Intro
Website of visual Artist James Pomerantz
Link: http://www.aphotostudent.com/2010/03/08/visura-magazine-issue-8/
Website of visual Artist James Pomerantz
Link: http://www.aphotostudent.com/2010/03/08/visura-magazine-issue-8/
In October 2010, Simon Norfolk began a series of new photographs in Afghanistan, which takes its cue from the work of nineteenth-century British photographer John Burke. Norfolk’s photographs reimagine or respond to Burke’s Afghan war scenes in the context of the contemporary conflict. Conceived as a collaborative project with Burke across time, this new body of work is presented alongside Burke’s original portfolios.
Already an award-winning photographer of contemporary Afghanistan, Simon Norfolk returned this time to follow the footsteps of a relatively unknown Irish war photographer, John Burke, who had documented the Second Anglo-Afghan War (1878-1880). An immensely engaging book presents the works of both photographers, as well as compelling essays that offer context to this subtle and complex work.
Photojournalism can be like “trying to play Rachmaninoff while wearing boxing gloves,” as former photojournalist Simon Norfolk put it. One looks for the dramatic, the iconic, the universal, and in doing so the photographer then often simplifies the situation, removing it from a specific context that may help explain what the viewer will be seeing.
Photojournalism can be like “trying to play Rachmaninoff while wearing boxing gloves,” as former photojournalist Simon Norfolk put it. One looks for the dramatic, the iconic, the universal, and in doing so the photographer then often simplifies the situation, removing it from a specific context that may help explain what the viewer will be seeing.
Simon Norfolk’s photographs present the stark reality of Spain’s economic collapse, conveying the sense of uncertainty and foreboding that sheaths the …
via The New Yorker: http://www.newyorker.com/online/blogs/photobooth/2013/02/slide-show-simon-norfolk-photos-of-spains-economic-collapse.html#slide_ss_0=1
Simon Norfolk’s pictures of Afghanistan in The New York Times Magazine involved collaboration with a 19th-century photographer.
via Lens Blog: http://lens.blogs.nytimes.com/2011/04/21/a-collaboration-across-130-years/
The artists Institute represents are Jodi Bieber, Rena Effendi, Lauren Greenfield, Rob Hornstra, Nadav Kander, Gillian Laub, James Longley, Gerd Ludwig, Joshua Lutz, Amanda Micheli, Richard Mosse, Zed Nelson, Jehad Nga, Simon Norfolk, James Pomerantz and Paul Shambroom.
Link: PDNPulse: Former VII Director Signs Prominent Photogs to New Management Company
Simon Norfolk’s presentation was very smooth, this guy has a mind you don’t want to meet in a darkened alley. How this guy gets access to the places he does is a miracle. He basically makes you want to give up photography because the rigor of his ideas sucks all the oxygen out of the room faster than a fuel-air explosion. I think we all felt our innards leaving our mouths at the end
Check it out here.
In this clip, curator Kathy Ryan and photographer Simon Norfolk talk about Norfolk’s project photographing missiles and rockets:
Check it out here.