the earthquake is gratuitous, racist and disgusting.
In Access to Life, eight Magnum photographers portray people in nine countries around the world before and four months after they began antiretroviral treatment for AIDS. Paolo Pellegrin in Mali, Alex Majoli in Russia, Larry Towell in Swaziland and South Africa, Jim Goldberg in India, Gilles Peress in Rwanda, Jonas Bendiksen in Haiti, Steve McCurry in Vietnam and Eli Reed in Peru
Initially Larry Towell wished to document the birth of a nation, following the Oslo-Agreement. Instead he ended up documenting what he would later refer to as “the World’s largest open-air prison”. In 2001 he was given a small video camera and began to maintain a video diary while working in Israel and Palastine. In his 40 minute documentary “Indecisive Moments” – which won the “Achievement in Filmmaking for a Documentary” award at the 2007 New York International Independent Film and Video Festival, also known as “the voice of indie film” – Larry Towell documents events and perspectives of those caught up in violence. The result is a highly personal documentary from the perspective of one of the world’s most acclaimed photojournalists. “Indecisive Moments” bridges the gap between artist and reporter bringing the viewer inside Towell’s highly stylized world.
A mid-career retrospective, this exhibition explores the issues of land and landlessness in two parts. The first section reveals Larry Towell’s family and their relationship to their land in Ontario. Most of the photographs in this section were taken within 100 yards of his front porch. The second section reviews Towell’s work over the past twenty years documenting the crisis of human landlessness throughout the world, from Central America to the Middle East. Writes Towell, “We must address these crises in order to achieve a more stable and peaceful world.”