In a year of war, New York Times photographers have reported from the front line, from cities and villages and in the footsteps of refugees. These pictures stayed with them.
Here, instead, 14 photographers who have worked in Ukraine for The Times each answer the same two questions: What image has stayed with you from your coverage of the first year of the war, and why?
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Earlier this month, TIME published A Syrian Tragedy: One Family’s Horror, a series of images shot by freelance photographer Nicole Tung. The images, shot in Aleppo as the Syrian city was under attack, portray civil casualties, highlighting how the war has torned apart families. For the past four months, Nicole has been documenting the uprising in Syria. Months before, she was in Libya, covering her first violent conflict at just 25.
In an interview with Photojournalism Links, she tells us more about her work in Syria, how she gained access to the country and what she’s seen there.
Conflict, available now on Netflix, comprises six episodes. Photographers Pete Muller, Joao Silva, Donna Ferrato, Nicole Tung, Robin Hammond, and Eros Hoagland are each given seven minutes or less to explain, justify, or simply to testify to the years they’ve spent on the frontline of some of the world’s deepest traumas. The entire series is barely 35 minutes, and those minutes go by in the blink of an eye, but—like the photographs made by its heroes and heroines—they stick around for a while.
