In these photographs, Tim Hetherington takes a look at the eyes of those who cannot see. From 1999 to 2003, the late photographer visited the Milton Margai School for the Blind in Sierra Leone. Most of these sightless children were victims of the civil war, which began in 1991. Some were mutilated by rebel fighters while others were blinded by shrapnel.
“War gives you meaning,” he said, “an appreciation of life, and a chemical rush. That’s good. If anything else gave you all that, I’d be doing it every day. War is giving you these things that everyone seeks and presents it in a package. You never get those three things together in anything else. You can go skydiving but that’s not meaningful, it’s just an indulgence. War is everything.”
There’s a long moment of dread near the beginning of Sebastian Junger’s new film about the life and death of Tim Hetherington. A video camera pans around a car full of journalists covering the uprising in Libya in April 2011. Hetherington and Chris Hondro
There’s a long moment of dread near the beginning of Sebastian Junger’s new film about the life and death of Tim Hetherington. A video camera pans around a car full of journalists covering the uprising in Libya in April 2011. Hetherington and Chris Hondros are among them. As the car sets off through war-ravaged streets, Hetherington can be overheard asking, “Which way is the front line from here?”
“When people came in for Tim’s memorial in New York in May 2011, some were journalists who’d been with Tim during the attack,” Sebastian said in a recent interview. “So I just thought I wanted to talk to them, interview them about what had happened.”
Soon, his exploration of Tim’s death, and life, turned into a full-length documentary, “Which Way Is the Frontline From Here: The Life and Times of Tim Hetherington.” Backed by HBO, which also bankrolled “Restrepo,” it will run on April 18, two days before the second anniversary of Tim’s death.
This week, Yossi Milo Gallery presents “Inner Light: Portraits of the Blind,” an exhibition of the black-and-white photographs Hetherington took between 1999 and 2003 at the Milton Margai School for the Blind in Freetown, Sierra Leone
Tim Hetherington is trying to explain why he documents war. He launches into a cliché about violence and the “human experience” but quickly stops, laughs and says, “No, that sounds too fucking bullshit.” It’s the opening scene from HBO’s new documentary a
It’s the opening scene from HBO’s new documentary about Hetherington called Which Way Is the Front Line From Here? The Life and Time of Tim Hetherington. The film, which airs April 18, is a posthumous recounting of one of the most impressive photojournalism careers to date, directed by one of Hetherington’s close colleagues, Sebastian Junger.
The Coroner’s Court in Westminster, UK, carrying out an inquest into the death of photographer Tim Hetherington concluded that his death was “unlawful,” The Independent reports. The photojournalist and documentary-film maker died April 20, 2011 in a mort
When Sebastian Junger began to piece together the last hours of a photographer killed in Libya, it led him to make a film about his friend’s life, a work which receives its world premiere on Sunday.
“Which Way is the Front Line from Here? The Life and Time of Tim Hetherington,” Sebastian Junger’s documentary about the life and work of his friend and colleague, the award-winning photographer, will premiere at the Sundance Film Festival in January in P
Vice photographer Robert King apparently lied on his Facebook page and Twitter in order to protect McAfee. Like McAfee, he claimed that the geodata in the photo had been manipulated to conceal their true location.
This explanation, of course, made no damn sense at all. If McAfee and King were trying to conceal their location by spreading disinformation, why immediately admit to it?
A new book, Photographs Not Taken, conceived and edited by photographer Will Steacy compiles personal essays written by more than 60 photographers about a time when they didn’t or just couldn’t use their camera.
Judith Hetherington talks about her son’s legacy on the eve of his first major posthumous solo exhibition.Judith Hetherington talks about her son’s legacy on the eve of his first major posthumous solo exhibition.Judith Hetherington talks about her son’s l
“I didn’t really worry,” Judith Hetherington, mother of “Restrepo” co-director Tim Hetherington said. “I didn’t because I don’t think we can do anything about it. Tim had chosen his path.” In nine days, it will be the one-year anniversary of his death in Libya. Thursday will be the opening of his first posthumous solo exhibition.
Magnum, who now distribute Tim Hetherington’s work (not without controversy), have just made available in their archive The Libya Negs: Tim Hetherington’s Last Images. Included in the selection is an image captioned “LIBYA. Misurata. April 20, 2011. Tim’s last photograph.”
Tim Hetherington changed lives and journalism. A friend reflects on that enduring legacy, and how it inspired an exhibition opening this weekend in New York.
Yet one of Tim’s most lasting legacies will be the changes he almost single-handedly wrought in the worlds of photojournalism and multimedia. This weekend, we’re opening an exhibit of his work at the Bronx Documentary Center, a gallery inspired by Tim’s vision and friendship
More than a thousand relatives, friends and colleagues paid their last respects to photographer and filmmaker Tim Hetherington today, in a requiem mass held in London.
I flinch from making too much of the deaths of journalists in conflicts, even that of friends. The Wall Street Journal reported Thursday that in the same counterattack that killed Hetherington and Hondros, seven rebels had been killed as well as a doctor about to leave for work at the overwhelmed local hospital. His wife, a nurse, lost both her legs. They were unnamed.
his event [will be a place for] the entire NY Photo community to gather together, celebrate the lives of Tim and Chris while also generating funds for the recovery of Guy and Michael who will be in great need over the coming months
The families of two photojournalists killed in a rocket attack on Misrata, Libya, on April 20 are organizing memorials. Dean Hondros, brother of photographer Chris Hondros, announced that a memorial service will take place Wednesday, April 27, at 1 pm at