In a year of war, New York Times photographers have reported from the front line, from cities and villages and in the footsteps of refugees. These pictures stayed with them.
Here, instead, 14 photographers who have worked in Ukraine for The Times each answer the same two questions: What image has stayed with you from your coverage of the first year of the war, and why?
Mauricio Lima of Brazil has been named Photographer of the Year in the third Pictures of the Year Latin America contest. Daniele Volpe of Guatemala was awarded second place and Alejandro Cegarra of Venezuela took third in the same category, while Daniel Rodriguez of Portugal was awarded an honorable mention.
The New York Times and Thomson Reuters shared the Pulitzer Prize for breaking news photography for coverage of Europe’s refugee crisis. Jessica Rinaldi of the Boston Globe won the feature photography prize for her story of a boy who endured abuse at the h
The New York Times and Thomson Reuters shared the Pulitzer Prize for breaking news photography for coverage of Europe’s refugee crisis. The Times’s team was comprised of Mauricio Lima, Sergey Ponomarev, Tyler Hicks and Daniel Etter. This is the newspaper’s fourth photo Pulitzer in the past three years.
Two photo teams have won for Breaking News Photography this year—both for coverage of the refugee crisis. The Feature Photography prize went to Jessica Rinaldi.
Two photo teams have won Pulitzer Prizes for Breaking News Photography this year: one prize went to Mauricio Lima, Sergey Ponomarev, Tyler Hicks and Daniel Etter of The New York Times and the second went to the photography staff of Thompson Reuters. The Pulitzer Prize for Feature Photography went to Jessica Rinaldi of The Boston Globe. The prizes were announced this afternoon at the Columbia University School of Journalism in New York.
Mauricio Lima went to remote villages, up the river and even to a prison, to document his countrymen’s passion for the sport, as well as their lives, during the World Cup.
Mauricio Lima has been in Brazil for the World Cup. Not exactly at the games, mind you, but going deep into the hearts — and jungles — where love of the game sustains and thrills (at least until the Brazilian team’s loss this week to Germany).
Days before the frenzied jubilation at the capture and death of Col. Muammar el-Qaddafi, Mauricio Lima had been patiently — and persistently — working the streets of Surt. Though overseas interest had waned in recent days, his attention did not. He was close up and alongside fighters as they pursued their elusive target, and his images are suffused with a nuanced touch because of that.
