Rania Matar / Leica Oskar Barnack Award
via Rania Matar / Leica Oskar Barnack Award: https://www.leica-oskar-barnack-award.com/bildstrecken-finalisten/2023/rania-matar.html
via Rania Matar / Leica Oskar Barnack Award: https://www.leica-oskar-barnack-award.com/bildstrecken-finalisten/2023/rania-matar.html
To expand diverse representation in photography.
via PetaPixel: https://petapixel.com/2022/03/09/leica-announces-leica-women-foto-project-award-winners-and-mentees/
Rania Matar uses photography to highlight the shared human experience, particularly that of women, in both the United States and the Middle East.
via Washington Post: https://www.washingtonpost.com/news/in-sight/wp/2017/12/15/rania-matar/
Link: A Show of Strength by Middle Eastern Women Photographers – NYTimes.com
“She Who Tells a Story” opens at the Museum of Fine Arts in Boston this week. Four of the artists included are Iranian; three — Ms. Tavakolian, Gohar Dashti and Shadi Ghadirian — live and work in Iran today. The exhibit also highlights work by Jananne Al-Ani, Boushra Almutawakel, Rana El Nemr, Lalla Essaydi, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar and Shirin Neshat, the fourth Iranian artist, who lives in New York.
Discover and share the best in contemporary photography
via LensCulture: http://www.lensculture.com/webloglc/mt_files/archives/2011/10/teenage.html
Rania Matar’s work focuses mainly on women and women’s issues. She has created searing documentaries of the lives of women and children in the Middle East, the Palestinian refugee camps, the recent spread of the veil and its meanings, the aftermath of war and the Christians of the Middle East. The universal theme: revealing the day-to-day existence of people who have been forgotten or misunderstood with singular compassion and sensitivity. At her home Boston, Massachusetts, she photographs her four children at all stages of their lives and is currently working on a new body of work, “A Girl and her Room,” photographing teenage girls from different backgrounds
Link: Rania Matar: Personal and Poetic, Part 2 « The Leica Camera