We had many, many talks about whether what we were doing should be made public in a serialized way. I was much more worried about it that she was. I didn’t want to turn what we were doing into a reality show and I didn’t want to jeopardize her safety in any way, either on the street amongst her peers or with the police (who, after a while, were following the blog).
To say that I love the photographs by Tony Fouhse might be an understatement. I am a long time fan of his insightful and powerful projects on drug addition and those on the margins, but the work featured today goes further back into his amazing archives. Though almost 40 years old, his photographs reveal a
To say that I love the photographs by Tony Fouhse might be an understatement. I am a long time fan of his insightful and powerful projects on drug addition and those on the margins, but the work featured today goes further back into his amazing archives
The book Live Through This begins with a conversation in which photographer Tony Fouhse bluntly asks Stephanie MacDonald, a young heroin addict whose recovery he’s been documenting: “You know how this should have ended? You should have died.”
When Tony Fouhse first exhibited his stylized photographs of crack addicts made on a street corner in Ottawa, Canada, he was unsure what the reaction of the opening-night audience would be. But he knew that some of those in attendance would approve: the subjects themselves.
