I was recently introduced to Sarah Hoskins’ work as a fellow Lexington photographer who imbeds themselves into communities for their practice. I was immediately intrigued by her ability to get access to these small communities and show their intimate mome
I was recently introduced to Sarah Hoskins’ work as a fellow Lexington photographer who imbeds themselves into communities for their practice. I was immediately intrigued by her ability to get access to these small communities and show their intimate moments. The photographs depict families and friends living their lives working, relaxing and worshiping together. Sarah’s work with the towns of eastern and central Kentucky seem to be an investigation of not the general culture and economy of the region, but of relationships and a way of life. I am constantly reminded of the work of Arthur Rothstein’s work in Alabama in the late 1930s. Both are not looking to exhibit labor and abuse of these communities, but their way of life and a portrait of a region and its angelic citizenry.
